She has been acting professionally for the better part of two decades, so Joey King has a bit more experience than the average 22-year-old Hollywood actor. And after the gigantic surprise success of The Kissing Booth, and its subsequent sequels, she knows what it’s like to have a global hit on her hands. Add an Emmy nomination for her phenomenal work in The Act to her resume, and you have a well-respected actor/producer with a constant pile of scripts on her desk and first-look deals at Hulu and Netflix. In this episode, she explains how it only seems like it’s […]

He played Aquaman on Smallville and Hawk on Titans, and now Alan Ritchson is taking on the role of Reacher in the new Amazon series based on the Lee Child books. Child highlighted the “blend of menace and goodwill” that Ritchson brings to the role as something that attracted him to the actor. Ritchson talks about how the super long audition process functioned almost like a workshop for him to experiment with different approaches to the character, which paid off when he landed the part and finally got in front of the camera. He tells another story of a very […]

Director Mark Pellington has long been one of the American cinema’s great chroniclers of grief, from early genre films like The Mothman Prophecies (in which the horror story is a vehicle for an unsettling, affecting tale of personal anguish) to more overtly philosophical takes on the subject like I Melt With You, The Last Word, and Nostalgia. While Pellington’s work is undeniably informed by the devastating loss of his wife Jennifer in 2004, it has tended, up until this point, to come at the subject from oblique angles, as in the 2008 dramedy Henry Poole Is Here. With his latest […]

Norwegian actor Renate Reinsve’s performance in her first leading role, in Joachim Trier’s The Worst Person In The World, earned her the best actress award at Cannes and is slowly taking the world by storm. She embodies Julie with a levity and depth that is both grounded in a relatable reality and poetically expresses the beauty and heartbreak of life at the same time. To say it’s the kind of work that changes people’s lives is not an exaggeration. In this half hour, we take the microscope to her performance and lay out the factors at play in its creation. […]

According to Box Office Mojo, our contemporary plague ended on June 14, 2021—the last day the label “COVID-19 Pandemic” was included on its daily box office reporting. But don’t tell that to anyone trying to release a film in the second half of 2021, as viral variants spread widely across America, plunging the hopes of many filmmakers and distributors. Welcome to Pandemic: Year 2. The merciless persistence of the coronavirus and its wide-ranging impact on theatrical moviegoing and home viewing habits became more entrenched over the past several months—with indies on the losing end of the stick. Struggling to gain […]

“What we’re selling is freedom,” says a digital media executive played by Demi Moore, of the promise of virtual worlds in Disclosure (1994). “We offer through technology what religion and revolution have promised but never delivered: freedom from the physical body; freedom from race and gender, from nationality and personality, from place and time.”  Based on a Michael Crichton novel, the movie explores in classic Crichton fashion a theoretically possible but highly unlikely scenario—in this case, a 32-year-old single woman who sexually harasses her married 50-something male subordinate; it is also one of a number of features from the 1990s […]

Barring any unforeseen circumstances, Eric Roberts will soon have more credits as an actor than anyone else who has ever lived anywhere in the world. An intensity matched only by raw talent on display in films like Star 80, The Pope of Greenwich Village, and Runaway Train established him as a respectable actor’s actor in Hollywood. And, as he talks about in this episode, once video replaced film, and more people began shooting, they wanted Eric Roberts in their movies. And once he became privy to how many offers were coming in, he started saying yes. Work begot work fairly […]

According to their official credits, Being the Ricardos is the first time Aaron Sorkin has directed with Jeff Cronenweth behind the camera. Unofficially, that collaboration began a decade ago with a shot of an envelope. On the final day of production on 2010’s The Social Network—which earned Sorkin an Oscar for best screenplay and Cronenweth a cinematography nomination—director David Fincher dipped before the final shot to avoid the emotional wrap goodbyes, leaving Sorkin and Cronenweth in charge of the last insert.  “It was the shot where [Mark Zuckerberg’s] partner is accepted into the social club and there’s an envelope slid […]

Each Friday I write an original Filmmaker newsletter, which is free to all. Always original and not archived on the site, they consist of various musings, thoughts, link recommendations and sometimes even early versions of pieces that appear later here. And while yesterday’s “Top Ten New Posts of 2021” was determined using Google Analytics, I’ve chosen today’s “Top Newsletter of 2021” purely empirically. Forget Mailchimp open rates, this newsletter about George Saunders’s book on writing and Russian literature, A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading and Life, is […]

If you’re not a daily visitor to Filmmaker, reading this piece, our annual “top ten,” will be a process of discovery as you can scan through the articles that received our highest traffic in 2021. But, increasingly, compiling this article is a discovery process for us as many of its entries are simply not ones we would have guessed. There are articles that kick up conversation across Twitter, or that I receive emails and calls about, and then there are quiet traffic-getters that only surface when the Google Analytics button is hit. The top post here is no surprise, as […]