Pin de Fartie (2025), directed by independent Argentinian collective El Pampero Cine member Alejo Moguillansky, is less an adaptation of Samuel Beckett’s one-act play Fin de Partie (1957) than a centrifugal expansion unfolding into multiple nested narratives riffing on the play’s themes: death, departure and the approach of an ending. Marking a tonal shift from Moguillansky’s ensemble comedies, Pin de Fartie possesses a sense of wistful tragedy. The title refers to the end of a chess game; here, it signals the twilight of relationships––both filial and romantic––against the current approach of the end of civilization. Each sequence of Pin de […]
by Cici Peng on Oct 8, 2025
Since changing its official name from Festival International du Documentaire de Marseille to Festival International de Cinéma de Marseille, FIDMarseille has become a significant premiere-driven industry festival dedicated to the expansive genre of “creative nonfiction” to include experimental, hybrid and essayistic works, often with a political ethos. For its 36th edition, FID reaffirmed its rare outspokenness on Palestine by screening To Gaza (2025) and hosting daily morning screenings of the collective work Some Strings. Through retrospectives of Radu Jude and Chilean duo Carolina Adriazola and José Luis Sepúlveda, the festival also seemed intent on signaling that it is not only […]
by Cici Peng on Jul 25, 2025