Screwball Comedy, Marriage and Filmmaking: Lawrence Levine and Sophia Takal on Wild Canaries

Sophia Takal and Lawrence Michael  LevineSophia Takal and Lawrence Michael Levine

A loose-limbed caper comedy that lovingly mashes Hollywood screwball conventions with Brooklyn relationship drama, Lawrence Michael Levine’s sophomore picture, Wild Canaries, tries two things most independent films don’t, and largely succeeds. It’s narratively complex — maybe not Inherent Vice-level, but…  Read more


“I’m Not Interested in Cinema”: Adam Curtis on Bitter Lake

Bitter LakeBitter Lake

This weekend the True/False Film Festival will bestow its annual True Vision Award to BBC house provocateur Adam Curtis “in honor of his dedication to and advancement in the field of nonfiction filmmaking.” Although the 59-year-old Curtis doesn’t think of himself…  Read more


“What Makes a Jew a Jew?”: Five Questions for Deli Man Director Erik Greenberg Anjou

deli man

Making sandwiches may not seem to make for compelling cinema, but that’s exactly the activity around which documentarian Erik Greenberg Anjou (above right, not left) sets his newest film Deli Man. The film goes beyond that, of course, exploring the ways in which…  Read more


Shooting Mechanical Dinosaurs in 35mm: Lance Edmands on Bluebird


Lance Edmands’ ensemble drama Bluebird sets its story in a blue collar, hardworking industrialized town. The screenplay uses a tragic instance of negligence to connect age-defining experiences (first love, job frustration, potential loss of a family member) in the complex lives of…  Read more