Bong Joon Ho may have shifted his subject from genetically engineered super pigs (Okja) and setting from a speeding, class-stratified train (Snowpiercer), but it’d be wrong to assign his Palme d’Or winning Parasite to a new league of subtlety. That’s not a knock — vulgarity is the name of the game for this “Korean New Wave,” in which Bong, and now Parasite, have an evolving role. Bong’s metaphors have shrunk in size for his latest, but they’ve increased in number, becoming part of a loud, meta, and self-parodying dialogue. Ki-woo (Choi Woo-Shik), the son in Parasite‘s working-class family, interacts with […]

I didn’t know if Tim Heidecker was going to show up for this interview, or if I was going to get his boorish, abusive, dim alter ego, Tim Heidecker. Luckily Tim Heidecker leaves Tim Heidecker in the On Cinema universe. That project he started with Gregg Turkington is comprised of an ongoing series called On Cinema at the Cinema, various spin-off series including The Trial of Tim Heidecker, special episodes, segments, tweets, songs, and now the feature film Mister America. In this half hour, I ask Heidecker to lift the hood on his performance style and the evolution of his […]

The wise and talented Cassidy Freeman plays Amber, wife of Danny McBride’s character Jesse, on the hilarious new HBO comedy series The Righteous Gemstones. She talks about the wonderful troupe mentality on that show, what acting in 60+ episodes of Smallville did to build her craft early in her career, the importance of creativity for the actor, plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Stitcher. And if you’re enjoying what you are hearing, please subscribe and rate us! Photo credit: Catie Lafoon

With Ema, Chilean director Pablo Larraín moves away from the biopic (Jackie, Neruda) and the past history of his country (Tony Manero, Post Mortem, No) to turn towards its future. The film centers on Ema (Mariana Di Girolamo), a young reggaeton dancer who sees her marriage with celebrated choreographer Gastón (Gael García Bernal) crumble after their “failed” adoption. A simple enough story, but already in the film’s earliest scene, the surprising behaviors and reactions of the characters hint at their extremely modern identities. Ema and Gaston are unspeakably cruel to each other, but in their own way, they are incredibly […]

It’s rare for one actor to be cast as the same real-life character in two different productions almost simultaneously. When that real life character is Charles Manson, that makes some news. Australian actor Damon Herriman has taken on this challenging role in both Quentin Tarantino’s Once Upon A Time… In Hollywood and the second season of David Fincher’s Netflix series Mindhunter. Herriman is perhaps best know for playing Dewey Crowe in the series Justified and currently plays Paul Allen Brown in Perpetual Grace LTD. We talk about the character of Manson, how good writing makes for good acting, and why […]

“I’m not an editor… I’m not a director. I’m also not an actress.” But Cindy Silver is the mother, teacher, and compliant subject of her son, writer and director Nathan Silver (Stinking Heaven, Thirst Street), who asks his mother to act in nearly all of his films. In his new docuseries Cutting My Mother, playing Anthology Film Archives today beside Exit Elena (also featuring Cindy), he asks more of her than he ever has before. He asks her to direct her own film. [Silver’s short, Solo, plays at the Anthology as part of the program.] As a child, Nathan drew […]

Bad Lieutenant was the cover story for the Winter, 1993 edition of Filmmaker — this magazine’s second issue. This feature by Scott Macaulay, with quotes from director Abel Ferrara and screenwriter Zoë Lund, appears online for the first time. ***“No one can kill me. I’m blessed. I’m a fucking Catholic.” — Harvey Keitel in Bad Lieutenant. “The title is so ironic, Bad Lieutenant. Because of course it doesn’t mean he’s bad. You have the semantic irony of the “baaad” lieutenant and the central irony of ‘Is he bad or is he not bad and perhaps one needs to be bad […]

Leo (Félix Maritaud) never counts his money after he’s with a client. The gay sex worker at the center of Camille Vidal-Naquet’s film Sauvage/Wild is, honestly, happy to be there. Drifting from client to client and from place to place, the homeless hustler has one constant that is quickly disappearing: his unrequited feelings for fellow hustler (though “gay 4 pay”), Ahd (Éric Bernard). Leo’s intense yearning for human connection and affection, mixed with his somewhat paradoxical disinclination to be “kept” in a (facile) domestic situation, and ailing body but unrelenting spirit, are reminiscent of Giulietta Masina in Federico Fellini’s Nights […]

He brought to life one of the most iconic TV characters this century, Omar Little on the acclaimed series The Wire. Then Michael K. Williams went on to work with some of the great directors of our day (Steve McQueen, Paul Thomas Anderson, Ava DuVernay, Todd Solondz) and turned in powerful work in series like Boardwalk Empire (where he played Chalky White) and The Night of, to name a few. He’s earning rave reviews for his latest performance in Emilio Estevez’s The Public. In this episode, he talks about one particular “all-in” moment during the filming of that movie, also […]

As codirector Sofia Bohdanowicz has delightedly noted, MS Slavic 7 has caused a minor flutter of interest among the Extremely Online Librarian community, amazed that anyone would make a film titled after a call number at Harvard’s Houghton Library.  That collection, from the papers of the Nobel-nominated poet Józef Wittlin, includes two dozen-odd letters sent to him by his fellow poet and fellow Polish exile Zofia Bohdanowiczowa, Bohdanowicz’s great-grandmother and namesake. Within the world of MS Slavic 7, though, Bohdanowiczowa is the grandmother of Audrey, the character played by Deragh Campbell. Audrey is a recurring character in what now must […]