In this fourth episode of a series on the making of the low-budget independent film, Game Changers, director Rob Imbs and cinematographer Benjamin Eckstien discuss audio recording, communication between director and cinematographer, and how to plan out shooting a multi-day, multi-location project. Earlier parts consisted of an overview and then discussed fundraising, casting, camera and lighting gear. Filmmaker: What is the size of your crew? Eckstein: We typically have two people in our sound department every day, though there were some scenes or times of day where we had one person. We typically had an AC and another PA. On […]
In this third part of the series about the production of the low-budget indie movie Game Changers, filmmakers Rob Imbs (director) and Benjamin Eckstein (cinematographer) discuss shooting with the Sony PMW-F3, shooting in S-Log, lighting issues, and the lenses used to shoot the movie. Filmmaker: Ben, you already owned the Sony PMW-F3, was the decision simply to use the camera you had? Eckstein: I’ve been fortunate that I own almost all the gear that I use on a day-to-day basis. From the beginning when talking to Rob, it was not really a discussion of “Are you trying to get the […]
Game Changers is an indie film currently being shot in Buffalo, New York. In this second part of the interview with filmmakers Rob Imbs (director) and Benjamin Eckstein (cinematographer), they discuss funding a low-budget movie, how the budget effects the production, as well as casting and location scouting. Filmmaker: So you had a script, but then you had to fund the movie. How did you go about doing that? Imbs: Funding was always an Indiegogo thing. Just as I fell in love with Twitter, I also fell in love with the idea of Indiegogo. I really believe in supporting artists, […]
Filmmakers Rob Imbs (director) and Benjamin Eckstein (cinematographer) are currently shooting a low-budget independent feature film, Game Changers, a drama/comedy about two video-gamers who are approaching their late twenties. With an initial target budget of $30,000, Game Changers might be better described as a shoestring budget feature, given that they began shooting with only half that amount raised. Though this is their first film together, Imbs has previously made a feature-length video, Eckstein has extensive shooting experience in corporate video and documentaries, and Imbs is an experienced editor who will be doing most of the editing. Imbs, who is based […]
Alex Buono, the cinematographer for the Saturday Night Live film unit, recently spoke at an event in Boston. (See: Alex Buono: Shooting for Saturday Night Live.) In addition to discussing his work on Saturday Night Live, he also talked about gear, technology, and his philosophy of shooting. Part of the reason Alex gave the presentation was to demonstrate and talk about the Canon C300, but he was careful to stress, as Roger Deakins said, “Cinematography is more than a camera,” or as Alex put it: “Filmmaking is not a science project.” Here are some of the topics he touched on: […]
Alex Buono is perhaps best known for his work with the Saturday Night Live Film Unit. He shot the current opening for SNL, as well as many of the fake commercials seen on the show, but his passion is documentary and making independent films. “I’m always trying to get the next one off the ground,” says Buono, “and SNL, as much as I like it, it’s a lot of fun and I really like who I’m working with, [but] it’s this great day job I do while I’m trying to get a movie [going].” Most recently, Alex worked on the […]
Brandon Vincent is a Massachusetts-based freelance videographer and editor and a Sony NEX-FS100 owner. He’s had the camera for almost a year, and I recently talked to him about his experience using it. Filmmaker: What kind of work are you shooting? Vincent: I do pretty much whatever comes to me really, but I do a lot of interviews, highlight videos of events, and I do a lot of my own personal stuff. I shot some comedy things. I don’t shoot a lot of documentary work, but it’s something I would like to get into. Filmmaker: When did you get the […]
You never know where an interesting project can come from — a friend, a client or even from Twitter. Such was the case for Boston-based d.p. Todd Mahoney, who spent ten days documenting the progress of The Solar Odyssey Project after seeing a tweet looking for someone to sub for their regular d.p. The Solar Odyssey is an attempt to cover the waterways of “The Great Loop” in a solar-powered boat. The project is led by skipper and adventurer Jim Greer, and technologist and host Philip Hodgetts. In part 1 of this interview, I spoke to Todd the day after […]
In this second part of an interview with Eric Austin of HeliVideo, Eric talks about camera control, future cameras, and the most amazing sequence he’s shot so far: What camera control are you doing remotely? We have remote record-on, off from the ground, and we can also punch-in. The lens we are currently using on the Sony is actually the kit lens, usually the 18 to 55. Are you using that because of the image stabilization? Yes, in part. The gimbal is stabilized, and with the extra little stabilization in the lens it just takes out the little nicks […]
Eric Austin of HeliVideo has been flying RC aircraft and helicopters for about ten years, but it was two years ago that he first put a DSLR camera on a helicopter and started shooting aerial footage. Two years on and his company is shooting material for the Discovery Channel, ABC and others, primarily using the Sony NEX-FS100. I spoke to Eric recently about how he got into the business, and what’s involved in using RC helicopters. The first half of the interview covers his beginning, the cameras he’s been using, and operating considerations. The second half of the interview covers […]