Three of current American independent cinema’s most prominent filmmakers recently came together at the Miami International Film Festival to impart some of the hard-earned knowledge they’ve acquired. Barry Jenkins (Moonlight, If Beale Street Could Talk), musician, activist, and storyteller Boots Riley (Sorry to Bother You), and journalist-turned-screenwriter Aaron Stewart-Ahn (Mandy) were honored at the festival as the first trio of guests to be part of the inaugural Knight Heroes masterclass and symposium. Ahead of their presentations in front of a crowded Olympia Theater in Downtown Miami, the three creators sat down with Filmmaker to discuss a wide range of topics: the […]

Eroticism in service of faith is the thematic dogma fueling Gabriel Mascaro’s new intellectual affair Divine Love, a near-future drama with measured science fiction elements.Trading the carnal sensuality of 2015’s Neon Bull for extreme religious devotion, the Brazilian auteur continues to captivate with visually seductive frames laced with eye-catching colors and ethereal lighting.  Futuristically restrained, the director’s vision of Brazil in 2027, just a few years from our current battlefield of a world, is selective in its use of technology, focusing on inventions or machines that directly speak to the protagonist agenda: doors with pregnancy detectors in public spaces and […]

Men touch each other tenderly in Mazen Khaled’s formally eclectic second feature Martyr, about the death of a young adult whose self-perpetuated despair drowns him on the shores of the Mediterranean. In this ethereal Lebanese mood piece, the religious interpretation of martyrdom is counteracted with tangible flesh. Rather than glorifying the loss of life as a divine honor, Khaled subtly revels in the presence of desire and the body as constant reminders that being alive is precious. Unemployed and adrift, Hassane (Hamza Mekdad) only finds respite from his restless mind when tanning by the water with his cherished friends, brothers […]

Alonso Ruizpalacios’ two features to date are both about Mexico City’s recent past. The writer-director first gained international visibility with 2014’s Güeros, a black-and-white road trip movie set in the 1990s using the protests at the National Autonomous University of Mexico as backdrop for an intimate coming-of-age plot. For his sophomore venture, Museo, Ruizpalacios enlisted major star Gael García Bernal and one of Güeros’ cast members, Leonardo Ortizgris, to address a larger than life, yet based on real life, crime story. 1985 was a chaotic year for Mexico City, aside from the devastation left in the wake of a massive earthquake […]

“We’re looking for films that people want to see, rather than films people ‘should’ see,’” said Miami Film Festival director Jaie Laplante during our conversation at the 35th edition of the event put together by Miami Dade College (March 9-18). Indeed, the program is not short on sophisticated crowd-pleasers handpicked from recent international competitions or selected based on their wide appeal with the city’s demographics: documentaries about different facets of Cuban culture or comedies centered on passionate soccer fans.  As a native Spanish speaker, Miami always feel like an enclave of Latin America to me; Spanish is a necessity and […]

Floating in an ocean of equals parts uncertainty and obscurity after winning the Grand Prix of the Generation 14plus International Jury in 2014, Bas Devos’s feature debut Violet didn’t reach American shores, beyond a handful of festivals, until new distributor Altered Innocence took a chance and set a theatrical date and announced a subsequent physical release. Saved from being forgotten, the film is one of the most striking and pure cinematic works to arrive stateside this year, and exemplifies the importance of betting on unorthodox voices that aim to challenge the medium’s formal conventions. Shot in the 4:3 aspect ratio […]

Hormones wreck havoc throughout the body, sending the fragile teenage ego into dismay, and for a good part of our formative years we exist in a state between childhood innocence and realizations of adulthood. Showcasing sharp wit and highly quotable dialogue, comic-book artist turned animator Dash Shaw has encapsulated all these feelings of inadequacy and self-loathing in his creatively unhinged first feature, My Entire High School Sinking Into the Sea, which stars an enviable voice cast of indie stars: Jason Schwartzman, Lena Dunham, Susan Sarandon, Maya Rudolph and Reggie Watts. Pulling from his own recollections of navigating the dangerous waters […]

Lacking appropriate words, forcing an uncomfortable embrace and remembering once-forgotten regrets are common symptoms during a chance encounter with an old friend who, through the passage of time and often distance, has become little more than a stranger. Once that unexpected moment ends, most people return to their everyday routine, but what if, because of uncontrollable circumstances, one had to actually spend the day in the company of that somebody you used to know? Debutant Kris Avedisian sets his feature Donald Cried, in which he also stars as the title character, around such possibility and charges it with unbearably cringe-worthy […]

If comforting hugs could be delivered in visual form, My Life as a Zucchini would be the warmest of them all. Kindhearted but not sugarcoated, Claude Barras’ first animated feature has quickly become a global phenomenon, winning many international awards and now an Academy Award nomination for Best Animated Feature. Its most delightful victory, however, is in dealing with hardship and tragedy with honest tactfulness wrapped in colorful design. Social realism filtered through the magical physicality of stop-motion is the recipe at the root of this touching adaptation of French scribe Gilles Paris’s novel, for which Girlhood director Céline Sciamma […]

Reconciling the flawed humanity of a person with their extraordinary deeds means accepting that both vice and virtue can coexist. Ditching the narrative shackles of biographical films that aims to encompass the entirety of a person’s life, even if that means just piecing together a sequence of significant events, Chilean auteur Pablo Larraín inventively designed an iridescent impression of his homeland’s most notable artist, Pablo Neruda, which captures his essence without simplifying his humanity. No stranger to revisiting Chile’s most scabrous historical passages through a fictional lens that neither condemns nor absolves, in Neruda Larraín presents the man as a masterful poet, lazy communist, seductive […]