Panasonic
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IBC Show 2022: The Fresh Gear Filmmakers Should Know About
IBC Show was back in full swing with its familiar multi-day in-person event, with more than 37,000 smiling faces eager to attend the festivities. The Amsterdam gala is like no other trade show in the industry, pinning studios, media entertainment companies, tech innovators, software providers, filmmakers and creators under one roof. You can literally have a meeting with Google or Amazon AWS in the morning, then learn about the latest offerings from Canon, Sony or Avid in the afternoon. Similar to this year’s NAB Show and Cine Gear Expo LA, the future of technology was a buzzy topic on the […]
by Daron James on Sep 19, 2022 -
First Footage from the 4K Panasonic VariCam 35
It feels a bit cruel to share such attractive footage from the brand new 4K Panasonic camera, the VariCam 35, when it will undoubtedly fetch up to a nearly unattainable price. Whilst reviewing the specs back in March, Michael Murie noted that Panasonic gave a ballpark figure of “over $10,000 and under $1,000,000,” so there’s still hope that it lands near the former and not the latter. In any event, here’s your first look at some of the camera’s capabilities per its Super 35 sensor. For a further breakdown of the VariCam’s features, check out an interview with Panasonic’s Senior Product Manager […]
by Sarah Salovaara on Sep 10, 2014 -
Festival Cinematography Notes – At Sundance, Alexa Rising
The day Sundance began, Daily Variety’s lead article kicked off with: “In this brave new indie world of VOD, shifting release windows, RED cameras [italics mine] and social media marketing…” I was struck by how little any of this has to do with indie filmmaking alone. As a token of digital revolution, RED cameras are so five years ago. It’s hard to storm the ramparts when last year’s #5 and #7 box office hits were shot with RED Epics (The Hobbit: An Unexpected Journey, The Amazing Spider-Man). In fact, not only were last year’s #1 and #4 hits filmed with […]
by David Leitner on Feb 5, 2013 -
4K comes to CES and Canon announces new Cine Primes
The Consumer Electronics Show (CES), which ran January 7-10 in Las Vegas, is not the place to see the latest pro gear, but it is a good place to see the general direction of the electronics entertainment industry. Just a couple of years ago 3D was the rage, with manufacturers showing off their 3D displays and headsets. By all reports, 3D wasn’t so hot this year. Instead, we saw the first salvos in the 4K battle to convince consumers to part with their money for another high-end display. But when it comes to televisions, 2013 may be seen as the […]
by Michael Murie on Jan 14, 2013 -
Shooting Angels with the Panasonic GH3 in Mexico
When the Panasonic GH3 was listed on B&H I did something I had never done before. I pre-ordered a camera, sight unseen. And after returning from a shoot from Juarez, Mexico with it, I don’t regret it one bit. A little more than a year ago I bought the GH2. For the longest time I refused to get on the DSLR bandwagon. I was quite satisfied with my Sony EX1 and its XLR inputs and ability to shoot hours on end. However, even a minimal kit was bulky. I wanted something small if I had to travel light or needed […]
by Joey Daoud on Jan 4, 2013 -
Panasonic Gooses the AG-AF100 to 10 Bits
The Panasonic AG-AF100A, the incremental update to the AG-AF100, is now shipping. Most notably the new model is now capable of 10 bit 4:2:2 output when recording to external recorders. Internal recording is still AVCHD 4:2:0, but according to Panasonic the AG-AF100A complies with the AVCHD ver. 2.0 (AVCHD Progressive) standard and adds a new PS recording mode (average approx. 25Mbps, maximum 28Mbps). Uncompressed 16 bit LPCM 2-channel audio recording is supported. Other new features include: a sync signal through HD-SDI for the Rec Start/Stop with the AF100A trigger; an expanded focus assist function; and a 2.39:1 (cinema scope size) […]
by Michael Murie on Jan 3, 2013 -
Coffee and Celluloid Looks at the Panasonic GH3
At his excellent filmmaking blog Coffee and Celluloid, Joey Daoud posted this short video review of the just-released Panasonic GH3. From the sounds of it, this seems like a great next version of the camera, with better controls, sturdier construction, Quicktime recording instead of just AVCHD, and a better bit rate. You can read Daoud’s quick thoughts on the camera here and watch the video above.
by Scott Macaulay on Dec 10, 2012 -
Panasonic Not So “In” to Large Sensor Cameras?
The first day of NAB and it appears that this year Panasonic has nothing to say to indie filmmakers. Going in to the show, Canon and Sony had already pre-announced several new cameras, yet there had been nothing from Panasonic. And now the show has opened and Panasonic has only three things to talk about; the first is the AG-HPX600 2/3 CMOS P2 HD camcorder with 10-bit 4:2:2 AVC-Intra recording. At seven pounds, it’s described as the lightest professional shoulder camcorder, but it’s not really an indie filmmaker camera. They also announced the microP2 card and microP2 card adaptor. With […]
by Michael Murie on Apr 17, 2012 -
The Software Camera
We’ve seen several revolutions in the world of camera design over the past ten years; HD video, solid state recording, DSLRs, and large sensor cameras, but one that is often overlooked is the arrival of the software camera. It used to be that when a camera was released its features were set in stone, and only the arrival of a new model – or a very rare recall – saw any changes in the capabilities of the camera. That has changed as the computer-like functionality of video cameras has expanded. As just one example, there were two amazing things about […]
by Michael Murie on Nov 28, 2011 -
Leitner’s Mondo NAB, Part 1
Originally posted April 2011. The big NAB show in Las Vegas opened Monday, and I’ll be filing reports for Filmmaker’s readers at the end of every day through Thursday, when the show floor closes. For those unfamiliar with NAB, it stands for National Association of Broadcasters, a powerful trade association and influential Washington lobby, no bastion of progressive politics. But for filmmakers and indie producers, it also stands for the huge annual April trade show in Vegas, where the latest in cameras, lenses, recorders, lighting, audio, and all manner of production gear are introduced. TV execs, techies, DPs, and crew […]
by David Leitner on Nov 27, 2011
