Marriage Story depicts the love two people can find in separation. It is not a rekindling, it is stepping back to respect the boundaries you crossed in your strangling embrace. The original love hardens. It dies and returns as something like an actual reverence. At this distance, you might actually be able to see each other again. If the separating lovers in question, Charlie (Adam Driver) and Nicole (Scarlett Johansson), can learn to walk away from each other with nothing more than that knowing glance—“I accept that we will not be together. It is sad, but you are great. I […]

Eulogized debuts draw ravenous, patient cynics, who stalk the scent of a fledgling’s success to their second movie, hoping their foe might slip. Robert Eggers, a name of contention after headlines announced he would remake Nosferatu (TBD) before his Sundance debut The Witch was released theatrically for audiences to decide if he were worthy themselves, has made his second move.  The Lighthouse, a sophomore effort especially susceptible to readied blows, has made it back with critics on the festival circuit and will now see appraisal from the mainstream on its theatrical bout. But the film expels farts and sailor vulgarity, an […]

The first time I saw Angela Schanelec speak, there was nothing for her to smile about: at a cartoonishly hostile Q&A for 2016’s The Dreamed Path, she fielded questions like “Was this supposed to take place in an alternate universe where emotions don’t exist?” and admirably didn’t yield an inch. Returning to TIFF, Schanelec was onhand not just for Q&As for her latest, I Was at Home, But… but to introduce a 35mm rep screening of Robert Bresson’s Pickpocket—one of the foundational works from a director whose influence on, and importance for, Schanelec’s work is immediately apparent. Both when I interviewed her […]

Paul Harrill’s Tennessee-set Light from Light, which premiered this year at Sundance, stars Marin Ireland as a paranormal investigator who may or may not believe in ghosts and Jim Gaffigan as a recent widower who still feels his wife’s presence in their house. Harrill is quick to point out that it is definitely not a horror film, and anyone expecting scares will be disappointed. Instead, Harrill investigates seemingly more mundane day-to-day Southern living (as he did in his previous effort, Something, Anything), and in it finds a delicate balance between reality and spirituality. I saw Light from Light at the […]

Ulrich Köhler’s In My Room begins with what looks like a DCP glitch. The view is from a handheld news camera entering a press conference scrum, its operator confirming in voiceover that he’s rolling while roaming from lectern to lectern. Each time an official statement is delivered, the image cuts to the aftermath—the as-yet-unseen cameraman, Armin (Hans Löw), has confused the “off” and “on” switch, and the inadvertent B-roll he shot is unusable. All of Armin’s life is similarly shabbily disarrayed: At a club, he picks up a young lady and brings her home, but an ill-phrased refusal to let […]

Julius Onah’s Luce follows the story of Luce (Kelvin Harrison Jr.), a Black 17-year-old prodigy. Adopted at a young age from a war-torn country by two Caucasian parents, this straight-A valedictorian and all-star athlete is deemed perfect by everyone. After his teacher, Ms. Wilson, finds illegal items in his locker and becomes concerned over the submission of a violence-themed research paper, she contacts his parents. His adoptive parents start to question his actions, leading to his mother Amy uncovering a barrage of secrets held by her son. Adapted from the stage play of the same name by J.C. Lee, the […]

Australian filmmaker Jennifer Kent’s first two movies present different parental nightmares. In The Babadook, a mother’s fear that she doesn’t love her son manifests itself in the form of the titular monster. In her latest, The Nightingale, a young woman explores the extremes she’s willing to go to in order to punish someone who’s harmed her child. Set in the early 1800s, The Nightingale stars Aisling Franciosi as Clare, an Irish prisoner finishing out the final days of her sentence in servitude to brutal British soldier Hawkins (Sam Claflin). When Hawkins rapes her and attacks her family, Clare sets out […]