When I left Kino Lorber’s office on Friday, March 13th, I was expecting to return on Monday. I was wrapping up the DVD and Blu-ray of Jia Zhangke’s I Wish I Knew (2010), getting final proofs of Adam Nayman’s booklet essay and waiting for the test molds (the final check disc the replicator sends for approval before the title goes into manufacturing) to come in. But then the lockdown hit, and the scramble to improvise and adapt to the situation. One of my colleagues lives nearby our office, so he shipped the I Wish I Knew test molds to our […]
by R. Emmet Sweeney on Feb 10, 2021Master Z: The Ip Man Legacy (2019) closes out Yuen Woo-ping’s fifth decade in martial arts filmmaking. It is an astonishing run in which he helped launch the careers of Jackie Chan (Drunken Master, 1978) and Donnie Yen (Drunken Tai Chi, 1984), while shaping the style of Hollywood action for a generation with his fight choreography for The Matrix (1999). Master Z is a spinoff of the Donnie Yen-led Ip Man franchise, following Cheung Tin-chi (Max Zhang), a kung fu master humbled by a loss to Ip Man who tries to rebuild his life as a grocery store vendor. Of […]
by R. Emmet Sweeney on Apr 11, 2019For over 15 years, Jesse V. Johnson has been a reliable craftsman of action movies for the wildly unreliable DTV market. Born in England, he moved to Hollywood to work as a stunt performer in the 1990s, working on everything from Total Recall (1990) to The Thin Red Line (1999). He has bounced back and forth between stunt work and DTV directing ever since — whatever it took to pay the bills in an unpredictable career. One predictable thing over the last year has been the presence of Scott Adkins as his leading man. Adkins may not have the name […]
by R. Emmet Sweeney on Feb 6, 2018Isaac Florentine is one of the stalwart direct-to-video directors of the last decade, making fluid fight films on microscopic budgets, usually with the miraculously athletic Scott Adkins in the lead. His latest film Acts of Vengeance has heightened visibility, and an honest-to-goodness theatrical release, thanks to the casting of Antonio Banderas as a slick defense attorney who takes a vow of silence before taking his revenge on his family’s killers. I spoke by phone with Florentine about the development of the project, the personal losses he sustained during its production, and his philosophy of screen fighting. Filmmaker: How did you first […]
by R. Emmet Sweeney on Oct 30, 2017