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The 2015 Tribeca Film Festival Awards

Virgin Mountain Virgin Mountain

Below are the winners of this year’s Tribeca Film Festival. Note that the narrative awards were split evenly between Virgin Mountain and Bridgend, with three apiece. WORLD NARRATIVE COMPETITION CATEGORIES: The jurors for the 2015 World Narrative Competition sponsored by AKA, were Paul Attanasio, Sophie Barthes, Whoopi Goldberg, Dylan McDermott, and Burr Steers. ● The Founders Award for Best Narrative Feature – Virgin Mountain, written and directed by Dagur Kári [Iceland, Denmark]. Winner receives $25,000, sponsored by AT&T, and the art award “Ash Eroded Film Reel” by Daniel Arsham. The award was given by Robert De Niro and Jane Rosenthal joined by Marissa Shorenstein, President, AT&T New York Jury Comment: “With its mixture of humor and pathos, this film captured…  Read more

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Tribeca 2015 Critic’s Notebook: When I Live My Life Over Again, Dirty Weekend, Applesauce and Bad Hurt

Bad Hurt Bad Hurt

It’s awards day at Tribeca and judging by the informal polling taking place at parties with free booze and in line at the Shake Shack next to the Regal Battery Park, the cinerati thinks this was a lukewarm edition. The fest’s first weekend provided more than its fair share of dreary viewing, with no films like last year’s still-unreleased Noah Buschel stunner Glass Chin or Angus MacLachlan’s unfairly overlooked Goodbye to All That to salve my hunger for top-shelf small movies that ought to matter. The festival surely has some strong surprises I haven’t uncovered, but time is running out; around mid-fest, everyone’s energy is flagging and in New York, it’s so easy to just go watch the NBA playoffs on an illegal…  Read more

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Guess Who’s Watching: Tribeca’s New Online Work

Chloé Robichaud (center) on the set of Féminin/Féminin Chloé Robichaud (center) on the set of Féminin/Féminin

Tribeca’s N.O.W sidebar is noteworthy for two reasons: first, in that it aims to put forth the idea of the independent filmmaker as a brand, rather than the purveyor of a specific project, and secondly, because it suggests that the most successful online content is made for a clearly defined audience, or at least contains eye-catching enough packaging that can propel through the glut. “My Life in Sourdough” and “Eat Your Feelings”, for instance, call on the rather deep bullpen of internet foodies by situating a recipe at the center of each episode. The latter is boy meets girl plus 6 AM homemade pasta, and readymade for the venn diagram sweet spot of film and cookery. In “You’re So Talented,” an out of work actress in Chicago struggles…  Read more

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Steadicam Operator Larry McConkey on Filming the Goodfellas Copacabana Tracking Shot and The Early Days of Steadicam

The Copacabana Club in Goodfellas The Copacabana Club in Goodfellas

The Copa Shot: It’s one of the few shots in the history of cinema readily identifiable by name, instantly conjuring the image of Goodfellas gangster Ray Liotta leading Lorraine Bracco – and by extension the audience – through the back entrance of New York’s legendary Copacabana nightclub, as Steadicam operator Larry McConkey glides along behind them. How long did one of film’s most famed tracking shots take to pull off? It was in the can before lunch — which isn’t to say it was easy. With a 25th Anniversary screening of Goodfellas set to close the Tribeca Film Festival on April 25th, McConkey spoke to Filmmaker about the formative days of Steadicam, the newest generation of camera stabilizers and, of course, The…  Read more

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Watch: David Lowery’s Pioneer

Pioneer Pioneer

Technically speaking, not much happens in Pioneer, David Lowery’s 2011 short about a man who tells his son a bedtime story. The action is confined to one room as it cuts between the two actors, but the yarn spun by Will Oldham’s character, and the subtle inflections in the pair’s performance along with a textured sound design, make the film as charged as any meticulously choreographed exchange. Listen closely, and you can even discern some early seeds of Ain’t Them Bodies Saints in the mix.

