Shithouse, Cooper Raiff’s profanely-titled first feature, chronicles an inspired romance between two young souls on disparate higher education voyages. Told with real insight about college-age characters and their flawed relationships, the picture earned 23-year-old Raiff—a softhearted wunderkind who wrote, directed and starred in the film—the Grand Jury Award at this year’s pandemic-impacted SXSW.  Life between dorms and parties doesn’t exactly suit shy freshman Alex Malmquist (Raifff), who’s most comfortable seeking advice from an adorable childhood plush animal he’s brought from home. Though he puts in some effort to adapt to dorm life, he still yearns for the comforting embrace of his protective family. […]

Fascinated with the unseen men and women of forgotten America, Andrew Cohn, proud Midwestern and versatile filmmaker, has created a body of documentary work that witnesses modest, real lives without condescension or pity. Features like Medora or Night School engage with their subjects—a teenage basketball team in small-town Indiana or adult students juggling economic and personal struggles—in a compassionate and collaborative manner.  Translating that honesty to fiction now with The Last Shift, his first scripted film, Cohn continues to give voice to the working poor, in this case two fast food employees in Michigan, where he’s from, whose relationship exemplifies […]

Access to food serves as the most basic representation of wealth in Galder Gaztelu-Urrutia’s The Platform, a dystopian allegory for economic inequality in which a vertical prison pushes people to the edge of their humanity. Inside the Vertical Self-Management Center (Centro Vertical de Autogestión)—as the facility is formally known in the fiction—two individuals are housed per level, and each is allowed to bring one personal item with them. They receive sustenance once a day on a floating platform. Those on the higher floors fill their bellies with disregard for the unfortunate ones below. But once a month each pair wakes up on […]

Exquisitely grueling yet fiercely humane, Kantemir Balagov’s Beanpole, an astounding Russian period drama, cements the artistically mature director as a prodigy of international cinema moving towards an auspicious career. At age 28, Balagov has had his first two features premiered at Cannes with both earning prizes in the Un Certain Regard section.  Situated in 1945 Leningrad among the ashes of World War II, Beanpole, which was also shortlisted for the Best International Film Academy Award, explores the harsh aftermath of the conflict through the tortured friendship between Iya (Viktoria Miroshnichenko) and Masha (Vasilisa Perelygina), two women who served in the […]

Greenery abounds in Brazilian auteur Karim Aïnouz’s affecting and bright-colored sisterhood saga Invisible Life. Based on Martha Batalha’s 2016 novel, it chronicles the forced disconnection between siblings Eurídice (Carol Duarte) and Guida (Julia Stockler), whose hearts break with each passing day apart in 1950s Rio de Janeiro. Victims of a male-dominated society that denies their dreams and ambitions, the sisters embody two sides of the same still resonant struggles women of the time endured. In addition to the striking work of French cinematographer Hélène Louvart, top talent was plentiful across the board. Illustrious producer Rodrigo Teixeira (Call Me By Your […]

Notwithstanding the many awards seasons and release campaigns he’s endured in the United States, the manufactured climate of hotels and restaurants in Los Angeles still makes Spanish cinema idol Pedro Almodóvar uncomfortable. “Everywhere we go here is freezing,” he says as he sits down to talk and scrambles to find something warm to cover himself with.  It’s as if the coldness of these spaces he’s walked repeatedly over the years brings a sensory memory, one that he should have anticipated but still surprises him. Like so, we’ve come to expect a colorful aesthetic brand and tonal irreverence from an Almodóvar […]

Three of current American independent cinema’s most prominent filmmakers recently came together at the Miami International Film Festival to impart some of the hard-earned knowledge they’ve acquired. Barry Jenkins (Moonlight, If Beale Street Could Talk), musician, activist, and storyteller Boots Riley (Sorry to Bother You), and journalist-turned-screenwriter Aaron Stewart-Ahn (Mandy) were honored at the festival as the first trio of guests to be part of the inaugural Knight Heroes masterclass and symposium. Ahead of their presentations in front of a crowded Olympia Theater in Downtown Miami, the three creators sat down with Filmmaker to discuss a wide range of topics: the […]

Eroticism in service of faith is the thematic dogma fueling Gabriel Mascaro’s new intellectual affair Divine Love, a near-future drama with measured science fiction elements.Trading the carnal sensuality of 2015’s Neon Bull for extreme religious devotion, the Brazilian auteur continues to captivate with visually seductive frames laced with eye-catching colors and ethereal lighting.  Futuristically restrained, the director’s vision of Brazil in 2027, just a few years from our current battlefield of a world, is selective in its use of technology, focusing on inventions or machines that directly speak to the protagonist agenda: doors with pregnancy detectors in public spaces and […]

Men touch each other tenderly in Mazen Khaled’s formally eclectic second feature Martyr, about the death of a young adult whose self-perpetuated despair drowns him on the shores of the Mediterranean. In this ethereal Lebanese mood piece, the religious interpretation of martyrdom is counteracted with tangible flesh. Rather than glorifying the loss of life as a divine honor, Khaled subtly revels in the presence of desire and the body as constant reminders that being alive is precious. Unemployed and adrift, Hassane (Hamza Mekdad) only finds respite from his restless mind when tanning by the water with his cherished friends, brothers […]

Alonso Ruizpalacios’ two features to date are both about Mexico City’s recent past. The writer-director first gained international visibility with 2014’s Güeros, a black-and-white road trip movie set in the 1990s using the protests at the National Autonomous University of Mexico as backdrop for an intimate coming-of-age plot. For his sophomore venture, Museo, Ruizpalacios enlisted major star Gael García Bernal and one of Güeros’ cast members, Leonardo Ortizgris, to address a larger than life, yet based on real life, crime story. 1985 was a chaotic year for Mexico City, aside from the devastation left in the wake of a massive earthquake […]