From The Beverly Hillbillies to Buckwild, and from Coal Miner’s Daughter to Deliverance, the face of Appalachia has long been defined (and stereotyped and exploited) by the Hollywood eye. And in the wake of the 2016 presidential election the caricaturing continued, this time at the hands (and pens) of the press corps on the other coastal liberal side. Enter native Appalachian documentarians Sally Rubin (Deep Down) and Ashley York (Tig) to remedy historical wrongs. In their LA Film Festival Best Documentary Feature winner hillbilly the duo systematically take a wrecking ball to every highly offensive yet socially acceptable white trash […]

If there was one theme that dominated the landscape on the doc fest circuit this year it was politics — and not just that of the Trump administration or the Kremlin (though those subjects were well represented). Filmmakers around the globe seemed to be in obsessive pursuit, trying to find some rational explanations for the irrational hell that’s been going on. Which means that as bad as the decline of western civilization might seem in our current time, there is one upside — it makes for some stunning cinematic art. So with that in mind I’d like to give a […]

No film fest is complete these days without an attempt to tackle the vast gender inequality that’s long afflicted the industry. So it comes as no surprise that the sixth edition of the FilmGate Interactive Media Festival devoted an entire panel to searching for remedies when it comes to immersive media. “Reaching True Gender Parity in Interactive Storytelling” proved to be a fascinating chat amongst four fervent ladies — Marie-Pier Gauthier of the National Film Board of Canada (who also served as panel moderator), HP’s Global Head of Virtual Reality Joanna Popper, Vivian Marthell, who leads local art house O […]

The Virtual Reality Portal at the FilmGate Interactive Media Festival, which this year overlapped with Art Basel in downtown Miami, featured a wealth of new discoveries alongside some stellar high-profile projects. Among the three-dozen or so interactive works on display were a pair that made for great companion pieces. The first was Lynette Wallworth’s “psychedelic documentary” Awavena, an inner trip that I’d just missed experiencing at IDFA DocLab (and which made me wish that every VR experience came with a hammock). The second, Eliza McNitt’s Sundance-premiering outer trip Spheres, also had perhaps the widest target audience of any of the […]

The upcoming FilmGate Interactive Media Festival (November 30th – December 6th) will mark its sixth year of bringing the immersive arts to South Florida. A quick glance through the lineup shows it’s the most impressive edition yet. Divided into four programs — Miami @ Play, Festival Panels, Interactive Installations, and the Virtual Reality Portal (with its 35-plus interactive experiences to choose from) — not to mention the many parties (this is Miami after all), the 2018 edition may just make the folks in town that same week for Art Basel look 20th century passé. Starting with the panels (on December […]

This edition of the International Documentary Film Festival Amsterdam (November 14th-25th) — now in its third decade, but also marking its inaugural year under the exciting new leadership of Syrian documentarian Orwa Nyrabia — offered one of the most binge-worthy lineups I’ve experienced in all my years covering the world’s largest doc fest. Of the nearly two-dozen films I managed to catch both in Amsterdam during my stay (once again guests were put up at the lovely — and couldn’t get more convenient — Hotel NH Carlton, which doubles as the fest’s headquarters) and online, not one disappointed. Indeed, veteran […]

People are “natural scriptwriters,” Claire Simon noted towards the beginning of what turned out to be a surprisingly lively discussion between the French documentarian and the US’s own Steve James about one of the hottest topics in the doc industry today: serialized storytelling. The setting was an intimate theater at De Brakke Grond (the longtime headquarters of IDFA DocLab, where this year’s Humanoid Cookbook theme whimsically allowed for browsing a menu before ordering, or rather requesting, VR experience time slots). The moderator was film programmer Sean Farnel. The two veteran directors opened by acknowledging the biggest difference between feature films […]

Alex Winter’s The Panama Papers is a globetrotting, newsroom-hopping peek inside the multinational process, which ultimately brought together over 100 media organizations in 80 countries under the auspices of the International Consortium of Investigative Journalists (ICIJ). That led to the 2016 mass publication of documents from the highly secretive, Panamanian law firm Mossack Fonseca — which in turn brought down heads of state and business leaders the world over, and cost the lives of at least two reporters affiliated with the leaked trove. I was fortunate enough to catch Winter’s film at this year’s IDFA (in the stunning Tuschinski Theater, […]

The program for the 31st International Documentary Film Festival Amsterdam (November 14th – 25th) — the first under the new artistic directorship of Syrian documentary filmmaker Orwa Nyrabia — feels equal parts familiar and fresh. On the one hand, as in years past, it’s hard not to be overwhelmed by the sheer size of the world’s largest nonfiction film festival. Once again the fest will include exceptional industry events like the IDFA Forum (and Docs for Sale, the IDFA Bertha Fund, IDFA Academy, etc.), competitions (14 in total), and more meet-and-greets and parties than one can reasonably attend. (Do I […]

With anti-immigrant sentiment on the rise globally, and with a U.S. president who champions a ban on all Muslims to this country, Andrés Caballero and Sofian Khan’s (IFP-supported) The Interpreters serves as a timely corrective, to say the least. Their up-close-and-personal doc follows three men from Iraq and Afghanistan (and one American sergeant fighting the byzantine U.S. bureaucracy on behalf of his Baghdadi friend) who served U.S. troops as interpreters — not “translators,” since their role as intermediaries went well beyond mere language — as they struggle to keep the faith and avoid death while waiting to gain asylum in […]