Directors

Interviews - Directors

Featured

“If Something Gives Me the Chills, or If I Ever Think, ‘Is This Too Much?’, Then I Know I Have to Use It”: Michelle Handelman on the 25th Anniversary Rerelease of BloodSisters: Leather, Dykes And Sadomasochism

Bloodsisters: Leather, Dykes and Sadomasochism

Filmmaker/video artist/photographer/performance artist/writer/professor Michelle Handelman is a 2011 Guggenheim fellow and 2019 Creative Capital awardee whose work is featured in collections from Napa, California to Paris to Moscow. But back in the early 90s Handelman was simply an explorer with…  Read more

By Jul 21, 2021

“You Never Know When You Will Have a Great Image”: Ryusuke Hamaguchi on Drive My Car

Drive My Car

It might strike some as sacrilege when I say that the excitement I’ve felt around Ryusuke Hamaguchi’s run of recent work reminds me of watching (and catching up with) the films of Arnaud Desplechin in the 2000s. Drive My Car,…  Read more

By Jul 19, 2021

“I Could Only Shoot When I Had Increments of $200 to Spend”: Lizzie Borden on Working Girls, Harvey Weinstein and Changing Perceptions of Sex Work

Working Girls

Highly respected but rarely screened, Working Girls, Lizzie Borden’s 1986 feature about a group of women working an extended shift in a Manhattan brothel, finally makes its way to home video this week thanks to the Criterion Collection. Presented in…  Read more

By Jul 14, 2021

Shooting on a Moving Period Russian Train: Juho Kuosmanen on Cannes 2021 Competition Premiere Compartment No. 6

Seidi Haarla in Compartment No. 6

In Juho Kuosmanen’s debut feature The Happiest Day in the Life of Olli Mäki, a Finnish boxer (and baker) gets a title shot at Helsinki Olympic Stadium against the American featherweight champion. At their joint press conference, the Finnish media…  Read more

By Jul 13, 2021


© 2021 Filmmaker Magazine
All Rights Reserved
A Publication of IPF