Outside the Palais in a rare moment of sun
This year’s 66th Cannes Film Festival opened with a venerable love fest at the Jury Press Conference on Wednesday. Led by Steven Spielberg, this year’s panel drew an incredible mix of cinema talent Ang Lee, Nicole Kidman and Christoph Waltz,… Read more
Since IFP and Filmmaker began programming the reRun Theater in Brooklyn, we’ve been trying to bring audiences great films, but also do it in an interesting and different way whenever possible. One of the ideas that we came up with… Read more
Director David Lassiter, whose short film The Opportunist is playing in the Critics’ Fortnight, is blogging about his Cannes experiences. You can read his first dispatch here. Day one at Cannes and we’re already off to the races! After almost… Read more
Another day, another bunch of clips from U.S. indies playing at Cannes. Above there is a quick snippet, featuring Marion Cotillard and Jeremy Renner, from James Gray’s period drama The Immigrant (previously called Lowlife). The Weinstein Company will be putting… Read more
There’s a good reason James Toback named his new Cannes-set showbiz documentary Seduced and Abandoned (unspooling here May 20). No other film festival is quite as alluring – and none has an audience as uniquely emotional. As the world’s premier showcase for cinema, Cannes is arguably the most extravagant way to introduce a film on an international stage. That said, expectations are high and reactions can tack violently from swoon-worthy praise (Michael Haneke’s 2012 drama Amour received the most recent tsunami of adoration) to outright condemnation (just ask Johnny Depp or Vincent Gallo about their respective directorial fiascos, 1997’s The …
by Stephen Garrett on May 14, 2013
For those headed to the South of France this week, Filmmaker has polled our friends and colleagues for their advice on attending the Cannes Film Festival. Even if you are not a first-timer there’s something here for you, ranging from day-trip suggestions to business etiquette to restaurant tips. If you are a first-time attendee, take these especially to heart, and if you’re a returning veteran and have tips, feel free to post them below. See you on the Croisette. Ben Gibson (director, London Film School, and producer): Been doing this advice for many years: Have a meal with someone you’ve …
by Scott Macaulay on May 14, 2013
My name is David Lassiter, I’m the writer and director of a short film called The Opportunist, and over the next few weeks, my team and I will be documenting our adventures on the road to Critics Week at Cannes where our film will have its world premiere. We are big fans of Filmmaker so we’re super excited to share our experiences. To begin! It’s only been two weeks since the Critics’ Week line-up was announced and already it feels like we’ve lived a lifetime. First things first: the film’s not even finished! We submitted a work in progress to Critics’ …
by David Lassiter on May 13, 2013
“What Brooklyn needed was not a good film festival,” Jason Cusato (above) says in rapid-fire speech with a heavy accent, “it has plenty of good festivals. What Brooklyn needed was a film festival that concentrated solely on Brooklyn filmmakers and on Brooklyn.” “Brooklyn is inspiring, the people, the landscape,” the born and raised Cusato emphasizes with passion. “There is no place in the world like Brooklyn.” With 2.5 million residents and the largest borough in New York City – if an independent city, Brooklyn would be the fourth largest in the United States – with a diverse and energetic populace residing in distinctive …
by Stewart Nusbaumer on May 13, 2013
Sundance Institute announced the 13 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah from May 27 through June 27. Under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program, and the artistic direction of Gyula Gazdag, the Fellows selected for this year’s program include emerging filmmakers and projects from the United States, Europe, Mexico, Peru and Somalia. Projects supported through the Directors and Screenwriters Labs receive continued, customized, year-round support from the Feature Film Program, which can include the following resources: ongoing creative and strategic advice, …
by Billy Brennan on May 9, 2013
“Today we’re celebrating the start of a new era,” DCTV’s co-founder and co-executive director Jon Alpert announced to a crowd of several hundred filmmakers, documentary enthusiasts and journalists. In the background stood DCTV’s home since 1979, a striking structure in French Chateau style with steeply pitched hip roof and prominent corner spiral, which contrasted sharply with the surrounding towers of American boxes. This juxtaposition contributed a bit of the surreal to the ceremony. But only a bit. This was not the 16th century, and certainly not the tranquil Loire Valley in France. The honking horns and growling trucks, darting taxis, the …
by Stewart Nusbaumer on May 8, 2013