Like many Filmmaker readers, I first encountered the work of Elaine McMillion Sheldon a decade ago, when the West Virginia native landed on our annual 25 New Faces of Independent Film list in 2013. She’d just completed Hollow, which began as a documentary about her home state’s struggling McDowell County, and ultimately transformed into a sprawling interactive project; and per Randy Astle’s profile, “a community portrait that includes about three hours of video — including a lot shot by members of the community — audio recordings, text, photographs and user-generated material via Instagram.” Sheldon then popped back onto my radar two […]

When you make your living in production, the relationship between work and time off can be a complicated one. After months of Fraturdays and Second Meal pizza at 2 a.m., you need to rest, decompress and resume the parts of your life that have been essentially paused during shooting. But stay off set too long and dread can fester—a fear of dwindling bank accounts, falling short on days for insurance and being usurped in your market’s hiring hierarchy. Cinematographer Paul Yee is acutely aware of that delicate balance and how it feels when the equilibrium becomes askew. He took a self-imposed […]

On this special episode, I visit the picket line at each of the four SAG/AFTRA strike sites in New York City, in one continuous, unbroken audio “take.” Actors Michael Gaston, Clarissa Thibeaux, and others talk to me about what’s at stake, and en route to each location I share my own thoughts on the issues at hand, make some predictions, voice concerns, and offer up my total and complete solidarity to the cause, all supported by the loud and never-ending symphony of the New York City streets! Get ready for the strangest, but definitely most sonic-rich, episode of this podcast […]

Gaining access to an underrepresented community comes with a great amount of responsibility. There are countless examples of a director visiting a site for a few days, getting what they need, then hightailing it out only to use their subsequent press tour to emphasize the “raw grittiness” they observed while filming on location. It’s crucial to question who benefits from this exchange. Does the filmmaker gain authenticity for their work merely by virtue of who they put in front of the camera? Does the portrayed community benefit from being used to confirm an outsider’s predetermined perception? Gina Gammell and Riley […]

Regular Dublin folk, and the folk songs that have preserved their histories, guide viewers along the city’s North Circular in director Luke McManus’s first documentary feature. A three-and-a-half mile long loop separating Dublin’s inner city from its first hints of suburbia, the North Circular Road was laid in 1763 concurrently with the city’s South Circular Road, which now comprises residential homes and, until the early 19th century, largely ran through countryside. Due to its longstanding urban location, the North Circular has been synonymous with working class residents, leading to a broader public consensus that much of the road ran through […]

Ventriloquist demons go viral in Talk To Me, the feature film debut of twin brothers and co-directors Danny and Michael Philippou. While the A24 horror venture marks their first official foray into feature filmmaking, the duo have been uploading action-packed videos onto their YouTube channel, RackaRacka, since 2013. Unlike Kyle Edward Ball, another YouTuber-turned-filmmaker whose chilling feature debut Skinamarink released earlier this year, the Philippou’s prior output wasn’t necessarily horror-focused. To date, their channel is mostly comprised of stunts, comedy sketches, satirical vlogs and prank videos. This decade-spanning commitment to making content is likely what primed the brothers to helm Talk […]

Admittedly, as a white, baseball-phobic critic (I’ve never seen A League of Their Own or anything starring Kevin Costner and a bat), I’m not exactly the target demographic for The League, which takes a deep dive into America’s pastime through the parallel sports universe of the Negro League. Nevertheless, the doc was a must-catch, no pun intended, for me during Tribeca since I also happen to have a baseball-obsessed (Bronx-born/Brooklyn Dodgers-raised) father and (Mets-maniacal) sister who visited the Negro Leagues Baseball Museum several years back, and still speak of that trip as some sort of exotic holy pilgrimage. (For the record, the NLBM is […]

Normally on shoots, veteran documentary maker Kim Longinotto films far away from her native England, often capturing the lives of women in desperate situations over the course of a few weeks. With her latest film, Dalton’s Dream, things ran rather differently. Having watched his victory on the British X Factor in 2018, Longinotto reached out to Dalton Harris, interested in documenting his life in a new country with a new record contract.  An initial three-month shoot morphed into more than four years, held up by both the pandemic and the turbulence of Harris’s life as he found himself persecuted for […]

There’s a moment early in director Brian Vincent and producer Heather Spore’s documentary Make Me Famous when the ’80s downtown New York artist Edward Brezinski is described by the late artist Duncan Hannah as the guy with the flyers. Brezinski would show up at openings, drink the cheap wine and press flyers for group shows at the Magic Gallery (his own barren apartment on East 3rd Street) into as many palms as possible. In a world where the most successful artists managed to self-promote while simultaneously adopting a pose of understated remove, Brezinski’s old-school hucksterism was memorably uncool. As the […]

With only 24 days to capture nearly 30 sketches, the average I Think You Should Leave bit is shot in roughly six to eight hours. That might be for the best. When you’re slopping up steaks or shooting body after body busting out of cheap wood and hitting pavement, probably wise not to linger at a location for too long. Cinematographer Markus Mentzer, who has been behind the camera for all three seasons of the Netflix show, breaks down the newest crop of sketches for Filmmaker. Filmmaker: Your first three camera department credits on IMDB are Out of Time, In […]