Watch: “Hitchcock & De Palma Split Screen Bloodbath”


Brian De Palma has been accused by detractors of being nothing more than a shameless Hitchcock imitator. Peet Gelderblom’s video essay puts that to the test, using De Palma’s beloved split screen to compare and contrast shots from both director’s films. Hitchcock is on the left, De Palma on the right.


Politics of Style: Restoring and Rediscovering Apparatus Films

He Was Once (Photo courtesy of IndieCollect) He Was Once (Photo courtesy of IndieCollect)

“I want to make films on the other side of fashion, on the other side of taste,” whispers a melancholic starlet into a velvety black void. It’s the 1930s, and the alluring actress — known in Europe as “La Divina” — has been brought to Hollywood to vamp in commercial confections alongside an American matinee idol. She doesn’t fit in. She wants to play real roles, like Dorian Gray or Christ. Her nervy agent is bewildered. “That’s art!” he scoffs. “Who’s gonna to pay for that?” Brooke Dammkoehler’s 45-minute La Divina (1989), a buoyant pastiche of Golden Age melodrama by way of Fassbinder, gives us a campy, impressionistic biopic of a Garbo-like figure (played by Michelle Sullivan) who ascends to Hollywood…  Read more


Watch: “Francis Ford Coppola on Solitude”


This video from Blank on Blank animates excerpts from a fairly heavy interview with Francis Ford Coppola that touches on death, loneliness and solitude. It was conducted in 1996 while Coppola was promoting, of all things, Jack. He also discusses changing reception of his films over time, with an emphasis on Apocalypse Now.


Filming During Malaria Season: Kelly Daniela Norris and T.W. Pittman on Nakom

Kelly Daniela Norris and T.W. Pittman Kelly Daniela Norris and T.W. Pittman

Nakom is the first ever feature film in the Kusaal language and the first Ghanaian narrative film to have screened at the Berlin International Film Festival. Following the world premiere in Berlin, the film made its U.S. debut at the New Directors/New Films festival in New York. Last month, Nakom was nominated for the Independent Spirit John Cassavetes Award for films budgeted less than $500,000. On the eve of their Berlin premiere, co-directors Kelly Daniela Norris and T.W. (Trav) Pittman said they were most excited to screen in Nakom, the rural village in northern Ghana where they lived for four months without electricity or running water and where their story was imagined and filmed. But though the film has played for audiences…  Read more


Sundance Film Festival 2017 Announces Short Film Lineup

Fish Story Fish Story

Following the announcement of its competition, NEXT, New Frontier, premieres, midnight, kids, spotlight and special events slates, Sundance rounds out its slate with a list of the shorts to be shown during the festival. Some quick highlights: Come Swim, Kristen Stewart’s first narrative short; Fish Story, the new short by documentary filmmaker Charlie Lyne (Beyond Clueless), who’s also been a contributor to Filmmaker; and a new film from Jim Cummings, winner of last year’s Short Film Grand Jury Prize for Thunder Road. He returns with The Robbery, whose one-line synopsis is unimprovable: “Crystal robs a liquor store—it goes pretty OK.” U.S. NARRATIVE SHORT FILMS American Paradise / U.S.A. (Director and screenwriter: Joe Talbot) — A desperate man in Trump’s America tries to shift his luck with the…  Read more


“There’s No Such Thing as a Post-Racial America”: Sam Pollard on Two Trains Runnin’

Two Trains Runnin' Two Trains Runnin'

In the summer of ’64, after President Lyndon B. Johnson passed the Civil Rights Act which enabled African-Americans to vote for their government, many young men and women (primarily white) took to Mississippi to join the Mississippi Summer Project, a season long initiative that would register African-Americans to vote in an increasingly dangerous, highly segregated and hate-filled state. At the same time — and as politically removed from the tense, racist climate as could be — two groups of white, male country blues fans (unbeknownst to each other) from the “big cities”also headed to Mississippi to search for the whereabouts of two long-forgotten blues singers, Skip James and Son House. How these men’s obsession with tracking down their idols intersected with the…  Read more


Watch: “The 25 Best Films of 2016: A Video Countdown”


David Ehrlich’s justly popular annual supercut of his personal choices for the 25 best films of the year is here. From Weiner at #25 to Moonlight at #1, it’s a solid list, but the meat, as always, is in the editing, which finds many points of association between these disparate films.


“Made in NY Fellowships” Recipients Announced by Mayor’s Office of Media and Entertainment in Partnership with IFP


In partnership with IFP, Filmmaker‘s parent organization, the Mayor’s Office of Media and Entertainment has announced this year’s ten projects to be chosen for Made in NY Fellowships. The projects, which span documentary and narrative filmmaking as well as gaming, post-production, animation, VR and media/technology platforms, will receive yearlong incubator positions at the Made in NY Media Center by IFP. Read the full press release below. NEW YORK, NY – Mayor’s Office of Media and Entertainment (MOME) Commissioner Julie Menin and the Made in NY Media Center by IFP today announced the recipients of the second year of Made in NY Fellowships, a year-long program to provide expanded resources and opportunities for New Yorkers to bring their media projects to the next…  Read more



Jean-Luc Godard's Vivre sa Vie Jean-Luc Godard's Vivre sa Vie

“Suddenly the World’s Wider, More Exciting, More Engaging”: Criterion’s Peter Becker on the New FilmStruck and Criterion Channel Streaming Service

For film lovers of all stripes, the launch this month of FilmStruck, a new streaming service partnership between Turner Classic Movies and the Criterion Channel, is nothing short of a major event. As Netflix tilts more and more towards television and original programming, and actual…  Read more

Nov 15, 2016

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