The Week In Cameras

Latest News About the Tools We Use by Michael Murie

  • Witness Project: DP Ben Gaskell on Shooting with Lomo Anamorphic Lenses

    Ben Gaskell is a freelance cinematographer and DP for Witness Project, a series of short documentaries about oppression. For a recent episode on Anastasia Lin, Miss World Canada 2015, Gaskell shot on the Blackmagic URSA Mini 4.6K using old Lomo anamorphic lenses. Filmmaker: How did you get involved with this project? Gaskell: The director was an editor on a documentary that I worked on and he knew that I had a knack for bringing an artistic flare to the documentary genre. We chatted about the series and ended up finding a common language, and he was really interested in the…  Read more

    On Feb 15, 2017
  • Panasonic GH5 Raises the Bar with 6K and Much More

    Panasonic’s GH4 has been a hit with documentary and low-budget indie filmmakers thanks to its small size, internal 4K recording and low cost. But it’s now over two and a half years old, and in today’s world that can be a lifetime for a camera. Fortunately, Panasonic has a replacement coming that looks like it could be as popular as the GH4, not only because it improves on the original capabilities but because it also marks a first step to 6K capture. Panasonic first teased the GH5 in September, but at CES they announced the feature list, along with planned…  Read more

    On Jan 10, 2017
    By on Jan 10, 2017Cinematography
  • GoPro’s Drone and New Cameras

    GoPro has announced the newest versions of their action cameras; the Hero5 Black and the Hero5 Session, as well as their own drone, called Karma. Hero5 Black The new Hero5 cameras have the same basic form and shape as the previous Hero4 models — and will fit existing mounts — but amongst other things they add waterproofing (good to 33 feet), so you don’t have to use them inside a plastic shell if you’re worried that they are going to get wet. The Hero5 Black has the same resolution and frame rate of the Hero4, but adds a touchscreen on the back,…  Read more

    On Sep 23, 2016
    By on Sep 23, 2016Columns
  • Canon Surprises With Two Camera Announcements

    Canon has announced two new cameras, one expected, the other a bit of a surprise: the Canon 5D Mark IV and the Canon C700 Cinema Camera. Ever since the amazing success of the Canon 5D Mark II, the announcement of new cameras from Canon has tended to provoke a fairly standard response from bloggers and social media; in their still cameras, the video functions are always considered hobbled in some way, and their video cameras are always too expensive and don’t have the features found in some of the latest cameras. And then Canon sells a boatload of the cameras,…  Read more

    On Sep 8, 2016
    By on Sep 8, 2016Cinematography
  • DP Eve M. Cohen Discusses Virtual Reality and Crowdfunding

    In part I of this interview, cinematographer Eve M. Cohen talked about working on the independent feature Be Somebody. In the second part of the interview, she talks about her experience with shooting for virtual reality projects, as well as Seed and Spark, a crowd funding and community site for filmmakers. Filmmaker: You’ve started working in virtual reality. Can you tell us about that? Cohen: Virtual reality is really exciting and I think that it’s important to differentiate virtual reality filmmaking from 2D or linear filmmaking. Virtual reality is a completely new medium and it takes place completely surrounding you,…  Read more

    On Aug 26, 2016
  • Be Somebody 86 Pages in 12 Days: DP Eve M. Cohen on Shooting Be Somebody

    Eve M. Cohen studied art as a painter and a photographer in undergrad, and received a Master’s in cinematography from UCLA. Beginning work in narrative film and documentary, she has most recently been diving into virtual reality, and filming interviews for an unscripted series on TV. “I don’t focus on one kind of filmmaking,” she says. “I really like a variety.” In this first part of the interview, she talks about shooting the narrative feature film Be Somebody that was shot in December, and released in July. In the second part of the interview she talks about shooting for virtual…  Read more

    On Aug 24, 2016
  • “All of a Sudden I Found Myself Creating Content on YouTube”: The Making of A Trip to Unicorn Island

    Filmmaker and songwriter Scott David Winn was a working DP who turned himself into a YouTube star (ScottDW) before turning himself back into a filmmaker. In this interview he talks about making the documentary feature A Trip to Unicorn Island, which is about another YouTube star, Lilly Singh (known on YouTube as IISuperwomanII), going on her first tour. Filmmaker: How did you go from YouTube shorts to making a documentary film? Winn: Three years ago I was working as a director of photography, shooting commercials [and] music videos and I accidentally stumbled upon YouTube. I had a passion for coming…  Read more

    On Apr 12, 2016
    By on Apr 12, 2016Columns
  • New OSX App Hedge Manages File Transfers

    Released this week, Hedge is an OS X app for streamlining the process of importing camera footage and making backups. Hedge will transfer multiple disks at the same time and verify each copy. Paul Matthijs Lombert came up with the idea for Hedge, and is CEO of the developer, The Sync Factory. He answered the following questions via email. Filmmaker: Where did the idea for Hedge come from? Matthijs Lombert: I’ve been an acoustician and mastering engineer for over ten years. I originally came up with the idea for Hedge when working on a Dutch multicam documentary. I designed the audio…  Read more

    On Mar 23, 2016
    By on Mar 23, 2016Post-Production
  • Atomos Announces 7” HDR Field Monitor/Recorders that can Display Log Footage

    Atomos has announced the Atomos Flame series of field monitor/recorders. These new units feature 7” 1920x 1080 resolution screens with 1,500 nits of brightness — four times the brightness of their existing screen. Atomos claims it’s the world’s brightest and widest dynamic range panel in a field monitor. But what is HDR footage? Atomos CEO and co-founder Jeromy Young explains that if you have a camera that shoots in a Log format, and that will output that over SDI or HDMI, you already have an HDR camera. The problem is that it can be difficult to see what that Log image is…  Read more

    On Mar 22, 2016
    By on Mar 22, 2016Cinematography
  • Grant Petty, CEO, Blackmagic Design Blackmagic Ships URSA Mini 4.6K Camera Without Global Shutter

    The Blackmagic URSA Mini 4.6K was supposed to ship back in October, but after encountering some engineering issues Blackmagic has finally announced that it is shipping, though minus one important feature: global shutter. In a press release announcing that the URSA Mini 4.6K and the Micro Cinema Camera are shipping, Blackmagic acknowledged that they had encountered problems with the global shutter in both cameras, though the problems were evidently different for each. Blackmagic decided to give up on the feature, in part because they think the key feature of the Mini 4.6K is really the high dynamic range, and when you…  Read more

    On Mar 18, 2016
    By on Mar 18, 2016Columns
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