Josh and Benny Safdie’s Uncut Gems and Robert Eggers’s The Lighthouse topped the nominations list with five nominations each as Film Independent announced today the 2019 Film Independent Spirit Award nominees. Chinonye Chukwu’s Sundance winner Clemency, Julius Onah’s Luce and Alma Har’el’s Honey Boy also received multiple nominations as did lesser-promoted films such as Kirill Mikhanovsky’s Give Me Liberty and Tom Quinn’s Colewell. And so did one festival sleeper that premiered in Tribeca before then going to Netflix: Stefan Bristol’s See You Yesterday. That particular Spirit blend of higher-profile titles mixed with smaller ones continues throughout the rest of the […]

SFFILM, in partnership with the Westridge Foundation, announced today the five narrative feature film projects that will receive $100,000 in development funding from the organization. Awarded twice annually, the SFFILM Westridge Grants are one of the few U.S. sources of grant support for narrative features in the development phase. The grants target US-based filmmakers whose films take place primarily in the States and which focus on “social issues and questions of our time.” FALL 2019 SFFILM WESTRIDGE GRANT WINNERS 
all dirt roads taste of salt
. Raven Jackson, writer/director; Maria Altamirano, producer – development/packaging – $20,000 
Through lyrical portraits evoking the […]

Last year, after my first Indie Memphis, I penned my love letter to the city and the film festival with a scene from Jim Jarmusch’s own Memphian billet-doux, 1989’s Mystery Train. This year, as if to one-up the experience, the film was programmed during its week-long run (Oct. 30–Nov. 4) with Jarmusch himself present for a Q&A afterwards, in celebration of the film’s 30th anniversary. I don’t have personal ties to Memphis, but neither did Jarmusch when he made Mystery Train, yet the city has a way of touching you deeply; after the screening, the director, now 66, beautifully articulated […]

Moderated by Amy Emmerich, President & Chief Content Officer at Refinery29, the SCAD Savannah Film Festival’s “Refinery29 + Level Forward Present Shatterbox,” a program of seven quite diverse shorts followed by a post-screening discussion, was presented at the comfy SCAD Museum of Art theater on an industry-heavy Monday afternoon. The event featured Parisa Barani (Human Terrain), Tiffany J. Johnson and Adrienne Childress (Girl Callin), Kantú Lentz (Jack and Jo Don’t Want to Die), Channing Godfrey Peoples (Doretha’s Blues), and Lizzie Nastro (the Chloë Sevigny-directed White Echo) onstage to discuss their work – as well as working with Refinery29 and Level Forward’s […]

“Come for the glitz. Stay for the substance,” really should be the tagline on my SCAD Savannah Film Festival T-shirt, I thought to myself during this year’s 22nd edition of the US’s largest university-run film festival. Along with the twice Oscar-nominated Alan Silvestri, attending to receive a Lifetime Achievement Award for Composing, the fest invited a dozen high-profile and up-and-coming actors (Aldis Hodge, Daniel Kaluuya, Danielle Macdonald, Samantha Morton, Elisabeth Moss, Valerie Pachner, Olivia Wilde, Kaitlyn Dever, Beanie Feldstein, Jharrel Jerome, Mena Massoud, and Camila Morrone) to accept an array of accolades. (It also hosted decidedly not-famous journos like myself […]

Once again, this year’s not-to-be-missed event at the 22nd edition of the SCAD Savannah Film Festival (October 26-November 2), the nation’s largest university-run film fest, was the Wonder Women Panel Series. Now in its third year, these always informative discussions highlight female power in the cinematic arts, from directing, to producing, to writing, to the below-the-line crafts. And for me one of the standouts was Wonder Women: Directors, featuring seven ladies behind the lens currently upending every preconceived notion about chick flicks in impressively eclectic ways. Taking place on a laidback, late Tuesday morning at a packed Gutstein Gallery, and […]