Evil was one of the best new television series of the 2019-2020 season, a thoughtful consideration of a vast array of moral, spiritual and sociopolitical issues in the guise of a supernatural procedural. The show follows Kristen Bouchard (Katja Herbers), a clinical psychologist with a complicated family life who teams up with David Acosta (Mike Colter), a haunted ex-journalist who works for the Catholic Church as an assessor; he investigates – then confirms or debunks – incidents involving miracles, demonic possessions, and the like. Series creators Robert and Michelle King (the husband and wife team responsible for The Good Wife […]

Over the last several weeks, since the middle of March, Daniel Eagan reached out to a number of cinematographers all over the world to check in on their personal responses to the novel coronavirus pandemic and the resulting quarantine. From Los Angeles to Hong Kong, Copenhagen to a Poland lakeside, they respond with reactions encompassing their own personal coping strategies, their current professional activities (or lack of them) and the thoughts the lockdown has stimulated about not only their profession but filmmaking in general. Find the links below, and stay tuned for future roundups of more cinematographers as well as […]

Based in Los Angeles, Danna Kinsky has worked in a wide range of genres and formats, from independent features and documentaries to music videos, concerts, commercials and aerial cinematography. She is affiliated with several groups: The International Female Collective of Cinematographers (ICFC), The American Society of Cinematographers’ Motion Imagine Technology Committee, and Women in Media. Since the COVID-19 lockdown, Kinsky has been shooting drone footage of a deserted Los Angeles. Filmmaker: How have you been coping with the lockdown? Kinsky: Generally, as a filmmaker, I always strive to keep costs low. Finances are a problem, just like they are for […]

Cinematographer Łukasz Żal received an Oscar nomination for his first feature, Ida, and well as for his second collaboration with director Paweł Pawlikowski, Cold War. Last year he worked on his first US production, I’m Thinking of Ending Things, written and directed by Charlie Kaufman and based on the novel by Iain Reid. Żal spoke with Filmmaker by phone from Poland. Filmmaker: How are you? Łukasz Żal: I’m good, I’m staying in my parents’ house by a lake. I don’t feel comfortable because the whole world is suffering. Hopefully it will end well. But this time honestly is not so […]

Natasha Braier has worked on a wide variety of films, from Claudia Llosa’s intense 2009 drama The Milk of Sorrow / La Teta Asustada to Nicolas Winding Refn’s ice-cold 2016 feature The Neon Demon. In 2018 she shot Gloria Bell, Sebastián Lelio’s English-language remake of his earlier movie Gloria. Last year she was director of cinematography on Alma Har’el’s feature debut Honey Boy. Braier’s work is distinguished not only by her vivid imagery but also by her acute psychological insight into characters and narrative. Braier was in preproduction on Don’t Worry Darling, director Olivia Wilde’s follow-up to Booksmart, when the […]

Scheduled for this year’s Cannes Film Festival was a 20th-anniversary screening of Wong Kar Wai’s In the Mood for Love. Along with awards for actor Tony Leung Chui-wai and editor, costume designer, and production designer William Chang Suk-ping, the film received the Grand Prize of the Superior Technical Commission for directors of photography Christopher Doyle and Mark Lee Ping-bing. Doyle had hoped to present his latest films, including Love After Love, at the festival before it was postponed on April 14. Directed by Ann Hui, Love After Love is a period romance adapted from a work by writer Eileen Chang. […]