Interviews
Interviews
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Facing the Music: David Lowery and Chloé Zhao Dig Into Mother Mary
David Lowery and Chloé Zhao have been friends and collaborators since January 2012, when they met as fellows in the annual Sundance Screenwriters Lab. In the years since, both directors have found artistic and commercial success. Much as Zhao has alternated between Nomadland and Hamnet on one hand and The Eternals on the other, Lowery has given us deeply personal films like The Green Knight as well as mainstream fare like Peter Pan & Wendy. In fact, it’s the delta between those two approaches to filmmaking, and the identity questions that arose while switching between them, that inspired his latest […]
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“Like a Surveillance Camera”: Christian Petzold on Miroirs No. 3
Following a fatal car crash in the countryside that leaves her injured and her boyfriend dead, Laura (Paula Beer), a pianist visiting from Berlin, is nursed back to health over several days by Betty (Barbara Auer), a quiet woman who lives near the crash site. Through carefully placed moments of subtle exposition, German filmmaker Christian Petzold slowly reveals to the viewer the extent to which Betty (who seemingly lives alone, but then…not) needs Laura to be a part of her daily life. Much of the fun of Petzold’s Miroirs No. 3 then comes in the mysterious yet heartbreaking ways the […]
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They Will Kill You Took the Blood, Sweat and Tears of Kirill Sokolov, Zazie Beetz, and Myha’la
It’s the closing night of the 2026 SXSW Film Festival and They Will Kill You director Kirill Sokolov is taking to the stage of the Paramount Theatre in Austin. He has multiple pages in hand listing out all of his collaborators he wants to thank. Where most filmmakers give a few brief remarks, possibly crack a joke or two, and then make a quick exit stage left, Sokolov, who previously made the films Why Don’t You Just Die! and No Looking Back in Russia, is running down as many people as he can possibly get through. This is all taking […]
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Inspired by Meatloaf: Alice Maio Mackay on The Serpent’s Skin
It’s been a whirlwind year for Alice Maio Mackay. Her latest film, The Serpent’s Skin, has been a darling at festivals from London to Montreal, and her next one—her seventh before the age of twenty-two—is already in the can. This one’s a supernatural romance about two queer women, Anna (Alexandra McVicker), innocent and extremely new-in-town, and Jen (filmmaker Avalon Fast), a mysterious goth tattoo artist, who discover they share magical powers and have to fight a demon that’s possessing Danny (Jordan Dulieu), the dreamy alt-boy-next-door who Anna’s recently friend-zoned. With this sweet, sharply witty romp, the twenty-one-year-old Australian filmmaker, both […]
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Talk Is Cheap: Radu Jude on Kontinental ’25
From Pearl White’s Perils of Pauline to Antonioni’s aimless, quasi-somnambulant heroines, the wandering woman has a venerable history in cinema. The figure has given filmmakers a vehicle for formal experimentation and narrative risk and stories organized less around destination than duration, encounter, and drift. With Kontinental ’25, Radu Jude continues his exploration of wandering women, this time through Orsolya (Eszter Tompa), a bailiff reeling after the suicide of her most recent evictee—a former athlete turned squatter living in abandoned buildings in the Romanian city of Cluj-Napoca. Guilt or shame? Humiliation or distress? Jude doesn’t delineate Orsolya’s feelings so much as […]
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More Heart Than a Midnight Movie: Oscar Boyson and Ricky Camilleri on Our Hero, Balthazar
“It was important to us not to be a shit post,” says Ricky Camilleri, co-writer and co-producer of Our Hero, Balthazar, thanking me for not describing it as “edge-lordy.” On paper, the film, directed and co-written by Oscar Boyson, sounds like a provocation: a dark comedy about a teen who tries to stop a school shooting—not out of moral clarity, but out of ego. Balthazar Malone (Jaeden Martell) is a wealthy Manhattan private school kid living in a high-rise, performing sensitivity online through teary grief narratives—essentially crying for influence. In a bid to impress his school crush, a girl more […]
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“The Devil Won’t Wait for You”: Radio Silence on Ready or Not 2: Here I Come
There’s a gleeful spirit of subversion that courses through Matt Bettinelli-Olpin’s and Tyler Gillett’s (known as Radio Silence) Ready or Not 2: Here I Come. It’s not just that the follow-up to their 2019 chamber piece is bloodier and more vicious, but that anytime you expect the film to narratively zag, it zigs, and that the characters have a striking interiority that stands in contrast with their histrionic antics. At its core, it delivers the cathartic thrill of seeing the wealthy get their devilish comeuppance, but on a deeper level, it celebrates the power of imaginative resistance. Taking place immediately […]
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Cannes Film Festival Head Thierry Frémaux on the Past and Future of Movies
Thierry Frémaux wears a lot of hats. The 65-year-old Frenchman oversees the programming and operations of the Cannes Film Festival, which will announce its 79th edition next month. At the same time, he runs the Lumière Institute and its accompanying Lumière Festival in Lyon, both of which are dedicated to screening and studying film history. It’s hard to conceive of another top film leader playing such a vital role in both the past and present state of the medium. As an extension of his jobs, Frémaux occasionally holds one other title: filmmaker. The newly-released Lumière, Le Cinema! is an essayistic […]
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“Absolutely Not a Genre Film”: Julia Ducournau in Conversation with Robert Eggers on Alpha
“To me it’s not really a shift,” French writer-director Julia Ducournau tells filmmaker Robert Eggers on the topic of Alpha, her third feature. “Though I completely understand why it might feel like one.” Indeed, fans of Ducournau’s previous films—her collegiate cannibal breakout Raw (2016) and Palme d’Or-winning body horror Titane (2021)—will undeniably view Alpha as a major departure. Though physical transformation is still integral to the narrative, Ducournau describes her most recent film as “a very grounded family drama.” Family is a major fascination for the filmmaker—from inheriting a taste for human flesh to birthing a man-machine hybrid—but never has […]
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undertone, 2026’s Scariest Movie So Far, Conjures Filmmaker Ian Tuason’s Real-life Demons
“I was never really into the occult before making this movie,” says Ian Tuason, writer-director of the new A24 horror film undertone. “After doing research, I started getting into it more. That manifested weird things into existence.” A demonic “found audio” film, undertone came about, in part, due to Tuason’s background as a pioneer of immersive 360-degree VR horror shorts. Continuity Problems (2009) and Close Up (2011) found major success on YouTube before screening at the Marché du Film’s NEXT Pavillion in Cannes. His follow-up, the 360-degree live-action breakthrough 3:00am, racked up 9 million viewers on YouTube. Maybe he wasn’t […]
