Joan Micklin Silver’s Crossing Delancey, her studio romantic comedy about a thirtysomething trying to escape her Lower East Side roots, is the epitome of the New York Woman series the Quad has been running all month. After a difficult experience at United Artists with her 1979 masterpiece Chilly Scenes of Winter, Silver took on her biggest production yet, an adaptation of Susan Sandler’s stage play, Crossing Delancey. The Nebraska native returned to examining Jewish identity in New York, as she did in her first film Hester Street, but instead of immigrants at the turn of the century, her focus was […]

With Bo Burnham’s Eighth Grade now in theaters, we’re reposting this interview with the writer/director conducted during SXSW 2018. The movie: Eighth Grade The Plot: Shy and uncertain (except when doling out life advice on her sparsely followed vlog), eighth grader Kayla (a revelatory Elsie Fisher) struggles through her last days of middle school. The Interviewee: Bo Burnham. Eighth Grade is the feature directorial debut for the multi-hyphenate writer/director/musician/stand-up comedian. Filmmaker: Let’s start by talking about opening shots. The way you open the Jerrod Carmichael stand-up special you directed for HBO — this extremely tight close-up with Carmichael already on-stage […]

With the sudden renewed focus on the Supreme Court this summer the theatrical premiere (July 13th at NYC’s IFC Center, July 27th at the Landmark Nuart in LA) of Kimberly Reed’s Dark Money couldn’t have come at a more apropos time. The momentous Citizens United decision of 2010 had a political game-changing impact across the U.S., nowhere more so than in Reed’s home state of Montana, a land with a long and sordid history of outside money influence — most notably from the copper barons, who once swept in to essentially buy the city of Butte. As a result, however, […]

John Christopher Jones is a veteran “actor’s actor” with many Broadway shows including Simon Gray’s Otherwise Engaged (directed by Harold Pinter), Hurlyburly (directed by Mike Nichols), The Iceman Cometh (with Jason Robards), and Shaw’s Heartbreak House. He is the subject of a documentary film, The Endgame Project, which follows him in his tenth year with Parkinson’s as he rehearses and performs Beckett’s masterpiece. A “text-lover” through and through, he continues to translate the major plays of Chekov (he received a Lortel Award for his version of The Cherry Orchard) and work on his memoir. I’ve often heard the word “craftsman” […]

Over a sixty-year career, Lau Kar-leung wrote, directed, choreographed, and appeared in over 100 movies, including martial-arts classics like The 36th Chamber of Shaolin. The Museum of Modern Art celebrates his work in a 10-movie series, “The Grandmaster: Lau Kar-leung,” running July 5–17. Born in 1937 in Guangdong, Lau entered the movie industry as an extra and stunt man in the 1950s. Trained in martial arts by his father, Lau began choreographing fight scenes, most notably with director Chang Cheh (The One-Armed Swordsman, Golden Swallow). He was the first action choreographer to be promoted to director at the Shaw Brothers […]

The unofficial centerpiece of Berlin’s Xposed International Queer Film Festival, Drew Lint’s M/M takes a decidedly unique approach to the identity-swapping thriller. Somewhat reductively categorized as a gender-reversed Single White Female, Lint’s feature debut is a near dialogue-less delve into the darkest recesses of obsession. Matthew (Antoine Lahaie) is a French-Canadian new to Berlin who becomes increasingly fascinated with Matthias (Nicolas Maxim Endlicher). The Berlin-based, Ontario-bred Lint interrogates Matthew’s subsequent identity assumption with hypnotic and occasionally fantastical vignettes, set to the thrums of appropriately dissociative techno. Where films of a similar set-up may stop short of any sort of thesis, […]

The second-highest grossing Chinese film of all time, Operation Red Sea has earned over a half-billion dollars since its release this past February. Writer/director Dante Lam introduced the film at a New York Asian American Film Festival screening on June 30 and accepted the festival’s Daniel A. Craft Award for Excellence in Action Cinema. Operation Red Sea is loosely drawn from the real-life evacuation of Chinese hostages during the 2015 civil war in Yemen. In the movie version, Jiaolong, an elite task force, not only have to free hostages, they must also stop an attempt to sell yellowcake uranium to terrorists […]

The following interview was originally published in our Fall, 2003 print edition. When I first interviewed Gus Van Sant, he had just finished editing his feature Gerry and was preparing to launch it at the Sundance Film Festival. A radical left turn from the two studio films, Good Will Hunting and Finding Forrester, that preceded it, Gerry mixed together movie stars (Matt Damon and Casey Affleck), the “long-take” style of such filmmakers as Béla Tarr and Chantal Akerman and a simple yet metaphorically rich scenario taken from the news headlines. Working without a formal script but with the remarkable director […]

The below interview with Gus Van Sant originally appeared in our Summer, 2005 issue. The subject matter of Gus Van Sant’s new film, Last Days, appears on the surface to be the stuff of a sensationalistic movie of the week. A moody, confused, perhaps drug-adled rock star Blake (Michael Pitt) — who bears more than a coincidental resemblance to Kurt Cobain — wanders aimlessly through a dilapidated mansion just before his end comes. Van Sant’s two previous films, which form a loose trilogy with Last Days, were also torn from the headlines: Gerry was inspired by a newspaper article about […]

When I speak to James DeMonaco, The First Purge is only 48 hours from hitting theaters, but the franchise’s creator is otherwise engaged. DeMonaco has two production days left on his latest film, Once Upon a Time in Staten Island. It’s a personal movie, a coming-of-age drama starring Naomi Watts and Bobby Cannavale. The film that exists because DeMonaco wrote and directed 2013’s The Purge, plus its two sequels. His latest is even funded by his boss of the last several years, Jason Blum, the namesake head of horror unit Blumhouse Productions, making it only the second non-genre picture they’ve handled […]