The Week In Cameras

Latest News About the Tools We Use by Michael Murie

  • Panasonic Announces a Sub $10,000 Large Sensor, Inter-Changeable Lens Camera – the AU-EVA1

    At NAB Panasonic hinted at a camera that would fit between the GH5 and their Varicam models, and now they’ve announced the AU-EVA1, which will ship in the fall. Back in 2010 Panasonic was one of the first companies to release a sub-$10,000 “large-sensor” video camera with interchangeable lenses. Remember that Canon had only released the 5D Mark II in late 2008 and had — much to their surprise — unleashed HD video with large-sensor cameras. Above I put the large-sensor in quotes because Panasonic’s AG-AF100 used the micro 4/3 lens mount. This gave you a larger sensor than you…  Read more

    On Jun 5, 2017
    By on Jun 5, 2017Cinematography
  • Canon Surprises With the C200

    It’s been two years since Canon announced the Canon C300 Mk II and C100 Mk II, and now, with the announcement of the C200, the company has produced an interesting 4K camera that sort of fits between the two models while at the same time offering new features not currently offered on either of them. First, the price. Canon is offering two models; a body only (B) model that will cost about $5,999 and a more complete version with handle, LCD mount and LCD monitor for $7,499. This is a notable departure from the C100/C300, which are currently only sold with…  Read more

    On Jun 1, 2017
    By on Jun 1, 2017Cinematography
  • A Cheaper Way to Record Multiple Audio Sources: The Tascam DR-10L

    Recording audio on a budget — meaning with few crew and limited equipment — can be a challenge. For interviews I like using lavaliers — life is much easier not having to deal with cables. A good wireless unit will cost you $600 each, and for most documentary work two mics is all you need. But what do you do if you need to record more sound sources? Well, strictly speaking, you should hire a good sound man. He’ll hopefully bring his own mixer/recorder and extra wireless units too. But if that’s not in your budget then things get complicated,…  Read more

    On May 30, 2017
    By on May 30, 2017Columns
  • NAB 2017: The Interesting Stuff

    Last week was the annual NAB show. Every year in April the film and television community comes together in Las Vegas to “ooh” and “ah” over the latest technology. With so much announced and demonstrated, here are the most interesting things I heard about: Blackmagic DaVinci Resolve 14. Blackmagic announced several new products, but the most interesting — once again — was a major update to DaVinci Resolve. Version 14, which is available now in beta, claims a number of performance enhancements that make it up to 10 times faster than the previous version. Resolve also has an entirely new audio…  Read more

    On May 1, 2017
    By on May 1, 2017Cinematography
  • DP Sherry McCracken on Cinematography vs Photography, Pre-Visualization and the Growing Ease of Equipment for Female Crew Members

    In part two of this interview, DP of American Gothic Sherry McCracken discusses moving from photography to cinematography, what she’d do differently, and how lighter cameras make it possible for more women to work as cinematographers. You can read the first part of the interview here. Filmmaker: How did you find it going from photography to cinematography? McCracken: There are as many similar things as there are different things. I felt right at home with lens choice, ISO, aperture choice, sensor size, memory card speeds, etc. I was used to framing shots and lighting them for the best dynamic range and composition. But…  Read more

    On Apr 18, 2017
    By on Apr 18, 2017Cinematography
  • DP Sherry McCracken on Shooting the Low-Budget Independent Feature, American Gothic

    Sherry McCracken, DP for the upcoming independent feature American Gothic, came to cinematography later in life. She grew up taking photographs, operated her own portrait business and worked in local television, but then she turned to IT because she felt she could make a better living. She remained an active still photographer and was asked by a friend to shoot location stills for a movie project. After working on that, and a second picture, she gained experience in film and ended up being asked to DP a project. In this interview she talks about how she made the switch to…  Read more

    On Apr 17, 2017
    By on Apr 17, 2017Cinematography
  • Blackmagic Announces Color Control Panels and URSA Mini Pro

    Blackmagic announced some exciting new products last week; two control panels specifically designed for color correction work, a Linux version of DaVinci Resolve, and a new version of their Mini URSA camera, the Mini URSA Pro. Color Control Panels When Blackmagic acquired DaVinci Resolve, they took it in a new direction; they separated it from the expensive external control panel it had previously required, created Macintosh and Windows versions, released free versions, and greatly expanded the editing functionality of the application. In short, they seemed to be turning it away from a color editing powerhouse into an all-in-one production tool.…  Read more

    On Mar 7, 2017
    By on Mar 7, 2017Filmmaking
  • Photos courtesy of Todd Westphal/ Witness Project: DP Ben Gaskell on Shooting with Lomo Anamorphic Lenses

    Ben Gaskell is a freelance cinematographer and DP for Witness Project, a series of short documentaries about oppression. For a recent episode on Anastasia Lin, Miss World Canada 2015, Gaskell shot on the Blackmagic URSA Mini 4.6K using old Lomo anamorphic lenses. Filmmaker: How did you get involved with this project? Gaskell: The director was an editor on a documentary that I worked on and he knew that I had a knack for bringing an artistic flare to the documentary genre. We chatted about the series and ended up finding a common language, and he was really interested in the…  Read more

    On Feb 15, 2017
  • Panasonic GH5 Raises the Bar with 6K and Much More

    Panasonic’s GH4 has been a hit with documentary and low-budget indie filmmakers thanks to its small size, internal 4K recording and low cost. But it’s now over two and a half years old, and in today’s world that can be a lifetime for a camera. Fortunately, Panasonic has a replacement coming that looks like it could be as popular as the GH4, not only because it improves on the original capabilities but because it also marks a first step to 6K capture. Panasonic first teased the GH5 in September, but at CES they announced the feature list, along with planned…  Read more

    On Jan 10, 2017
    By on Jan 10, 2017Cinematography
  • GoPro’s Drone and New Cameras

    GoPro has announced the newest versions of their action cameras; the Hero5 Black and the Hero5 Session, as well as their own drone, called Karma. Hero5 Black The new Hero5 cameras have the same basic form and shape as the previous Hero4 models — and will fit existing mounts — but amongst other things they add waterproofing (good to 33 feet), so you don’t have to use them inside a plastic shell if you’re worried that they are going to get wet. The Hero5 Black has the same resolution and frame rate of the Hero4, but adds a touchscreen on the back,…  Read more

    On Sep 23, 2016
    By on Sep 23, 2016Columns
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