It’s a bit surprising to think that when I last interviewed Nanfu Wang it was for her six-part HBO docuseries Mind Over Murder, which revisited an infamous case of justice gone haywire in a small town in Nebraska back in the 1980s. Which, in terms of subject matter, is a far cry from this year’s followup (also for HBO). Night Is Not Eternal is a deep character study, a format the acclaimed director has long embraced, that charts the rise of Rosa Maria Paya, daughter of Oswaldo Paya, a five-time Nobel Peace Prize-nominated activist assassinated by the Cuban government in 2012. […]
by Lauren Wissot on Nov 20, 2024Admittedly, Artsakh (Nagorno-Karabakh) was not in my geographic vocabulary before this region in the Caucasus Mountains took centerstage at last year’s IDFA, when first-time filmmaker Shoghakat Vardanyan nabbed top prize for 1489. The heartbreaking doc details the Armenian director’s real-time, smartphone-shot search for her brother, a young student and musician who’d been conscripted into the most recent war over their disputed homeland. And now we have Sareen Hairabedian’s cinematic, Gotham-supported My Sweet Land screening DOC NYC (where Emily Mkrtichian’s There Was, There Was Not, which follows four women in Artsakh, is also playing). Starring a bright 11-year old citizen of Artsakh named […]
by Lauren Wissot on Nov 15, 2024Though Debra Granik is no stranger to Sundance — 2004’s Down to the Bone, 2018’s Leave No Trace and 2010’s Oscar-nominated (in four categories) Winter’s Bone all premiered in Park City — I was a bit surprised to see the indie vet’s name attached to a project at the fest’s 40th edition earlier this year. Unlike the director’s prior critically-acclaimed films, Conbody vs Everybody is neither narrative nor a traditional feature doc, but a documentary in five chapters (six at Sundance, of which only parts four and five were screened) that took Granik and her longtime collaborators, EP Anne Rosellini and EP/editor Victoria […]
by Lauren Wissot on Nov 15, 2024Jacob Perlmutter and Manon Ouimet’s Two Strangers Trying Not To Kill Each Other is as breathtakingly understated as its title is arresting. The doc, which picked up a Special Mention: DOX:AWARD when it world-premiered at CPH:DOX last March, stars the celebrated and prolific photographer Joel Meyerowitz (a two-time Guggenheim Fellow and NEA and NEH awards recipient with 50-plus books and over 350 museum and gallery exhibitions to his credit) and his less famous partner of 30 years, the British artist-musician-novelist Maggie Barrett. It’s also an up close and personal (literally — the filmmaker couple lived with their protagonists during production) […]
by Lauren Wissot on Nov 14, 2024Originally published February 27, 2024, just following the Berlin International Film Festival, this interview with No Other Land‘s directors Basel Adra and Yuval Abraham is being republished today, as the documentary opens at Film at Lincoln Center for a one-week run. — Editor Co-directed by an Israeli-Palestinian collective of four, No Other Land was filmed in the West Bank, in Masafer Yatta, where Israeli military and increasingly civilians have forced Palestinians out from their villages. Premiered at the 74th Berlinale, the debut feature won both the juried documentary award and the Audience Award in its section, Panorama—amply deserved honors for […]
by Nicolas Rapold on Nov 1, 2024Shiori Ito’s Black Box Diaries is a film the Japanese journalist should never have had to make. Based on her international bestseller, the Sundance-premiering doc is a dogged investigation into a rape perpetrated by another Japanese journalist, Noriyuki Yamaguchi, a longtime friend of the late former Prime Minister Shinzo Abe, whose biography the offender penned as well. It’s also a somewhat surreal journey, given that the brave survivor in the purposely stalled case is Ito herself. Through an engaging mix of secret recordings, vérité shooting and confessional video, we’re invited along on an increasingly maddening odyssey through the shockingly antiquated Japanese […]
by Lauren Wissot on Oct 25, 2024Alfred Hitchcock, the director as well as self-analyzing critical observer, is evoked in the latest documentary from Mark Cousins, titled, appropriately, My Name is Alfred Hitchcock. During the pandemic lockdown, Cousins was invited by producer John Archer to make a film about the great director timed to the 100th anniversary of his debut film. Cousins set about watching all of Hitchcock’s films in chronological order, reading various critical book as well as works by his daughter and The Birds actress Tippi Hedren, all the while filling up notebooks of thoughts, reflections and details. That research and viewing produced a script, […]
by Scott Macaulay on Oct 24, 2024One of the cinematic highlights of this year’s TIFF, Olivier Sarbil’s Ukraine-set (and Darren Aronofsky-produced) Viktor follows the titular protagonist, a Kharkiv resident who lives with his widowed mother and faces a most unusual conundrum. Desperate to defend his country, Viktor — a sword-loving giant of a man whose bible is Miyamoto Musashi’s The Strategy of the Samurai — is nevertheless blocked from joining the war effort because he just so happens to be Deaf. Fortunately, Viktor possesses the dogged determination of a noble warrior and manages to convince the local army to take him on as a volunteer photojournalist […]
by Lauren Wissot on Sep 8, 2024Lina Vdovîi and Radu Ciorniciuc’s TIFF-debuting Tata originated with a cry for help from a migrant worker being physically assaulted by his boss. The Romania-based filmmakers, partners in life and art, are both veteran investigative journalists in their region — Vdovîi an award-winning reporter from the Republic of Moldova who’s been nominated for the European Press Prize, Ciorniciuc a co-founder of the first independent media organization in Romania — so worker exploitation was a familiar beat. More troubling, however, was the familiarity of the man video messaging the duo from Italy: Vdovîi’s dad, a father who she’d long been estranged […]
by Lauren Wissot on Sep 7, 2024“When George W Bush becomes president, for the first time, I knew someone dumber than me was president, and the whole fucking thing fell apart. It’s all been a house of cards, it’s all been a shell game, and a mirror illusion, and George W. Bush made it so you could finally see through the mirror, at all the wrong angles.” — Quentin Tarantino. Over the last four presidential administrations, Christopher Jason Bell has produced an estimable body of work, directing more than13 shorts and three features, devoted to creating off-beat, experimental, and challenging microbudget cinema, spanning narrative, documentary and […]
by Evan Louison on Sep 6, 2024