In years past, we’ve highlighted the Davey Foundation’s annual grant for short films, and while we missed posting about this year’s edition in time for the regular deadline, the late deadline of May 15 still applies. This year, three $5,000 grants are being offered; one includes a gear incentive package, while another also offers a $2,500 Utah filmmaker grant. This is the festival’s fifth year; past recipients have included Lauren Wolkstein’s Beemus, It’ll End in Tears and Fry Day, by 2017 25 New Face of Film Laura Moss. Guest jurors for this year’s edition are Sophia Takal (Always Shine, Green) and Adam Salky (I Smile […]

These days, making a good documentary is not good enough. Finding the right good distributor is as challenging a process as making a film, a reality of the business I’ve learned the hard way. I’ve directed and produced two documentary features, the latter of which, Dealt (about a world-renowned card magician who is blind), quickly sold to IFC/Sundance Selects. It has been a solid success. However, my first film took an entire year to find a buyer. It was a total uphill battle and very humbling. What was the problem? We were so focused on just making a good film […]

This is my fourth time rounding up the previous year’s US theatrical releases shot, either partly or in full, on 35mm, and it increasingly feels like I’m asking the wrong question. If the number of films originating on 35 has remained more or less consistent the last three years, they fall into an increasingly limited number of categories: auteur films by directors too old or stubborn to change and with the clout to follow through on that; period pieces; and enormous blockbusters. (To these we can now add the return of 70mm-originated and released films with Dunkirk and Murder on the […]

Of all the various fundraising tools and opportunities at filmmakers’ disposal these days (the majority of them still in the DIY vein), pitch forums present a constant challenge: are they still relevant? With formats increasingly resembling chat or even game shows, today’s pitch forums are becoming performance-driven, the implicit agreement being that decision makers will actively support at least some of the projects presented with funding, distribution and sales opportunities. As someone who works in a freelance capacity helping to choose projects for various pitch forums (although not CPH:FORUM), I see first-hand how the few projects that make the stage […]

The last time I interviewed veteran filmmaker Jennifer Lyon Bell for this site topics ranged from “fair trade” porn to the inaugural Holy Fuck Film Festival in Amsterdam (where the expat feminist pornographer has long resided). And now Bell, recipient of both the Feminist Porn Awards 2014 Movie of the Year (for Silver Shoes, which premiered at London’s Institute of Contemporary Arts) and a psych degree from Harvard, continues to expand her mission of providing sex education for those behind the lens, while also exploring the new media horizon through her own artistic work. I caught up with Bell to […]

Filmmaker and No Film School founder Ryan Koo — one of our 2008 25 New Faces of Independent Film — has been working on his debut feature for years. His extremely successful Kickstarter (over $140,000!) launched in 2011, and in a series of updates — and one 2013 Filmmaker interview — he’s been transparent about the long road that developing and making a first feature can become. Well, Netflix ultimately came on board to finance the film, and now there’s a first trailer, with the feature itself set to drop on April 6. You can read more about the film […]

Sundance Institute’s Creative Distribution Initiative released today a case study for one of its inaugural films that premiered at Sundance last year: Columbus, from :: kogonada, who appeared on Filmmaker’s 25 New Faces of Independent Film list. Opening to strong critical acclaim and grossing over $1 million at the U.S. box office, the film is centered around a Korean-born man who finds himself stuck in Columbus, Indiana, where his father is in a coma. In two weeks, an additional case study for Jennifer Brea’s Oscar short-listed doc Unrest will be released. Established in May 2017, the initiative is aimed at […]

DPs, not directors, are the rock stars at Camerimage, the film festival in Bydgoszcz, Poland, devoted to the foundational art of the motion picture camera. The world’s best cinematographers, if not working, flock there each autumn.The 25th edition, which wrapped several months ago in November 2017, proved no exception. The festival hub is a modernist opera house, perched above The Brda, the narrow river that bisects picturesque Bydgoszcz (once known as “Little Berlin”). Centrally located, Opera Nova hosts two theaters, including the festival’s main venue. A long, ground-floor lobby and second-floor hallway, curved thanks to the building’s cylindrical shape, house […]

With the release of Coco last year Pixar created yet another film that won over critics and audiences with rich visuals and a compelling story; it’s earned over $200 million so far and just took home the Best Animated Feature Oscar. Pixar wanted to use the property to push forward into new territory, though, and thus used Coco as the vehicle for its first virtual reality experience. To do so they tapped Magnopus, a Los Angeles-based VR/AR company that had previously produced Moana‘s virtual reality product for Disney. The result is Coco VR, a visually arresting gaming experience that also constitutes Oculus’s largest foray into social VR thus far. […]

For the past six years I’ve been curating content about filmmaking and the creative process at large. I’ve found a lot, and there’s a lot more to uncover, but the one thing that I have always found frustrating was how fragmented all the information remains. It takes an average of five to seven years to make an indie feature. What happens during that time? How do people make a living, juggle other aspects of their lives, and overcome doubt, blocks, debts during those five to seven years? We know so little about the current indie film industry landscape that UCLA is […]