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“It is Being Told Now—Because It is Supposed to Be Told Now”: Christopher Kahunahana on Waikiki and Native Hawaiian Storytelling

Waikiki

A film with “a seventeen-day shoot and two+ years of post-production,” Christopher Kahunahana’s long-awaited feature debut Waikiki marks a coming of age for the emerging Hawaiian filmmaking scene. The first completed narrative feature film by a Kanaka Maoli (Native Hawaiian)…  Read more

By Nov 25, 2020

“It Came Out of Feeling Like I Didn’t Actually See Myself in the Movies…”: Claudia Weill on Girlfriends

Melanie Mayron in Girlfriends

Claudia Weill is a director whose work meant so much to me at such a formative age that I was almost hesitant to interview her; the two features she directed, Girlfriends (1978) and It’s My Turn (1980) spoke to me…  Read more

By Nov 23, 2020

“The Violence in the Film is Simply a Reflection of the History of Human Beings”: Writer/Director Jim Jarmusch and Actor Forest Whitaker on Ghost Dog: The Way of the Samurai

Ghost Dog: The Way of the Samurai

With Jim Jarmusch’s Ghost Dog: The Way of the Samurai newly released by Criterion Collection today, Filmmaker is publishing online for the first time Peter Bowen’s interview with Jarmusch and actor Forest Whitaker from our Winter, 2000 print issue. In Jim Jarmusch’s…  Read more

By Nov 17, 2020

“Male Science Fiction Movies are About Men Having a Romance with Their A.I. Women”: Shalini Kantayya on Coded Bias

Coded Bias

A.I. and “machine learning models” can decide who is accepted into college, who gets housing, who gets approved for loans, who gets a job, what advertisements appear on our social media and when. The extent of what A.I. dictates in…  Read more

By Nov 16, 2020


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