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Today-Lies, Not Dailies: Focus DP Xavier Grobet on Using Final Cut X, LUT Tables, and Instant Color Timing

FocusFocus

Early in the new film Focus, a veteran con man played by Will Smith teaches his fledgling grifter protégé (Margot Robbie) the tools of the trade: misdirection, deception, subliminal suggestion. They’re a few of the tools applied in Focus by…  Read more

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“What Makes a Jew a Jew?”: Five Questions for Deli Man Director Erik Greenberg Anjou

deli man

Making sandwiches may not seem to make for compelling cinema, but that’s exactly the activity around which documentarian Erik Greenberg Anjou (above right, not left) sets his newest film Deli Man. The film goes beyond that, of course, exploring the ways in which…  Read more

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Shooting Mechanical Dinosaurs in 35mm: Lance Edmands on Bluebird

BluebirdBluebird

Lance Edmands’ ensemble drama Bluebird sets its story in a blue collar, hardworking industrialized town. The screenplay uses a tragic instance of negligence to connect age-defining experiences (first love, job frustration, potential loss of a family member) in the complex lives of…  Read more

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Take What You Can Carry Director Matthew Porterfield, Producer Zsuzsanna Kiràly and d.p. Jenny Lou Ziegel on Collaborating Outside the System in Germany

Take What You Can CarryTake What You Can Carry

With only three features under his belt, Matthew Porterfield has proven himself one of the most original voices in low-budget independent cinema, winning deserved praise from critics and audiences in both the US and Europe. Last year Porterfield made his first…  Read more

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