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“I Love the Kind of Cinema That [Tells You Everything] Through Images, Where Every Frame is Like a Painting”: Ena Sendijarević’ on Her Metrograph Series, Sweet Dreams

Sweet Dreams

Amsterdam-based, Bosnian-born filmmaker Ena Sendijarević’s two features to date, Take Me Somewhere Nice and Sweet Dreams, hone the filmmaker’s personal cinematic language while expanding the parameters of her own perspective. The former, her 2019 debut feature, follows a Dutch teen…  Read more

By Apr 12, 2024

“The Step from Being a Human to Becoming a Monster is Much Shorter than We Think”: Oksana Karpovych on Her ND/NF Doc, Intercepted

Intercepted

While the on-the-ground horrors of Russia’s full-scale invasion of Ukraine have been viewed around the world, often in real time — and even formed the basis of this year’s Best Doc Feature Oscar winner, Mstyslav Chernov’s 20 Days in Mariupol…  Read more

By Apr 11, 2024

Cutting Costs in Black and White: Phạm Ngọc Lân ơn Cu Li Never Cries

A middle-aged woman dances with a younger man who has a primate on his left shoulder.Cu Li Never Cries

Unfolding in a Hanoi of twisting alleyways and cramped apartments, Cu Li Never Cries follows a half-dozen intertwined characters whose lives are in upheaval. Mrs. Nguyện (Minh Châu), a widow, has been gifted with a pet slow cu li, a…  Read more

By Apr 8, 2024

“We Shot for Four-and-a-Half Days”: Tynan DeLong on Dad & Step-Dad

Dad & Step-Dad

Cringe comedy and pathos converge with unlikely grace in Dad & Step-Dad, the debut feature from director Tynan DeLong. Expanded significantly from short films that DeLong crafted with recurring collaborators Colin Burgess (recent star of Ryan Martin Brown’s debut feature…  Read more

By Apr 4, 2024


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