Beast Beast, the first feature from Danny Madden, took the top prize at U.S. in Progress Paris on Friday. In a statement, the jury (of which I was a member), wrote of the multi-strand story, “The film is a successful attempt to capture the present teenage generation. The director approaches his protagonists with empathy and understanding. The film has a strong political (gun control in particular) and social aspect while remaining an entertaining and creative piece of work.” Beast Beast is produced by Vanishing Angle (Matt Miller, Tara Ansley, and Benjamin Wiessner), and Alec Baldwin is an executive producer. A […]

Politics is confusing at the best of times. But in the age of Brexit, Trump and now Jair Bolsonaro in Brazil, it’s impossible to keep track of the fake news, alternative facts and the good old-fashioned lies, damned lies and statistics. Since January 1st of 2019, President Bolsonaro has been ruling the roost in Brazil, following hot on the heels of a president who was almost impeached (Michel Temer), one who was impeached (Dilma Roussef) and one who now keeps a prison bed warm (Lula). The political shenanigans came so thick and fast from the biggest nation in South America […]

“If you look at any discipline through the lens of emerging technology, you’ll find a group of people who are exploring what’s next for that discipline,” said James George, cofounder/CEO of Scatter, sitting across from me in its Bushwick studios. “For us, it’s filmmaking.” George and his eventual Scatter cofounder and CPO, Alexander Porter, whose background is in photography and documentary film, began collaborating—hacking and modifying cameras—back in 2010. “I reached this place of feeling constrained with those [conventional filmmaking] tools,” Porter told me. The third cofounder and CMO, Yasmin Elayat, a trained computer scientist and artist, joined the team […]

Fred Elmes invited me to a DI Theater at Harbor Picture Company, a post-house bustling around the corner from Film Forum, to talk about his work on Jim Jarmusch’s The Dead Don’t Die. There was just an hour left of the allotted time to finish the HDR version of the film when I arrived at the DI suite, but Fred retained his cool as he lulled us to the finish line. In my time there, he liked to vignette the edges more or less, and bring faces up or down a level or two. Usually down.  Our meeting there was […]

Founded in 2015 by Marie-Louise Khondji, the streaming site Le Cinéma Club relaunches today with an exciting offering: Claire Denis’s long-lost 1991 40-minute short Keep It for Yourself. The only film she’s ever made in the states, it stars Vincent Gallo and Sara Driver, has a John Lurie score and was shot in New York City. After years of unavailability, a copy was found on a Japanese VHS being sold on Australian eBay. (For more on that story, click here.) From the official press release: The opening weeks of programming are completed with other streaming premieres, rarities and films by new […]

A few weeks ago, Apple dropped a staggeringly ill-advised promoted tweet into my timeline: “With the longest battery life in an iPhone ever, you’ll lose power before your iPhone XR will.” I enjoy thinking about death even less than the average person, so my first reaction was that I’m not particularly cheered by a poorly worded suggestion that I’ll probably exit before my technology. My next thought was that Apple had inadvertently provided a solid metaphor for the eternal franchise era: assuming all goes as planned, it is not inconceivable that there will be Star Wars movies coming out after my […]

On a scale of one to ten, I’m probably about a 6.5 when it comes to Bob Dylan. Define one as “Dylan is the single most visible/still living manifestation of hyper-steroidal Boomer nostalgia and must be destroyed,” ten as the level of obsessiveness practiced by the singer-songwriter’s personal scourge A.J. Weberman, who literally coined the term “Dylanology” and famously dug through Robert Zimmerman’s trash for clues. Dylan wasn’t having it; in Weberman’s indelible telling: I’d agreed not to hassle Dylan anymore, but I was a publicity-hungry motherfucker… I went to MacDougal Street, and Dylan’s wife comes out and starts screaming […]

“I’ve been able to develop more of a sense of being from somewhere by not being there…. Your nationality starts to feel like a more important part of you when you’re away from home.” Writer, director, and editor Donal Foreman splits his time between his native Dublin and Brooklyn, his home for close to a decade. Debuting in 2017, The Image You Missed is his first feature documentary, a fictional memoir of Donal’s complex relationship with his filmmaker father, Arthur MacCaig. MacCaig, the son of Irish immigrants, was a documentary filmmaker born in New Jersey in 1948. He made his […]