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“Sometimes You Have to Put Your Camera Down”: Director and Producer Hanna Polak on the She Does Podcast

Hanna Polak Hanna Polak

Hanna Polak, a Polish director and producer, has the stamina and guts that most filmmakers would envy. And now audiences at film festivals around the world are experiencing her dedication through Something Better To Come, a documentary that Hanna shot over the span of 14 years. The documentary follows the lives of Russians living in a massive garbage dump, located 12 miles from the center of Moscow. Hanna filmed many people living in the garbage dump, but one person in particular stood out: a young girl named Yula. We watch Yula grow up on-screen, experimenting with hair dye and makeup, foraging for food and shelter, as well as witnessing some firsts: trying her chances with alcohol, cigarettes and young love.…  Read more

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Of Tarantino and TV: On Goodfellas‘ Legacy

Joe Pesci, Ray Liotta and Robert De Niro in Goodfellas Joe Pesci, Ray Liotta and Robert De Niro in Goodfellas

In the mid-1980s, Martin Scorsese was regaining his footing as a director after a brutal few years. His passion project, The Last Temptation of Christ, had fallen apart at Paramount just days before production was scheduled to begin, and The King of Comedy had been a commercial, and largely critical, failure – in spite of the fact that it was, and is, one of the most incisive films ever made about celebrity culture. After years of working on studio movies with substantial budgets and luxurious schedules, Scorsese went back to ground zero for After Hours in 1985, stripping his methods down to the bone in order to prove to himself and everyone else that he still had what it took…  Read more

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Five Questions for Peggy Guggenheim — Art Addict Director Lisa Immordino Vreeland

Peggy Guggenheim: Art Addict Peggy Guggenheim: Art Addict

Lisa Immordino Vreeland’s feature debut, 2011’s Diana Vreeland: The Eye Has to Travel, examined the life and legacy of the legendary fashion photographer. The filmmaker was the granddaughter-in-law of her subject, and the film established Vreeland’s acumen in reconstructing the life stories of complex, powerful women. That applies to her new subject, Peggy Guggenheim, from whose candid memoirs the subtitle Art Addict was drawn. Almost as well known for her numerous relationships, sexual and otherwise, with many of the key creative figures of her time, Guggenheim’s story is reconsidered in this documentary. The film premiered last night at the Tribeca Film Festival; for more screening information, click here. Filmmaker: Filming works of art is always difficult. How did you approach filming the collection?…  Read more

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Filmmaking

Psycho (Illustration by Kent Osborne) Psycho (Illustration by Kent Osborne)

The Seven Arts of Working in Film: A Necessary Guide to On-Set Protocol

Welcome to your first day on a film set. Perhaps you’ve gotten a new job as a production assistant. Perhaps you’re still in school and have been given an opportunity as an intern, or you’ve recently been asked to help out with a friend’s production.…  Read more

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Apr 14, 2015

Festivals & Events

Men Go to Battle Men Go to Battle

The Power of Story: Previewing the 2015 Tribeca Film Festival

Story. Storytelling. Experience. Community. Story, story, story! Talk to the heads of the Tribeca Film Festival and its programmers, and you’ll soon pick up on the event’s messaging this year. A festival that, as Robert DeNiro said at yesterday’s press lunch, was originally intended to…  Read more

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on Apr 16, 2015

VOD Picks

Interviews

Ned Rifle Ned Rifle

“Just a Normal Guy with Completely Predictable Middle-Class Morality”: Hal Hartley on Ned Rifle

When Hal Hartley arrived on the American filmmaking scene in the late 80s and early 90s, “indie film” wasn’t yet hardened into a niche or a brand. Possibilities seemed endless. Hartley’s debut feature The Unbelievable Truth, starring the late Adrienne Shelly, filtered humor and attitude…  Read more

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on Mar 31, 2015

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