Filmmaking
Filmmaking
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Awards Season Analysis: First Time Filmmakers in the 2024 Race
Janet Planet [Courtesy A24]
While it’s not uncommon for a filmmaker to earn an Oscar nomination for directing their first narrative feature—directors to do so since the turn of the century include Emerald Fennell, Jordan Peele, Benh Zeiltlin, Tony Gilroy, Rob Marshall and Spike… Read more
A Different Man, No Other Land Win at 2024 Gotham Awards
Adam Pearson in A Different Man
Aaron Schimberg’s A24-drama of identity, appearance and personal transformation, A Different Man, won Best Picture last night at the 32nd annual Gotham Awards. No Other Land, directed by an Israel-Palestinian collective consisting of Yuval Abraham, Basel Adra, Rachel Szor and… Read more
Considerations: Holding Space for Sing Sing
Sing Sing
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. Last March, in the week leading up to the 96th Academy Awards ceremony, I received… Read more
Everything That Will Happen Has Already Happened (Or Why I Still Make Independent Ultra-Low-Budget Films in a Time of Media Oversaturation)
Everything That Will Happen Has Already Happened
I’ve been making films for many years now, at the unusual intersection of US independent and East-European cinema, and teaching at a university in New York. When COVID hit, it made me re-evaluate everything I was doing. I stopped the… Read more
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Failure as Creative Inspiration: How I Shot — and Recorded — My Christmas-Set Musical Long December in 12 Days
In 2015 I directed my first feature. It would be six years before I was able to direct my second. But once I had completed the first draft of that script, we had the film in the can within six months. It was a breakneck pace making Long December, a Christmas-set musical drama about a singer/songwriter chasing his dreams of stardom. Its process was complicated further by my choice to not only fill the story with musical numbers performed by the cast but to capture those performances live on-camera — with no lip-syncing or back-tracking. Pulling it off took a […]
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The Price of Passion: Addressing the Mental Health of Documentary Filmmakers
Sustainability and scarcity of opportunity have been predominant challenges of a documentary career since the early days of the form, but sustaining mental health has been a significant one as well. Launched in 2021 by a group of documentary filmmakers and mental-health professionals, DocuMentality evolved out of a series of revelatory presentations and conversations–first at IDA’s Getting Real conference in 2018, then a year later, over the course of a two-week online discussion entitled Mental Health and the Documentary Business, hosted by long-running global forum The D-Word. This past May, the DocuMentality team released its first report: The Price of […]
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What Filmmakers Should Know about AI Copyright Restrictions
Uttering the words “artificial intelligence” in Hollywood right now elicits something of a Chicken Little response. From major studio IP franchises to small independent documentaries, there is no corner of the entertainment industry that artificial intelligence does not (or will not) touch and, with so much uncertainty surrounding the legality of AI, many industry stakeholders have taken to wringing their hands and proclaiming that the sky is falling. Despite artificial intelligence’s novelty, however, many of the issues surrounding its legality can be addressed by pre-existing copyright and First Amendment principles. Copyright Guidelines Governing “Human Authorship” For example, let’s examine the […]
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“A Nihilist Western”: Athina Rachel Tsangari on Harvest
It’s been nearly a decade since Athina Rachel Tsangari, the idiosyncratic Greek filmmaker who’s never one to repeat herself, has graced us with a new film. Tsangari is always looking for a new challenge: from the improvisational, genre-bending desolateness of The Slow Business of Going (2000), to her Greek Weird-Wave breakout Attenberg (2010) and game of hypermasculinity, Chevalier (2015), each new project takes on a whole different formal imagination. What links them together? Beyond their ostensible differences is Tsangari’s affinity for betweenness—that feeling of not belonging. This feeling is reflected in the films as much as in Tsangari’s life, bouncing […]
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“Nostalgia for When Things were Terrible”: Conner O’Malley, Danny Scharar and Jack Bensinger on Rap World
There’s an honesty to Rap World, the feature debut of co-directors Conner O’Malley and Danny Scharar, beyond its vérité stylings. With Scharar playing the director, Ben, Rap World is a mockumentary following three friends—Matt (O’Malley), Casey (Jack Bensinger) and Jason (Eric Rahill)—from Tobyhanna, Pennsylvania, as they trudge through one long night in a quixotic attempt to make a rap album. It is January 11th, 2009: a month earlier The Dark Knight was released on home video, in nine days George W. Bush will leave office, the Great Recession looms and America feels like it is on the cusp of some […]
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Catapult Reveals 2024 Development Slate with 15 New Projects
Catapult Film Fund, which provides non-fiction filmmakers with early stage funding and mentorship, announced today its 2024 Development Grant recipients. Through its flagship program, the California-based nonprofit will help launch 15 new projects from around the world, including stories from China, India, Iran, Mexico, Russia, and across the United States. As noted in a press release, half of the projects are by film teams of color and more than 80% are directed by women and nonbinary filmmakers. The projects were selected from a competitive pool of 900 applications, a record high for the organization. Each film team will receive a […]
