Authors — Hugo Emmerzael
-
Music as Nourishment: Max Richter on Scoring “Hamnet”
With Songs My Brother Taught Me (2015) and The Rider (2017), Chloé Zhao constructed tender epics out of prolonged time spent at the Pine Ridge Reservation in South Dakota. Much like her Oscar-winning Nomadland (2020), these films are born out of geography, setting characters yearning for freedom and belonging against vast American landscapes.. Zhao’s fifth feature, Hamnet, likewise finds a synthesis between the natural world and the interiority of her characters in telling a story of creation in every sense of the word — the genesis of new life and the mysterious place within where creativity and artistic processes emerge. […]
by Hugo Emmerzael on Dec 2, 2025 -
Existential Rave: Kangding Ray on Scoring “Sirāt”
Few recent films have offered such an overwhelmingly immersive audiovisual experience as Oliver Laxe’s Sirāt. It’s no coincidence that the first shots of the film show tough-looking tech guys assembling an intimidatingly huge sound system on a remote and desolate location, as music is a major driving force behind this cinematic trip. The fourth film by the French-Spanish director (Mimosas, Fire Will Come) begins at a psychedelic rave before embarking on a treacherous journey into the Moroccan desert. The highly unusual score is not only notable for its rough-sounding tribal techno, which will surely deliver a massive stress test to […]
by Hugo Emmerzael on Oct 16, 2025 -
“The Best Thing for Coppola Would Be to Have Zero Budget”: Mike Figgis on Megalopolis Behind-the-Scenes Documentary Megadoc
Megalopolis’s reputation preceded the film itself long before its première iat last year’s Cannes Film Festival. As Francis Ford Coppola’s long-gestating opus about the folly of men and the collapse of the fictional city of New Rome edged closer to completion, it became embroiled in a flurry of speculation and controversy, kickstarted by a striking exposé in The Hollywood Reporter about rising tensions on set between director, cast and crew. Self-funded by Coppola, who funneled over $100 million of his vineyard profits into the film, the Adam Driver-starring film ultimately represents two things at once: a historic landmark of independent […]
by Hugo Emmerzael on Sep 19, 2025 -
“The Best is Always Zero Budget”: David Verbeek on Tribeca 2025 Premiere The Wolf, the Fox, and the Leopard
In a contemporary take on Werner Herzog’s The Enigma of Kaspar Hauser (1974), The Wolf, the Fox, and the Leopard depicts a woman who lives amongst wolves being whisked away and plunged into human society. Director David Verbeek presents this jarring story as a kind of apocalyptic fairytale, in which a feral woman learns what it means to be human while humanity itself is bracing for the end of the world as they know it. Mostly set on a repurposed offshore oil rig, the film explores how the interests of men and nature inevitably clash in the face of impending […]
by Hugo Emmerzael on Jun 5, 2025 -
Creating Composed Chaos: DP Jasper Wolf on Babygirl
Just as its characters shift roles in their erotic game of cat and mouse, Halina Reijn’s third feature Babygirl fluently shifts between erotic thriller, existential melodrama and corporate satire. At the center is Nicole Kidman role as Romy, a successful CEO of a high-powered New York-based e-commerce company who relinquishes her sense of control when a chance encounter with a new company intern (Harris Dickinson) plunges Romy into the erotic chaos of a BDSM-charged relationship. Babygirl carefully traces how the seismic shifts of this newfound dom-sub dynamic open up an emotional rift in Romy, resulting in an explosive and messy […]
by Hugo Emmerzael on Dec 18, 2024
