Watch: Walter Murch’s Six Criteria While Editing


Walter Murch speaks in this video about his top six considerations while editing, from emotion and story down through the more technical considerations of keeping the audience’s eye moving. Oddly, the video (edited by Max Chatfield) begins with a lengthy montage of opening credits logos from some of the films Murch has worked on and ends with an end credits montage of same; the meat of the comments starts around the 50-second mark.


Watch: Effie T. Brown’s 2016 Film Independent Forum Keynote

Effie T. Brown  credit: Araya Diaz/WireImage Effie T. Brown credit: Araya Diaz/WireImage

“You have a story to tell that’s worthy. You have experience to share and you have a valid point of view,” producer Effie T. Brown told the audience during Sunday’s inspirational keynote at the 2016 Film Independent Forum at the Directors Guild in Los Angeles. Brown, who produced films such as Dear White People and Real Women Have Curves, is executive VP, production and development for TV and film at Lee Daniels Entertainment. Brown spoke of the need for diverse creators and told the audience they can make a difference with their wallets. “The next time there is a movie where there is a whitewashed Asian character, you don’t go see it and you tell other people not to see it. When there…  Read more


Watch: “Whiplash: From Short to Feature”


Jacob T. Swinney’s new video essay intercuts the short and feature versions of Whiplash seamlessly, showing how close the first incarnation was to the final feature project. And it’s also probably the only legal way you can see parts of the original short for now.


“It’s. Never. Easy.”: Thommy Hutson on The Id

The Id The Id

Thommy Hutson’s new film The Id features a lot of conventions familiar to fans of low-budget horror – limited locations, handheld camerawork, a subjective point of view linked to a protagonist with a fractured psyche – but it stands apart from the crowd thanks to Hutson’s subtle and beautiful approach to color, space, and psychology. The film, which arrives on Blu-ray today, is an eerie character study that follows Meridith (Amanda Wyss), a woman torn between the horrors of caring for an abusive father and the fear of the unknown that comes with escaping the only life she’s ever known. As the possibility of a new future becomes increasingly viable, Meridith’s power struggle with her tyrannical father intensifies and Hutson ratchets…  Read more


Pioneers: First Women Filmmakers Aims to Showcase the Golden Age of Women Directors


In early 2015, Kino Lorber mounted a successful crowd-funding campaign for Pioneers of African-American Cinema. The campaign raised over $53,000, far surpassing its original $35,000 goal. Now Kino Lorber is hoping to repeat that success with its new Kickstarter campaign for their upcoming release Pioneers: First Women Filmmakers. So far, they’ve raised more than $20,000 towards the $44,000 goal. “You wouldn’t know it looking back at the last 90 years of film history, but at one time, it was not uncommon to have women behind the camera in Hollywood,” says writer-director Ileana Douglas in the campaign video (above). Presented in association with the Library of Congress (and drawing from the collections of other world-renowned film archives), Pioneers will be the largest commercially-released video…  Read more


Watch: Kubrick’s Influence on A.I.: Artificial Intelligence


Candice Drouet’s latest video compares a number of shots from Steven Spielberg’s A.I.: Artificial Intelligence — which he famously took over at Stanley Kubrick’s request — with shots they’re modeled on from Kubrick’s work. Refreshingly for a supercut video, the Spielberg shots do seem directly modeled after specific Kubrick shots rather than merely relying upon vague similarities.


Give Me Restrained Filmmaking, Right Now

Kristen Stewart in Certain Women Kristen Stewart in Certain Women

I recently had the pleasure of watching two of the very best American films of the year on the big screen: Kelly Reichardt’s Certain Women and So Yong Kim’s Lovesong. I’d been meaning to catch Reichardt’s film for months but had managed to miss it consistently at festivals. The opportunity finally presented itself this past Wednesday. I had plans in Fort Greene that evening to watch the third presidential debate, a spectacle that I was almost positive would be deeply stressful and troubling. But I, like most Americans, couldn’t bear to look away. Anyway, I had a few hours to kill beforehand, and BAM was right around the corner. And so I found myself sitting in a dark theater alone…  Read more


Recommended on a Friday: Moonlight, Fire at Sea, Criterion’s Boyhood Disk, Dessert, Chris Gethard and More

Moonlight Moonlight

Our new “Recommended on a Friday” column is meant for us here at Filmmaker to throw some attention on films we love that perhaps we haven’t covered online and in print, but this week we’re just going to start by piling on a pick that you’ve already heard quite a bit about: Barry Jenkins’s Moonlight. Jenkins’s previous film, Medicine for Melancholy, was a Filmmaker cover back in 2009, and we’ve been eagerly awaiting his next film since. Moonlight — a bracingly tender, ambitiously realized and wisely provocative character study about the construction of African-American masculine identity — demands to be seen in a theater. And, to send a signal about the kinds of films we want to see more of,…  Read more




The Fine Print: How To Understand and Negotiate a Film Distribution Contract

There are many new distribution options for the independent producer. The old media includes theatrical, broadcast/cable, home video; new media’s alphabet soup includes TVOD, SVOD, AVOD, EST, PPV, streaming and nontraditional theatrical. As new distribution channels develop, new distribution companies emerge. But not all distributors…  Read more

Jul 25, 2016

VOD Picks

  • les
    Les Cowboys Drama
    Cohen Media Group
    Official site
    10/11/16 MOD VOD
  • swissarmy
    Swiss Army Man Comedy Drama
    Official site
    9/30/16 MOD VOD


Barry Jenkins (Photo by David Bornfriend, Courtesy of A24) Barry Jenkins (Photo by David Bornfriend, Courtesy of A24)

Inside Looking Out: Barry Jenkins on Moonlight

Occasionally a movie has the look and feel of something totally original, immediately allowing one to see the protean leap its maker has taken from novice to master. Someday, when the American movie landscape is no more, simply the purview of art historians who live…  Read more

on Oct 20, 2016


  • Here’s one of our essentials: Dan Satorius’s comprehensive guide to understanding a film distribution deal. filmmakermagazine.com/99280-the-fine…
  • @atpfm Would love to hear you guys discuss the Robert Scoble (crazy?) post.
  • RT @larryagross: There are a myriad of problems other than psychological problems. Psychological problems are often an effect not a cause.…
  • RT @meganeabbott: "I once told [Godard] he had something I wanted--freedom. He said, 'You have something I want--money.'" Happy birthday, D…
  • Richard Hell Releases LP as Memorial to Robert Quine. Via @pitchfork. pitchfork.com/news/69312-ric…
© 2016 Filmmaker Magazine
All Rights Reserved
A Publication of IPF