Filmmaking
Filmmaking
-
The Hypocrite: James N. Kienitz Wilkins on Cine-phobia and Film School
I’m a bit of a hypocrite: I hated school but now advocate for the experience. I force my kid to do her nightly homework when I failed to do mine. I failed art class in high school (and later dropped out of high school) but ended up with a BFA. This is because (I’ve been told) I possess a Protestant work ethic. I believe deeply in the power of education, but I’m unsure anything can truly be taught beyond what one is willing to teach oneself. Despite abhorring being told what to do, I teach full-time in an undergraduate media […]
-
The Los Angeles Film School: Where Your Next Chapter Starts (Sponsored)
Breaking into the entertainment industry can be a tough process, especially if you don’t know where to start, lack the proper skills, or even know what fields that are available to make your dreams into a reality. Since 1999, The Los Angeles (L.A.) Film School has been at the forefront of producing the next generation of entertainment industry professionals, through serving its mission of fostering creativity, collaboration, and exploration among its students. The L.A. Film School’s approach to learning takes the student out of the classroom–and their comfort zone–and places them onto sets, behind cameras, and in-front of industry standard […]
-
Back To One, Episode 345, Elsbeth Star Carrie Preston on Learning How to Deliver Just the Right Amount of “the Tascioni”
Carrie Preston is back in her Emmy-winning role as ‘Elsbeth Tascioni’ in the second season of the CBS series Elsbeth from The Good Fight and The Good Wife, creators Michelle and Robert King. On this episode she gives us a deep dive into her work on that hit show, taking us way back to the “queen of quirk” as just a recurring role on the Goods, trying to figure out how to dip her toes into this new character, taking clues from the word “pause,” all the way till the second season of her own show, taking the job of number […]
-
“We Do Believe the Audience is More Intelligent Than the Industry Thinks: Producer Sylvain Corbeil on the Cannes-Premiering Peak Everything
Since founding Metafilms over two decades ago, Montreal-based producer Sylvain Corbeil has become a prolific and respected pillar of Quebec’s independent film scene, collaborating with filmmakers whose bold and idiosyncratic visions have served to bolster the place of modern Canadian cinema on a world stage. Alongside fellow producer Nancy Grant, who co-leads Metafilms, Corbeil has championed the work of widely acclaimed French-language filmmakers like Xavier Dolan (Mommy, It’s Only the End of the World), Maxime Giroux (Felix & Meira), Denis Côté (That Kind of Summer), Monia Chokri (A Brother’s Love), and Anne Émond (Nuit #1, Our Loved Ones). A frequent […]
-
“Working with Non-Actors, Children, Animals, Crowds and on Water”: Hasan Hadi on Cannes 2025 Premiere The President’s Cake
An autocrat forcing the populace to celebrate his birthday—where’s the novelty in that? Little children on terrifying birthday-dessert-making duties embarking on a perilous adventure in the big war torn city? Now that’s a story! According to Iraqi director Hasan Hadi, that’s a story worth salvaging from Saddam Hussein’s reign that, along with the American wars, plagued audiences’ longterm perceptions of Iraq and its cinema. So, he decided to make his feature debut with The President’s Cake, a realistic yet fable-like narrative—a project developed at the Sundance Feature Film Program, then received an SFFILM Rainin Grant and was selected for preview […]
-
“You Think You’re Scared of These Creatures, Well, Look Into Our Own Dark Hearts”: Sean Byrne on His Cannes-Premiering Shark Attack Horror Film, Dangerous Animals
For most viewers, sharks and horror cinema were permanently conjoined with Steven Spielberg’s 1975 film Jaws, one of the first wide release summer blockbusters, and one with shocks far more intense than its PG rating would indicate. Today, shark horror has migrated to the small (and vertical) screen, with TikTok’s algorithm serving many of us — me, somewhat inexplicably, included — a never ending gallery of shark attacks, menacing underwater shark approaches and the occasional gliding shark beauty shot. Australian director Sean Byrne’s Cannes-premiering Dangerous Animals confidently mines these lingering fears and fascinations as it mashes up the shark horror […]
-
“There’s So Much Evil Done Because People Are Just Doing their Job”: Writer/Director Amalia Ulman On Her Satirical Comedy/Drama, Magic Farm
Clueless and a bit pathetic, the American video crew in Magic Farm, writer-director Amalia Ulman’s new satirical comedy, embody the vices of Western media companies that exoticize, exploit and sanitize the stories of the developing world for views. Set in small-town Argentina, the film, which premiered at this year’s Sundance Film Festival, mostly follows the crew — Edna (Chloë Sevigny), Jeff (Alex Wolff), Justin (Joe Apollonio) — as they try to fabricate the story of a non-existent music act by enlisting the locals’ help. Meanwhile, the more pressing narrative of how the use of glyphosate, sprayed overhead by crop-dusting planes, […]
-
Poster Premiere: ACID 2025 Selection A Light That Never Goes Out
We’re pleased to premiere the poster for ACID 2025 selection A Light That Never Goes Out. From the Cannes section’s website: Lauri-Matti Parppei, who has recorded several albums in a parallel life, takes us to their hometown in Northern Finland, a place where people speak little and depression is a taboo – this is Pauli’s illness, as he returns home to heal his wounds. With a melancholic tone, the film, through its precise, no-frills directing style, weaves its story like a musical score. Pauli rejects success and returns to life thanks to a chaotic lineup of outcasts. Friendship, stronger than anything, […]
-
Filmmaker Magazine Presents Swoon and Monsoon Wedding at New York’s Paris Theater
Filmmaker‘s monthly series at New York’s Paris Theater, Filmmaker Magazine Presents, continues in June with two new events coupled with in-person conversations. On Monday, June 2, the Paris will welcome director Tom Kalin and producer Christine Vachon for a Q&A following a screening of 1992’s New Queer Cinema highlight Swoon. Kalin co-wrote and directed this stylish take on the infamous murder trial of Richard Loeb and Nathan Leopold, Jr., a case that also provided inspiration for the stage play Rope, later adapted for the screen by Alfred Hitchcock. Swoon will show on a 35mm print courtesy of Kalin and the film’s director of photography, Ellen Kuras. On Monday, […]
-
“We Have More in Common Than We Think”: Mel Sangyi Zhao on Her Student Short Film Showcase Winner Return to Youth
For her California Institute of the Arts MFA thesis film, Mel Sangyi Zhao decided to travel back to her Chinese hometown of Chengdu and cast her mother in the lead role. The resultant film, Return to Youth, follows a retired dancer as she navigates the pressures of misogyny, ageism and a budding romance with a man several decades her junior. Recently pitched with the prospect of undergoing a vaginal rejuvenation surgery, the elegant Bing (Xiaobing Zhao) laughs off the procedure as preposterous. Only when her cohort of friends begin to seriously discuss their interest does she understand that she, too, […]
