She’s perhaps best known for playing one of modern television’s baddest villains, “Vee” on Orange Is The New Black. And now with NBC’s The Village premiering last week, both Fast Color and the new season of Into The Badlands premiering this week, plus Julie Taymor’s The Glorias wrapping this month, all featuring the incredible Lorraine Toussaint, we might as well call this period “The Lorrainaissance.” In this half hour she takes a break from the hubbub and takes us deep into her process, her “almost schizo” embodiment of characters, what she needs on set, and what it means to live […]

His portrayal of Lola, the drag queen in Kinky Boots, put Chiwetel Ejiofor on the map, then his astonishing performance in 12 Years A Slave made him a household name. Roles in The Martian, Doctor Strange, and the under-appreciated Z for Zachariah followed. Now he has written, directed and stars in The Boy Who Harnessed The Wind, which is in select theaters and on Netflix. He talks about the art of wearing many hats, directing the extremely gifted young Maxwell Simba in his first film role, and the effort he took to not shortchange his own character. Back To One […]

For several years Christopher Doyle has been a fixture at Camerimage, the annual festival in Bydgoszcz, Poland, devoted to cinematography. This past November he was especially busy, hosting two panels called “The Language of Cinema Is Images” with his friend and colleague Ed Lachman. Extending over six hours, these were a chance for Doyle, Lachman, and their guests to share stories, give advice, and question each other about style and technique. The panels were also an opportunity for Doyle to screen some examples of his work. Leslie Cheung dancing to “Perfidia” in Wong Kar Wai’s Days of Being Wild. A […]

“My life is not what one would term heroic.”  The narrator of Romina Paula’s second novel, August, returns to her home town in Patagonia to memorialize a childhood friend five years after his death. Emilia’s in her early 20s and has been living with her brother in Buenos Aires. She’s still in college; her boyfriend is in a band. Once back home, she reunites with the love of her youth, Julián, who is now a father, married, somewhat happily. Emilia’s a familiar character making familiar first steps into adulthood, but Paula heightens every sensation and plumbs every potential cliché for […]

If you didn’t know Imogen Poots was British, it is understandable. Few young actors transform so chameleon-like, role-to-role, applying accents so skillfully. I was first wowed by her in Peter Bogdanovich’s She’s Funny That Way and then I actually didn’t even know it was her in Green Room until I saw the credits. She floored me again in Frank and Lola opposite Michael Shannon, in an entirely different kind of role. Now she plays a drifter with questionable parenting skills, who steers into escalating trouble in Mobile Homes, and by the end of the movie her performance wrecked me. In […]

Ethan Hawke’s “staying power” is grounded in hard work. He survived being the poster child of Generation X (Reality Bites), and thrived as Richard Linklater’s go-to actor (The Before Trilogy, Boyhood) and always returns to the true home of the actor–the theater (he’s currently starring in True West on Broadway). Now he has delivered one of the most critically acclaimed performances of the year in Paul Schrader’s First Reformed. He generously shares the wisdom and knowledge he’s acquired over the years as an actor, and is extremely eloquent when doing so. In this episode, he talks about the importance of […]

He’s perhaps best known for his portrayal of Petyr “Littlefinger” Baelish on Game of Thrones but I first took note of the uniquely talented Aidan Gillen as Mayor Carcetti on The Wire. The Dublin native’s most recent role was the manager of Queen in Bohemian Rhapsody. Now he stars in the period UFO drama Project Blue Book, which premieres January 8th on History. In this half hour he talks about his intuition-based approach to preparation, how Jez Butterworth introduced him to the work of John Cassavetes, and I toss a name at him to spark some memories from The Wire. […]

Rick Ostermann’s Lysis — which had its world premiere at Tallinn Black Nights Film Festival last month — required the Krieg and Wolfskinder director to put even more faith in his actors than usual, as they were also their own directors of photography and, to an extent, their own scriptwriters. The story centers on a dad (Oliver Masucci), who takes his long-estranged teenage son (Louis Hofmann) on a white water rafting and camping trip, with the intention of filming their “adventure.” Once in the wilderness, however, his son proves less than willing to reconnect and an act of petulance soon […]

From her breakthrough in Kick-Ass through great roles in Let Me In, Hugo, and Carrie, Chloë Grace Moretz has become one of the hottest young actors in Hollywood. In this half hour, she talks about her recent decision to take time to “reassess who I am and find myself within my roles again,” which led to her brilliant performance in The Miseducation of Cameron Post, this year’s winner of the Grand Jury Prize at Sundance (now streaming on demand). She also talks about avoiding what she calls “emotional cavities,” and how she craves to be taken off guard in her […]

With riveting performances in films such as Hell or High Water, The Messenger and 3:10 to Yuma, Ben Foster established himself as an intensely serious actor who goes all-in for a role. With this year’s Leave No Trace, Foster takes that same intensity and brilliantly turns it inward, portraying a laconic veteran who suffers from PTSD and survives in the woods of Oregon with his teenage daughter, played by Thomasin McKenzie. Foster talks about working with McKensie to establish the connection they needed, why he took performance enhancing drugs to play Lance Armstrong, and the “emotional erectile disfunction” of over-directing. […]