Shooting
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Which Camera for Which Genre? Five Questions for D.P. Timur Civan
As an undergrad at NYU, Timur Civan studied sculpture before moving into video. “I became really interested in video because I was able to bring time into my sculptural work,” he says. Civan has produced a wide variety of work, from short films, music videos, and corporate videos, to commercials and documentaries. He recently DP’d Vincent Laforet’s intro for the M?VI digital 3-axis gyro-stabilized camera gimbal. He has an affinity for experimenting with unusual gear, and finding new in-camera effects. Civan spoke to us briefly at a recent presentation he gave at Rule Boston Camera: Filmmaker: How did you first get […]
by Michael Murie on Jun 26, 2013 -
City World Director Brent Chesanek
Among the discoveries at the 2012 edition of CPH:DOX was Brooklyn-based Brent Chesanek’s City World, which is part magic realist children’s adventure tale and part austere landscape documentary. Over precisely framed tableaux shot in his hometown of Orlando, FL — nearly all of them completely absent of people — Chesanek drapes the narration of a young boy mulling the breakup of his family and subsequent move, with his father, to this Southern city. As in another recent film, General Orders No. 9, contemporary landscape photography is presented as historical residue meant to be both meditated on and explicated. Drained of […]
by Scott Macaulay on Jun 5, 2013 -
Shooting in Snow and Ice with the Canon C100: Interview with Ben Pender-Cudlip
Ben Pender-Cudlip is a Boston-based documentary filmmaker who recently switched from shooting with a DSLR to the Canon C100. His first project shot on the C100 was a short that included a segment on ice climbing. In this second part of our interview with him about switching to the C100, Pender-Cudlip talks about the project and what it was like to use the camera in these conditions. Filmmaker: How did this project come about? Pender-Cudlip: It’s a film for a woman named Lauren Schaad. She approached me about shooting a TV pilot. She was looking to get into reality TV […]
by Michael Murie on Jun 4, 2013 -
Switching from a DSLR to the Canon C100: Interview with Ben Pender-Cudlip
Ben Pender-Cudlip is a Boston based filmmaker who specializes in nonfiction work. His short film Sanjiban, which chronicles the passing of filmmaker Sanjiban Sellew, premiered at Hot Docs last year. Ben recently switched from shooting on a DSLR to the Canon C100. In part one of this interview he talks about his experience switching to the C100, and in part two he talks about the first major project shot with the camera: documenting an ice-climbing expedition. Filmmaker: What were you using prior to getting the C100? Pender-Cudlip: Before the C100 I was using a Canon 60D, which is sort of […]
by Michael Murie on Jun 3, 2013 -
Shooting with a RED EPIC in Indonesia: Interview with David Kruta
Cinematographer David Kruta spent a week in Indonesia this February shooting footage for the SurfAid charity to use in their promotional and educational campaigns. He took with him a RED EPIC, and says that the goal was to “bring a cinematic approach” to something that would be more often shot in a documentary style. Filmmaker: How did the project come about? Kruta: The director, Michael Lawrence, is a good friend of mine and I’ve done five or six projects with him. He said he had a shoot in Indonesia, and that he was going there to revisit the places he photographed after […]
by Michael Murie on May 24, 2013 -
Talking with Michael Di Jiacomo and John Turturro about 1-900-Tonight
One of the most frustrating things about covering film festivals is making discoveries that few movie lovers will ever see. Filmmaking is an industry after all, and as such, artistry will always play second fiddle to marketability. Even so, I was quite surprised to learn that one of my favorite films from the 2011 edition of the prestigious Karlovy Vary International Film Festival never found U.S. theatrical distribution. Surely someone could have figured a way to sell a John Turturro-starring, NYC-set story about two lost souls on opposite ends of an adult chat line? (Especially considering Turturro last year appeared […]
by Lauren Wissot on May 3, 2013 -
The Druid City: Interview with Kristyn Ulanday and Max Esposito
Kristyn Ulanday and Max Esposito graduated from the journalism department of Boston University in 2010. They both work commercially as freelance photographers and filmmakers, but in 2011 they also began a collaborative project called Full Frame America to tell the stories they wanted to tell. The first result of that collaboration is a 24-minute documentary, The Druid City, that focuses on the town of Tuscaloosa, Alabama and how the residents have coped after the town was hit by an EF4 tornado in April 2011. Filmmaker: How did you come to make this movie? Esposito: We both felt like we […]
by Michael Murie on Apr 29, 2013 -
Festival Cinematography Notes – At Berlin, Back to Black
Back in February, I had the privilege of giving two workshops, “Intro to Large-sensor Digital Cinema Cameras” and “Large-sensor Digital Cinema Cameras in Detail” at the 11th edition of the Berlinale Talent Campus. For those not acquainted with this Berlin Film Festival initiative: the Talent Campus each year invites 300 directors, producers, editors, and cinematographers – “talented emerging filmmakers in the first years of their career” – each with a film or two under their belts. Most seem to be in their late 20s. This year over 4,400 applied from 137 countries. Clearly a hot ticket. The 300 lucky ones […]
by David Leitner on Mar 27, 2013 -
Five Questions with Touba Director Elizabeth Chai Vasarhelyi
Elizabeth Chai Vasarhelyi’s Touba was seven years in the making: five of shooting, two of post-production. It grew out of her second documentary — 2008’s Youssou N’Dour: I Bring What I Love — which followed the legendary Senegalese musician before and after 2004’s Egypt album, whose religious themes raised the ire of the country’s religious argument. Her newest film began life on vibrantly grainy 16mm, following an annual Senegal trek undertaken by hundreds to the city of Touba to visit the home of Sheikh Amadou Bamba, founder of the Mouride Brotherhood. Like her last film, Vasarhelyi’s newest focuses on Islam […]
by Vadim Rizov on Mar 8, 2013 -
Oscar-Nominated Cinematographers Discuss Filmmaking
The problem with the Oscars is that you spend three hours watching the show and at the end you haven’t learned anything from the winners about how they did what they did. In celebration of the event, and with congratulations to the winners, here’s some interviews with the nominees for Best Cinematography. One of the interesting themes you’ll note in these articles is that the switch from film to digital remains a hot topic: Anna Karenina | Seamus McGarvey “Anna Karenina was filmed with anamorphic lenses, which require slightly more light, and some of the lighting used is older in style, […]
by Michael Murie on Feb 25, 2013
