Cinema Eye Honors, a leading awards body that celebrates nonfiction filmmaking, announced today its full list of nominees for 2022. Sara Dosa’s Fire of Love (Filmmaker’s summer issue cover) and Alex Pritz’s The Territory both lead with seven nominations each across several categories, including editing, cinematography, sound design, direction and Outstanding Nonfiction Feature. Other films with multiple nominations are Laura Poitras’s All the Beauty and the Bloodshed (our recent fall issue cover), Shaunak Sen’s All That Breathes and Brett Morgen’s Moonage Daydream, among others.  Women are particularly well-represented among this year’s nominees, including five out of six filmmakers highlighted in […]

Moderated by Darrien Gipson, Executive Director of SAGindie, this year’s Wonder Women: Producers discussion at the SCAD Savannah Film Festival was a must-catch, mostly for two glaringly obvious reasons, with the first being the wide diversity of the participants. Alongside white Brits Alison Owen (Elizabeth, Saving Mr. Banks, perennial panelist and SCAD Savannah Film Festival Advisory Board member) and manager/producer Laura Berwick (Belfast, All is True, and Sir Kenneth’s longtime rep), there was the English-Jamaican writer/actress/producer Nicôle Lecky (Mood, The Moor Girl) and American actress/producer Jurnee Smollett (Lovecraft Country, Birds of Prey). Then there was the second reason—the presence of “grande dame” of indie […]

DOC NYC, the largest documentary film festival in the U.S., kicks off this Wednesday, November 9. Featuring more than 200 films among this year’s roster, the fest will run in-person and online from the 9th to the 17th, with New York City screenings and events taking place at IFC Center, SVA Theater and Cinépolis Chelsea. Additional virtual screenings will be streamable for audiences across the U.S. until November 27.  Whether you plan on attending locally or from afar, we’ve compiled a list of 13 films to catch at this year’s 13th edition of DOC NYC, sourcing from our own previous […]

Probably as a consequence of reading Viennale 60. On Film Festivals during my long train ride back to Berlin, a few of the films I saw at this year’s Viennale became emblematic of my four days there and of the festival as a whole. Published on the occasion of the 60th anniversary, the book collects essays by and conversations between two dozen experts: current and former directors of Europe’s major fests (Cannes’ Thierry Frémaux is conspicuously absent), programmers, curators, critics and scholars, as well as one filmmaker, festival fixture Denis Côté. Spread over some 200 pages, these combine into a […]

Today, the Sundance Institute and Sandbox Films announced the 10 projects selected as this year’s cohort for the Sundance Institute | Sandbox Fund. Geared toward supporting nonfiction films that explore the link between science and culture, the fund offers grants from development through post-production and engagement events. The 10 projects selected for the latest edition of the fund will receive a total of $300,000 in non-recoupable grants alongside individually tailored film support, meaningful networking connections and the opportunity join Sundance’s year-round artistic community. “Since its inception five years ago, the Sundance Institute | Sandbox Fund has vitally enriched the Documentary […]

Nominations for the 2022 Gotham Awards were announced this morning, with Todd Fields’s TÁR topping the list with five nominations, including Best Picture, Outstanding Lead Performance (Cate Blanchett) and two Outstanding Performer noms (Noémie Merlant and Nina Hoss). But perhaps the biggest surprise is in the composition of the Best Feature category, which omitted a number of presumed awards-season heavyweights in favor of a trio of excellent, smaller-budgeted, pure independent films acquired at festivals. Along with TÁR and the Daniels’ Everything Everywhere All at Once, Best Feature nominees are Charlotte Wells’s delicately allusive memory piece, Aftersun, an A24 acquisition out […]