Documentary
-
“Stereotypes Help People Delegitimize Other People and Ideas They Want to Distance Themselves From”: Michael Premo on Homegrown
While the eruption of violence at the US Capitol on January 6th left most Americans dazed and confused — and too many journalists and talking heads scrambling to dissect the psyche of the rioters as if they were extraterrestrial beings and not our actual next-door neighbors — multimedia artist Michael Premo had been listening and filming throughout the summer of 2020 with open ears and eyes all along. His Venice-debuting Homegrown follows three diverse (yes, diverse) Trump-supporting “patriots”: an excited young father-to-be (to a biracial child) in New Jersey, an Air Force vet and rightwing organizer in “liberal” NYC, and […]
by Lauren Wissot on Dec 6, 2024 -
IDFA 2024: Winners and Winners
This year’s IDFA (November 14-24) starred Polish filmmaker Maciej J. Drygas’s Trains, a cinematic ride through 20th century industrial revolution-propelled European history via a trove of archival found footage; it unanimously nabbed Best Film in the International Competition. And while the doc is undoubtedly a tour de force of editing and sound design (unsurprisingly, it also took Best Editing in the International Competition), not to mention hypnotically reminiscent of the work of Bill Morrison, it was actually the other B&W archival-heavy film in that section that I just couldn’t shake. Dutch director Luuk Bouwman’s The Propagandist (which did receive the IDFA Award for […]
by Lauren Wissot on Nov 26, 2024 -
“I Became Obsessed with the Idea that All Great Art Contains the Life Force of the Artist…”: Director Rachel Elizabeth Seed on A Photographic Memory
Filmmaker Rachel Elizabeth Seed’s photographer mother Sheila Turner Seed died when she was just 18 months old, before specific memories could take hold — an absence that structures doc producer-turned-director Seed’s True/False, Hot Docs and DOC NYC-playing A Photographic Memory, which I caught at the Woodstock Film Festival. From the outset, the documentary is an archive-based biographical detective movie of sorts, following Seed over the years in which she learns about her mother by reconstructing the biography of her professional life. This work includes not only her own photography but a 1970s interview series, Images of Man, she produced with […]
by Scott Macaulay on Nov 24, 2024 -
“The Film Is Not About AI, Not About Werner Herzog, and Never Aimed To Embrace AI Technology”: Piotr Winiewicz on His IDFA Opening Night Doc About a Hero
Piotr Winiewicz’s About a Hero is as mindbogglingly complex as its eye-catching logline is simple: “A murder mystery – unwittingly starring Werner Herzog.” More precisely, the Polish filmmaker’s doc is actually an adaptation of a script in which the aforementioned cinematic maverick travels to the fictional Getunkirchenburg to investigate the strange death of a local factory worker named Dorem Clery. Even stranger, that screenplay was written by “Kaspar” (as in Kaspar Hauser), an AI trained on the Herzog oeuvre. With a look inspired by the work of German photographer Thomas Demand, the film, shot mostly across northern Germany, also features […]
by Lauren Wissot on Nov 21, 2024 -
“I Grow as I Make a Film”: Nanfu Wang on Her HBO Documentary, Night Is Not Eternal
It’s a bit surprising to think that when I last interviewed Nanfu Wang it was for her six-part HBO docuseries Mind Over Murder, which revisited an infamous case of justice gone haywire in a small town in Nebraska back in the 1980s. Which, in terms of subject matter, is a far cry from this year’s followup (also for HBO). Night Is Not Eternal is a deep character study, a format the acclaimed director has long embraced, that charts the rise of Rosa Maria Paya, daughter of Oswaldo Paya, a five-time Nobel Peace Prize-nominated activist assassinated by the Cuban government in 2012. […]
by Lauren Wissot on Nov 20, 2024 -
“Shifting Focus from Political Agendas To the Real Faces of Conflict”: Sareen Hairabedian on Her DOC NYC-Premiering My Sweet Land
