Featured

Camden International Film Festival Announces 2017 Slate and Expanded VR Section

Shot in the Dark

The Camden International Film Festival, which takes place September 14 – 17 throughout Camden, Rockport and Portland, Maine, announced its 2017 lineup today. Opening the festival is a world premiere, Dustin Nakao Haider’s basketball doc, Shot in the Dark, and the lineup also contains eight films, including The Reagan Show, All That Passes By Through A Window That Doesn’t Open and Whose Streets?, that received support from parent organization Points North Institute’s Artist Programs. “Screening at CIFF this year feels like a homecoming,” said Sabaah Folayan, Director of Whose Streets?, in a press release. “This community believed in our project when it was still just an idea and it means everything to be able to come back and share the…  Read more

By

Bull, Season One, Duel in the Sun and The Good, the Bad and the Ugly: Jim Hemphill’s Home Video Picks

Eli Wallach and Clint Eastwood in The Good, the Bad and the Ugly

The best new television series of the 2016-2017 season arrived on DVD last week in the form of CBS/Paramount’s Bull: Season One package. A smart, stylish and very funny drama with a killer pedigree – Donnie Brasco and Quiz Show writer Paul Attanasio is one of the show’s creators, Steven Spielberg is an executive producer, and indie auteur Rodrigo Garcia directed the pilot – Bull reinvents and reinvigorates both the procedural and the courtroom drama with consistent verbal wit, visual elegance and one of the most compelling protagonists in the history of television. The show focuses on Jason Bull (Michael Weatherly), a psychologist who runs a trial analysis company that uses a sophisticated combination of technology, research, behavioral science and…  Read more

By

So You Can’t Afford a Wardrobe Designer: Costume Design for Independent Film on a $500 Budget

Katey Parker in A Feast of Man

“Microbudget filmmaking” is a bit of a misnomer considering the broad spectrum “microbudget” entails — one producer’s $5,000 line item is another’s entire operating budget. In a perfect world, we’d all have sufficient funds to hire the best and brightest among us and no project would be too scrappy. Unfortunately, when it comes to independent productions, sometimes that old chestnut still applies: if you want something done, you have to do it yourself. I learned this lesson the (somewhat hard) way when I directed my first feature, A Feast of Man. With an operating budget of $15,000 – a combination of bank loans and credit cards – we had to be very particular about where we spent our dough. Naturally, hiring…  Read more

By

Twin Peaks: The Return: Last Looks Before the End

Carl Struycken and Harry Goaz in Twin Peaks: The Return

I took a break from writing about Twin Peaks: The Return to let things shake down a bit, but now seems like a good time to make a few more notes before the end. The first 2.25 of 18 parts were almost total abstraction, and it seemed a matter of necessity to largely abandon that mode for extended stretches before increasingly reintegrating it. We seemed, for a long time, very far from where we started, but The Return has allowed for increasing interventions of the abstract and fantastical alongside its rising dramatic arcs, which have finally run long enough to allow nearly all principal performers significant screen time. The middle stretches hummed with a rigorous, momentum-denying slowness that offered less overwhelming pleasures;…  Read more

By

“He’s More a Painter, Maybe, Than a Director”: Jean-Luc Godard on Jerry Lewis

Amongst the many tributes pouring out today to the late, great Jerry Lewis, slot this interview clip of Jean-Luc Godard from The Dick Cavett Show in 1980. Seeing him as continuing the great physical comedy tradition of Harry Langdon and Buster Keaton, Godard goes on to extoll Lewis’s precise framing and sense of geometry. “But do you find him funny,” Cavett asks, and the answer is worth rolling this clip.

By

Al Gore, Jason Blum To Receive Tribute Awards at the 2017 IFP Gotham Awards

Al Gore

IFP announced today that former Vice President Al Gore, whose work on the issue of climate change has been featured in two feature documentaries, will receive a newly created Humanitarian Tribute at this year’s IFP Gotham Awards. Blumhouse topper Jason Blum, the producer behind low-cost, high-profit, zeitgeist-zinging horror hits like this year’s Get Out, will receive the Industry Tribute. “We are thrilled to be presenting Vice President Al Gore with the Humanitarian Tribute and Jason Blum with the Industry Tribute” said Joana Vicente, Executive Director of IFP and the Made in NY Media Center, in a press release. “Mr. Gore’s urgent message on the dangers of climate change has been heard and seen around the globe, motivating individuals, communities, businesses,…  Read more

By

Reed Morano on Successfully Pitching for and Directing the Intense Dystopian Drama, The Handmaid’s Tale

Reed Morano directing Elisabeth Moss in The Handmaid's Tale (Photo by: George Kraychyk/Hulu)

Reed Morano was told she wouldn’t get to pitch on The Handmaid’s Tale: “Don’t get too excited about it.” Someone showed her the pilot just so she had an idea of what Hulu was up to, but there was already a “very big male director” they were out to, as Morano discussed at an IFP Q&A earlier this year. When Morano heard that her long time collaborator and friend Elisabeth Moss was attached as the lead of the show, she reached out — not taking no for an answer. “A week and a half later, I got a call: ‘The producers of The Handmaid’s Tale want you to pitch. But in a few days.’” For 72 hours, Morano holed up and…  Read more

By

Watch: :: kogonada’s Video Essay on Bresson’s Doors, Once There Was Everything

In this video essay, :: kogonada returns to the films of Robert Bresson (which he previously explored in this video essay on the director’s use of hands), this time looking at his use of doors.

By

Filmmaking

“Think About Baldwin’s Words”: DP Henry Adebonojo on I Am Not Your Negro

Begun as a recollection of Medger Evers, Malcolm X and Martin Luther King, Jr., James Baldwin’s unfinished manuscript Remember This House tells the story of race in America. Director Raoul Peck used this manuscript as the basis for his film I Am Not Your Negro, currently available…  Read more

By
Aug 8, 2017

VOD Picks

Interviews

Josh and Benny Safdie (Photo by Richard Koek)

All Day and a Night: Josh and Benny Safdie on Good Time

I’m in the Safdie brothers’ office in New York’s Hell’s Kitchen, looking at a giant Japanese King of New York poster, and we’re talking about fired FBI director James Comey, whose awkward dinner with Donald Trump has just hit the news. “The guy is 6…  Read more

By
on Jun 16, 2017

@FilmmakerMag

  • RT @kylegriffin1: State Dept. Science Envoy resigns—the first letter of each paragraph of his resignation letter spells the word 'Impeach.'…
  • RT @brhodes: Look forward to reading abt how Gary Cohn is sad, John Kelly will restore discipline, and 2 unnamed sources say Jared+Ivanka a…
  • RT @TheAVClub: The Village Voice is ending its print edition trib.al/Pncd03o https://t.co/9SsWR4mocL
  • Trailer Watch: Yance Ford’s compelling, formally audacious “Strong Island.” filmmakermagazine.com/103154-trailer… https://t.co/xIZXazpH8s
  • 2017 lineup announced today by @CamdenIFF, including world premiere of Dustin Nakao Haider’s “Shot in the Dark.”… twitter.com/i/web/status/9…
Subscribe
© 2017 Filmmaker Magazine
All Rights Reserved
A Publication of IPF