Cinematographers

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Today-Lies, Not Dailies: Focus DP Xavier Grobet on Using Final Cut X, LUT Tables, and Instant Color Timing

FocusFocus

Early in the new film Focus, a veteran con man played by Will Smith teaches his fledgling grifter protégé (Margot Robbie) the tools of the trade: misdirection, deception, subliminal suggestion. They’re a few of the tools applied in Focus by…  Read more

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Quyen Tran on Shooting Frankie Shaw’s Sundance-Winning SMILF

SMILFSMILF

Frankie Shaw’s short film SMILF won the Short Film Jury Award at this year’s Sundance Film Festival. It’s a funny and revealing comedy about a young mom struggling to connect to her old sexual self while being homebound caring for…  Read more

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Cinematographers Jimmy Chin and Renan Ozturk on Shooting the Sundance-Winning Doc, Meru

MeruMeru

Over a period of years, three climbers — Conrad Anker, Jimmy Chin, and Renan Ozturk — make repeated efforts to scale a 21,000 foot peak in Northern India, Mount Meru. Jimmy Chin and Elizabeth Chai Vasarhelyi’s Meru is the chronicle…  Read more

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Director/Cinematographer Matthew Heineman on Shooting Sundance Award-Winning Doc Cartel Land

Cartel LandCartel Land

A tense, cinematically-styled verite documentary about the Mexican drug wars, Matthew Heineman’s Cartel Land was one of the big winners at Sundance this year, nabbing both the Directing and Cinematography Awards. Strikingly, both positions were filled by the same person:…  Read more

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