Admittedly, Artsakh (Nagorno-Karabakh) was not in my geographic vocabulary before this region in the Caucasus Mountains took centerstage at last year’s IDFA, when first-time filmmaker Shoghakat Vardanyan nabbed top prize for 1489. The heartbreaking doc details the Armenian director’s real-time, smartphone-shot search for her brother, a young student and musician who’d been conscripted into the most recent war over their disputed homeland. And now we have Sareen Hairabedian’s cinematic, Gotham-supported My Sweet Land screening DOC NYC (where Emily Mkrtichian’s There Was, There Was Not, which follows four women in Artsakh, is also playing). Starring a bright 11-year old citizen of Artsakh named […]
by Lauren Wissot on Nov 15, 2024 -
“Doc Filmmaking Can Be a Very Weird Process of Interpersonal Negotiations”: Debra Granik on Conbody vs Everybody
Though Debra Granik is no stranger to Sundance — 2004’s Down to the Bone, 2018’s Leave No Trace and 2010’s Oscar-nominated (in four categories) Winter’s Bone all premiered in Park City — I was a bit surprised to see the indie vet’s name attached to a project at the fest’s 40th edition earlier this year. Unlike the director’s prior critically-acclaimed films, Conbody vs Everybody is neither narrative nor a traditional feature doc, but a documentary in five chapters (six at Sundance, of which only parts four and five were screened) that took Granik and her longtime collaborators, EP Anne Rosellini and EP/editor Victoria […]
by Lauren Wissot on Nov 15, 2024 -
“It Was a Process of Experience Meets Intuition Meets Dancing with the Unknown”: Jacob Perlmutter and Manon Ouimet on Their DOC NYC-Debuting Two Strangers Trying Not To Kill Each Other
Jacob Perlmutter and Manon Ouimet’s Two Strangers Trying Not To Kill Each Other is as breathtakingly understated as its title is arresting. The doc, which picked up a Special Mention: DOX:AWARD when it world-premiered at CPH:DOX last March, stars the celebrated and prolific photographer Joel Meyerowitz (a two-time Guggenheim Fellow and NEA and NEH awards recipient with 50-plus books and over 350 museum and gallery exhibitions to his credit) and his less famous partner of 30 years, the British artist-musician-novelist Maggie Barrett. It’s also an up close and personal (literally — the filmmaker couple lived with their protagonists during production) […]
by Lauren Wissot on Nov 14, 2024 -
“There is No Nice Way to Bulldoze a School”: Basel Adra and Yuval Abraham on No Other Land
Originally published February 27, 2024, just following the Berlin International Film Festival, this interview with No Other Land‘s directors Basel Adra and Yuval Abraham is being republished today, as the documentary opens at Film at Lincoln Center for a one-week run. — Editor Co-directed by an Israeli-Palestinian collective of four, No Other Land was filmed in the West Bank, in Masafer Yatta, where Israeli military and increasingly civilians have forced Palestinians out from their villages. Premiered at the 74th Berlinale, the debut feature won both the juried documentary award and the Audience Award in its section, Panorama—amply deserved honors for […]
by Nicolas Rapold on Nov 1, 2024 -
“A Deep Dive Into My Trauma”: Shiori Ito on Black Box Diaries
Shiori Ito’s Black Box Diaries is a film the Japanese journalist should never have had to make. Based on her international bestseller, the Sundance-premiering doc is a dogged investigation into a rape perpetrated by another Japanese journalist, Noriyuki Yamaguchi, a longtime friend of the late former Prime Minister Shinzo Abe, whose biography the offender penned as well. It’s also a somewhat surreal journey, given that the brave survivor in the purposely stalled case is Ito herself. Through an engaging mix of secret recordings, vérité shooting and confessional video, we’re invited along on an increasingly maddening odyssey through the shockingly antiquated Japanese […]
by Lauren Wissot on Oct 25, 2024
