As a native Texan and dutiful SXSW attendee traveling to the Czech Republic, I was thrilled to hear that Richard Linklater and the Austin Film Society would be the subject of a Tribute at this year’s Karlovy Vary Film Festival. The 53rd edition of the Czech-based event that concluded July 7 screened an early print of Linklater’s $23,000 indie phenomenon Slacker (of which he introduced wearing an Astros baseball jersey); Eagle Pennell’s 1983 cult classic Last Night at the Alamo; Robert Rodriguez’s inaugural low-budget hit El Mariachi; and Tom Huckabee and William Van Overbeek’s surreal, image-laden doc Death of a […]

Karlovy Vary International Film Festival (KVIFF) concluded its 53rd edition on July 7th, and with it a solid line-up of both Western and Eastern European fare. Romanian director Radu Jude (Aferim!) won the Grand Prix for his darkly comedic past-meets-present holocaust drama I Do Not Care if We Go Down in History as Barbarians, and Barry Levinson won the Audience Award for Rain Man — a film that gave him the Oscar for Best Picture in 1989. The 76-year-old director was also honored with the Crystal Globe for outstanding artistic contribution to world cinema. Before discussing the film and industry […]

In the era of fake news and alternative facts, and of people constructing their own custom-made versions of reality, Penny Lane’s The Pain of Others feels very timely, to say the least. Defying any expectations and preconceived notions, Lane’s perfectly titled “body-horror doc” acts as a challenging and thought-provoking sociological study of one unusual YouTube community (which, with Maxim Pozdorovkin’s Our New President also on the fest circuit this year, makes me think “YouTube behavioral psych” might soon become a thing). The Pain of Others weaves together the video diaries of three women suffering from Morgellons disease, a term given […]

The mix of films in the 10th edition of BAMcinemaFest offers isn’t totally unexpected: a significant plurality of Sundance premieres (tightly curated, or maybe more accurately culled), titles from SXSW and True/False, two North American and three world premieres. The programming, though, is tighter and more original than a simple survey of The Year To Date In Festival Premieres. (I have already written elsewhere about the following titles: América, Bisbee ’17 [which has been cut down substantially since its premiere], Clara’s Ghost, Crime + Punishment, Eighth Grade, Madeline’s Madeline, Shirkers, Skate Kitchen, The Task. Please please please do not miss that last one. I’ll wait to write about Support the […]

As it does every year, the 25th edition of Sheffield Doc/Fest offered more than just a stand-out mix of documentaries. Yes, there were many feature highlights — among them opening night film A Northern Soul, about one man’s desire to create and tour a musical bus post-Brexit in the U.K. working-class town of Hull; part archive/part testimonial fashion doc McQueen; the Sundance and Full Frame-winning Of Fathers and Sons, which masterfully depicts a father who loves his sons yet is teaching them to be jihadi fighters; and Under The Wire, which uses interviews and re-enactments to tearfully tell the story […]

Executive produced by the Almodóvars, and nabbing the Panorama Audience Award for Best Documentary and Peace Film Prize at this year’s Berlinale (not to mention, most recently, the Grand Jury Award at Sheffield Doc/Fest), Almudena Carracedo and Robert Bahar’s The Silence of Others was one of the most compelling films I caught at Hot Docs back in April. It was also unnervingly revelatory, as the Spotlight on Documentaries at IFP Week project — which will be co-presented by IFP tonight at New York’s Human Rights Watch Film Festival — deals with a disturbing piece of buried history I knew nearly […]