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“Documentaries Are Less an Act of Creation and More an Act of Discovery”: DP Bob Richman on The Price of Everything

The Price of Everything

Brooklyn-born DP Bob Richman began his career as a production assistant for Albert and David Maysles. He’s since gone on to shoot some of the most widely seen documentaries of the past 20 years: An Inconvenient Truth, Waiting for ‘Superman’,…  Read more

By Jan 18, 2018

“If You Want That Melodramatic Shaft of Light, You’d Better Mean It”: DP Sam Levy on Shooting Lady Bird

Saiorse Ronan in Lady Bird

There’s a tradition of young directors looking for inspiration in the bygone eras of their adolescence. For George Lucas in American Graffiti, it was the California car culture of the early ’60s. For Richard Linklater in Dazed and Confused, it…  Read more

By Jan 17, 2018

DP Rachel Morrison on Mudbound, Her Ideal Extinct Film Stock and Using Waveform Monitors

Mudbound

In Mudbound, a friendship between two returning soldiers – one white (Garrett Hedlund) and one black (Jason Mitchell) – sets a pair of neighboring farming families on a path to tragedy in post-World War II Mississippi. For cinematographer Rachel Morrison…  Read more

By Jan 11, 2018

“ARRI is a Woman…”: Christopher Doyle on Finding a Film and the Gender of Cameras

Cinematographer Christopher Doyle’s interview with Kaleem Aftab was one of our most highly-read pieces of last year, and in this concise interview posted at the ARRI channel, he discusses specific aspects of his methodology, including adapting his approach to his…  Read more

By Jan 8, 2018


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