“The independent screenwriter” — is the term a tautology or oxymoron? While the word “independent” is often applied to directors and sometimes producers, it’s rarely seen appended to the job title of screenwriter. Is that because so many independent directors… Read more
Post Tenebras Lux
Born in Mexico City, Carlos Reygadas was a lawyer specializing in armed-conflict resolution in Brussels when he decided to try his hand at making films at the age of 30. He quickly became a unique voice in cinema with his… Read more
Armando Iannucci is a veteran of British comedy who came through the ranks with such luminaries as Steve Coogan and Chris Morris, collaborating with them both on the seminal mock news show The Day Today and with Coogan alone on a number of shows… Read more
Ric Roman Waugh with Snitch star Dwayne Johnson
There is no one set way to progress to the role of writer/director, but now – when all it takes to make your own movie is having a DSLR and a Kickstarter account — the story of Ric Roman Waugh’s rise… Read more
Big Words is the feature debut of writer/director Neil Drumming, former editor and music reviewer at Entertainment Weekly.The film follows the disparate storylines of James, John and Malik–three 30-something black men that used to constitute the hip-hop group D.L.P. (“Down Low Poets”). The triad has had little contact over the decade-plus since they split and each of them struggles with their sense of identity and regrets, struggling to look forward on the otherwise wildly hopeful night of Barack Obama’s inaugural election in 2008. Over the course of Big Words, we gradually learn piece-by-piece what drives James, John and Malik, what …
by Billy Brennan on Feb 15, 2013
You’re most likely to know Rashida Jones as part of the great cast of the award-winning TV series Parks and Recreation (though she says she’s often recognized for her small role in Freaks & Geeks), but Jones is more than just a talented performer. She’s a dynamic and versatile artist alternating between acting and writing (not just for the screen either!), and in the case of last year’s Celeste & Jesse Forever, both. Her first screenwriting credit has acquired a lot of notice, and we were able to pick her brain a little in the midst of her success, which …
by Adam Cook on Feb 1, 2013
I don’t really know how to describe my conversation with Paul Mazursky. The phone connection was weird, his wife Betsy was trying to control the dog in the background, I was working with this new recording device on my phone and he could hear only every other world I was saying. I was late to watch my kid play soccer so I was rushing and he was so patient but I could tell he was busy too. But halfway through the call I realized I might be in a Paul Mazursky film where everything happens at once, energy is flying …
by Stacie Passon on Jan 14, 2013
“On a set I feel like the strongest person in the world,” says Mikael Buch, quickly adding, “In real life, things are far more complicated!” Buch’s new film, Let My People Go!, is his first full-length feature. But in directing and co-writing this frisky combination of sexual farce, romantic comedy, and family drama revolving around a young, gay, Jewish Frenchman named Ruben (Nicolas Maury) and his international misadventures, Buch had some stalwart support, including co-writer Christophe Honoré and actor Carmen Maura (of Women on the Verge of a Nervous Breakdown fame). “All these people gave me the confidence I needed,” says …
by Jim Allen on Jan 11, 2013
New York-based Deborah Twiss burst on the scene as the co-writer and star of the 1997 thriller, A Gun for Jennifer. The film achieved cult success in the U.S. and abroad, and since then Twiss has built a diverse career by juggling multiple hats. For Eric Schaeffer’s After Fall, Winter, she co-produced and acted. For School of Rock: Zombie Etiquette, she starred and wrote. She wrote and directed her own feature, In Between, in 2005, and she also regularly appears in both mainstream movies (Kick-Ass) and television (Law and Order). Now she’s producing and wrote the screenplay for a psychological …
by Scott Macaulay on Jan 9, 2013
What began as a short film, Joshua Tree 1951: A Portrait of James Dean, became a feature film almost by the insistence of social media. Director/writer Matthew Mishory says the initial shoot for the film took place in Joshua Tree, California, over a few days in 2010. When he returned to Los Angeles, he edited a trailer and posted it online, not thinking much of what would happen. Almost immediately the trailer went viral and expectation was that it was going to be a feature film. “Our production team got together and decided, well, we really ought to be making …
by Carolyn Moloshco on Jan 8, 2013