Clay Tatum and Whitmer Thomas wrote and star in the wonderful new comedy The Civil Dead, which Tatum also directed. On this episode, they discuss their long collaboration and friendship that goes back to Alabama at age 11, doing comedy… Read more
When Peter McCaffrey left the processing lab at New Zealand’s National Film Unit in the early 1980s to become a freelance camera assistant, his bosses told him he’d be asking for his job back in two weeks. There was no… Read more
British TV and film star Joanna Scanlan won the Best Actress BAFTA award last year for her incredible performance in After Love. She plays Mary, a devout convert to Islam who, shortly after becoming a widow, discovers her late husband’s secret… Read more
To say Guslagie Malanda plays Laurence Coly in Alice Diop’s Saint Omer feels incorrect; she becomes her. It’s a performance that holds such subtle power and authenticity that it’s easy to take it for granted. On this episode, Malanda explains… Read more
Tallie Medel is an award winning actor, educator, artist, and one third of the legendary Cocoon Central Dance Team. Her fiercely authentic and nuanced performances in films like Dan Sallitt’s Fourteen have garnered attention from critics and audiences alike. This past year she gifted us with Becky in the acclaimed Everything Everywhere All At Once. In this episode, she talks about the communal environment on that production that benefited the performances, the importance of establishing true connection with her scene partners and using the present moment as a tool, how learning and teaching Clown has changed and shaped her work, […]
In The Menu, entitled dinner guests get more than they bargained for when they travel to a remote island to feast upon the culinary delights of a disillusioned celebrity chef (Ralph Fiennes). Despite being surrounded by exquisite works of gastronomical artistry during the shoot, cinematographer Peter Deming did not partake. “I didn’t taste any of it. I’m not a big food person,” said Deming. “I’ve actually talked to a number of people who said the first thing they did after seeing the movie was go have a cheeseburger.” While Deming may not have an appetite for ornate cuisine, the cinematographer certainly knows […]
As 2022 comes to a close, Filmmaker returns with our annual recap of the year’s most read posts. As I click through Google Analytics, this piece always becomes something of a revelation, a mixture of the predictable (our 25 New Faces list); the news-triggered (an old profile resurfacing on the director’s recent success, for example, or, more sadly, their passing); evergreen articles on filmmaking itself; and pieces for which strong content, aided by SEO and provocative headlines, meshed to attract an abnormally large slew of first-time readers. As in the past, the list is divided into two: the 10 most […]
If the Back To One podcast has one tradition, it is the yearly visit from its very first guest, the living patron saint of the working actor, Kevin Corrigan. This is his fifth time on the show (Ep. 1, Ep. 67, Ep. 133, Ep.185), and as you’ll hear, he still has a healthy supply of great stories, laughs, and inspiration to dish out. He talks about his recent stints on Law and Order: Organized Crime, City on a Hill, and the upcoming indie film Bang Bang; tells a hilarious story illustrating the ways he practices acting when not on a […]
The last time Vicky Krieps (Phantom Thread, Bergman Island) was on this podcast (episode 174), we learned about how she approaches the work through a kind of “emptying out” of herself, and a “deconstruction” of everything in her obit, even her preconceptions regarding the role. This time she’s back to talk about her astounding work in Marie Kreutzer’s film Corsage, an imaginative re-telling (or perhaps a “correcting?”) of a year in the life of Empress Elisabeth of Austria. Krieps talks about treating the work as an invitation to play, how dealing with the coldness of the character had an effect on relationships outside of […]
The first time Andrea Riseborough was on the podcast (episode 100), we got a chance to hear how this incredible actor approaches her craft. On this episode, we get to focus on her astounding work in the new movie To Leslie. She talks about the interesting ways shooting on film in the middle of the pandemic affected everything, why working on her character’s alcoholism would have been a disaster, finding a touchstone with director Michael Morris in Barbara Loden’s Wanda, taking the objective “to just exist” from Mike Leigh, seeing constrains as freedoms, the importance of keeping your integrity, and […]