“Nothing is Simple, Nothing is Easy”: Two Shots Fired Director Martín Rejtman

Two Shots Fired Two Shots Fired

Its title threatens a sudden loud blast, but Two Shots Fired wrongfoots viewers when its first sound isn’t from a gun but the jolting bass in a club where young Mariano (Rafael Federman) is dancing. He leaves, goes home, mows the lawn, finds a gun in the shed and fires twice — once at his head, once at his stomach, an action taken with the same blankfaced lack of passion as all the ones preceding it. “It was an impulse,” he non-explains. “It was very hot.”  Mother Susana (Susana Pampin) removes all knives and other potential implements of self-harm from the house and has Mariano move in with his brother Ezequiel (Benjamin Coehlo), who can’t quite bring himself to flirt with Ana (Camila Fabbri), the fast-food worker who…  Read more


“My Vampire has a Beer Gut”: Director Onur Tukel on Summer of Blood

Summer of Blood Summer of Blood

Charmingly crude and equipped with the gift of gab, filmmaker and painter Onur Tukel’s Summer of Blood is a Brooklyn-set vampire comedy with a love for witty banter. The film’s writer, director, and editor, Tukel also stars as the pugnacious Erik, a fast-talking pessimist who shoots down a marriage proposal from his longtime girlfriend. Now a solitary bachelor with a dead-end job, Erik takes to the streets to contemplate life and has an unfortunate encounter with an ominous vampire. A thirst for blood, a higher sex drive and fear of sunlight soon follow. Watching Summer of Blood, you observe a lead at constant odds with himself, his mind furiously racing to impress, intimidate, and tear down all who dare to strike up…  Read more


Why Independent Filmmakers Should Embrace GoPro (and Vice Versa)

LGS (2)

Filmmaker Adam Bhala Lough is in the final days of an Indiegogo campaign for his skater doc, The Motivation 2.0: The Chris Cole Story, currently featured on our partner page. Below, he writes about his use of GoPro cameras for his independent films. Visit the Indiegogo page for more information on his project and please consider donating. GoPro cameras have long been popular in the action sports market and reality television, but have been completely ignored by the indie film community. This should change and here’s why:

 Recently I needed to film a car scene, where two characters were driving and talking. I
 got a GoPro suction cup mount and slapped it on the windshield, recorded dialog to a Zoom H6. I filmed…  Read more


Watch: LG’s 34-Inch 21:9 34UC97 Curved Monitor Provides More Pixel Power without Color Shift (Sponsored Post)


The following is a sponsored editorial post from LG. For editors looking to limit the number of screens they’re looking at, LG’s 21:9 ratio 34UC97 monitor is an exciting new option. At 34 inches wide with QHD resolution of 3440×1440, the 34UC97 provides 2.4 times more pixel power than a 16:9 monitor with full HD resolution. Editors worried about the color shift that can occur on the edges of ultrawide monitors won’t have that problem with the 34UC97, whose IPS panel is specifically designed to prevent color inconsistencies at the corners caused by VA monitors. That means you don’t have to trade in color fidelity for width; now you can have both. The 34UC97’s sRGB is set to over 99%,…  Read more


Watch: New Beverly Ex-Manager Julia Marchese’s Documentary on 35mm and Rep Cinema

out of print

For many years one of the public faces of Los Angeles’ New Beverly Cinema, today Julia Marchese posted an unnerving account of her experience since Quentin Tarantino became the theater’s owner and programmer. It’s worth reading in full, but the gist is that Tarantino’s team put inexplicably tight social media muzzles on all staff and effectively fired (“demoted”) Marchese less than two weeks after her promotion to a managerial role. In short: her hopes dashed for a New Beverly 35mm premiere of her documentary Out of Print — about the importance of 35mm repertory cinema in general and the theater in particular — Marchese has posted her labor of love on Vimeo.


“A Zinging Mix of Naturalism and Edge”: Jessica Oreck’s The Vanquishing of the Witch Baba Yaga


With Jessica Oreck’s The Vanquishing of the Witch Baba Yaga opening today at MoMA in New York for a week-long run, we are rerunning Howard Feinstein’s review from the New Directors New Films festival. Running the length of this labor-intensive doc about man’s late-developing historical estrangement from nature are excellent hand-painted animated panels depicting a composite Slavic fairy tale about displaced tween siblings Ivan and Alona who have, out of desperation, taken refuge in a forest they had learned to fear as small children. Residing there is the evil witch Baba Yaga, whose house is built on chicken legs and who eats children. After she captures Ivan and Alona and gives them three impossible tasks, the punishment for not finishing…  Read more


Watch: The Art of Terrence Malick’s Voiceovers

The Tree of Life The Tree of Life

They’re a tricky thing, voiceovers, and arguably no one utilizes them as frequently and as effectively as Terrence Malick. Where many filmmakers deploy them as an expository device, Malick allows voiceovers to deepen his characters’ perspectives through literal and abstract observations. This video essay from Kevin B. Lee and Scott Tobias at the Dissolve analyzes the evolution of voiceovers in Malick’s films, from a young Sissy Spacek and Linda Manz in Badlands and Days of Heaven to the layered choruses of The Tree of Life and To The Wonder.


“We’re Doing All the President’s Men, and Then We’re Doing The Parallax View“: Michael Cuesta on Kill the Messenger

Jeremy Renner in Kill the Messenger Jeremy Renner in Kill the Messenger

Although it is a ’90s-set story dealing with an ‘80s political cover-up, Michael Cuesta’s Kill the Messenger, the true story of journalist Gary Webb, couldn’t be more of the moment. When filmmaker Laura Poitras is documenting the work of a new breed of crusading journalists, it’s enlightening to revisit the work of a writer like Webb and to remember the opposition he faced from not only the U.S. government but his fellow scribes in the mainstream press. In Kill the Messenger, Jeremy Renner delivers a quietly gripping turn as the San Jose Mercury News reporter who comes across information revealing that the CIA ran drugs into South Central Los Angeles as a way to launder funds to the Nicaraguan contras.…  Read more



Left to right: Rebecca Green, Elisabeth Holm, Lisa Biagiotti and Mynette Louie at the IFP Filmmaker Conference. Left to right: Rebecca Green, Elisabeth Holm, Lisa Biagiotti and Mynette Louie at the IFP Filmmaker Conference.

43 Takeaways from Sundance Artist Services Day at the IFP Filmmaker Conference

“The most important task is to make great movies,” said Sundance Institute Executive Director Keri Putnam at the start of Thursday’s Artist Services Workshop at IFP’s Filmmaker Conference. “All this talk about audiences is meaningless unless you have something in your heart you want to…  Read more

Sep 22, 2014

Festivals & Events

Tales of the Grim Sleeper Tales of the Grim Sleeper

Mad Men: The NYFF’s Go-To Films (II)

Can we permanently delete the term “home stretch” in a festival context? All right then. In the NYFF’s final week, the best fiction in the Main Slate is stronger (arguably) and more obscure (undoubtedly) than just about everything that has come before. Products of exceptional…  Read more

on Oct 7, 2014


The Boxtrolls The Boxtrolls

Creatures and Class Politics: Travis Knight, Anthony Stacchi and Graham Annable on The Boxtrolls

The latest animated feature from Laika, the Portland-based studio that delivered Coraline and ParaNorman, is a surprisingly idiosyncratic blend of children’s adventure and political satire. Based on Alan Snow’s novel, Here Be Monsters, Anthony Stacchi and Graham Annable’s The Boxtrolls is set in the steampunk-inspired…  Read more

on Sep 26, 2014