Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s my last dispatch of the year—I’ll be back with another newsletter the first full… Read more
This year was a peak travel year for me, mostly festival-enabled, and I was pleased by the number of good films I was privileged to see along the way that I wouldn’t have otherwise. While the globalization of film via… Read more
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. We’re now five weeks away from the Jan. 17 Oscar noms, and the last few… Read more
The Sundance Institute announced today the 87 feature films and six episodic projects selected for the 2025 Sundance Film Festival. Among the films are new pictures from returning filmmakers Cherien Dabis, Bill Condon, Amalia Ulman, Ira Sachs, and Amir “Questlove”… Read more
Oxbelly announced today an open call for the Oxbelly Retreat’s 2025 edition, to be held June 28 through July 6 at Costa Navarino in Messinia, Greece. Also announced are Do Not Expect Too Much from the End of the World director Radu Jude as the leader of the Screenwriters Program and The Road to the Country author Chigozie Obioma as leader of the Fiction Writers Program. The application deadline is January 22, 2025. There is no cost to apply, and all expenses for fellows are covered. More from the press release: The Oxbelly Retreat is an annual gathering of international […]
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s now primetime for FYC campaigning. I was inundated with digital codes and old-school DVDs early last week; studios know that voters—at least American ones—might have had lots of downtime and perhaps visiting family members to entertain. What better way to treat your guests than showing them A24’s entire 2024 slate (with the exceptions of the still-unreleased Babygirl, The Brutalist and Queer)? There were also a slew of FYC events in Los Angeles ahead of […]
Here’s a funny thing to think about: One of the best places to get a handle on what’s happening in American (and sometimes Canadian) independent film is a very long travel day away from New York, Los Angeles or Chicago, at the American Film Festival in Wroclaw, Poland, a millennium-old city with a historic Old Town. Adjacent is the very modern cineplex New Horizons, which shares its name with a sprawling summer festival and each November also hosts AFF and its industry-only sidebar, US in Progress. Described by one attendee as “foreign aid for American indies,” USIP has, over its […]
Aaron Schimberg’s A24-drama of identity, appearance and personal transformation, A Different Man, won Best Picture last night at the 32nd annual Gotham Awards. No Other Land, directed by an Israel-Palestinian collective consisting of Yuval Abraham, Basel Adra, Rachel Szor and Hamdan Ballal , took home the Best Documentary award for its depiction of Israel’s expulsion of Palestinian West Bank residents from their homes and villages. Payal Kapadia’s Mumbai-set All We Imagine as Light won the Best International Feature Award. Two films picked up two awards each: Nickel Boys and Sing Sing. The former won Best Director for RaMell Ross and […]
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. Last March, in the week leading up to the 96th Academy Awards ceremony, I received an invitation from BBC News to chat about Bradley Cooper. An interview with him had recently gone viral for a clip where Cooper teared up while speaking of Leonard Bernstein, whom he played in Maestro. (He earned three Oscar nominations for that film—best picture, actor and original screenplay—but was passed over for his direction). In a brief phone call with […]
I’m peering into a small pool of water held in a shallow, roughhewn clay bowl suspended from a bar held aloft by two ladders, and I see moving images of a child’s face, hands, a woman, flowers, the blue of cyanotype, a strawberry. And then a drop of water disrupts the image with a sudden wave of concentric circles, and I am brought out of the image to the water’s surface, to a second layer of experience, realizing in a kind of minor epiphany all the effort I’m expending to see one thing while ignoring all the rest. Looking again, […]