She had never attempted acting before Eliza Hittman cast her in Never Rarely Sometimes Always, but Sidney Flanigan’s quietly devastating performance feels like a revelation, something truly miraculous. On this episode she talks about bravely stepping into the role, giving herself over to instinct, and dipping into the well of her own emotional life to power Autumn’s journey. Her’s is a heroic story of release and acceptance all actors can find inspiration in. Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Stitcher. And if you’re enjoying what you are hearing, please […]

Harkening back to Golden Age romantic comedies while placing its young characters in of-the-moment relationship scenarios, Straight Up, the feature debut of director, writer and actor James Sweeney, opens in theaters today from Strand Releasing. Sweeney plays Todd, a gay man and software developer questioning his sexuality who falls romantically (and perhaps just platonically) with an aspiring actress played by Katie Findlay. Shot in eye-popping colors within a 4:3 frame, and with sharp dialogue delivered rat-a-tat-tat, Straight Up, which premiered at last year’s Frameline Film Festival, subverts the tensions traditionally found in romantic comedies in service to a more inclusive […]

Taking place on Friday, February 28th in Amsterdam (or via a live stream near you), “Blue Artichoke Films Presents: Adventures In Intimacy” will be, according to the event’s press release, “a celebration of sex-positive, p*rn-positive, queer-friendly culture as explored by p*rn performers, scientists, and sex educators in their own work.” Organized by the feminist force behind Blue Artichoke Films (which will simultaneously celebrate its platform launch) Jennifer Lyon Bell, the evening’s quartet of speakers, including the host herself, are an international array of notable thinkers on the subject of erotica in cinema. The Netherlands Ellen Laan, a sexologist and “pleasure […]

Included in the 2010 edition of 25 New Faces of Independent Film, director Rashaad Ernesto Green has been sitting with his intricate story of love had and love lost, Premature, for quite a while now. The original short film, made while Green was a film student at NYU Tisch, was described in his 25 New Face profile as being “classically built,” telling the story of a “teenager who, having found no support for her pregnancy from either her disaffected family and brutal community, resorts to drastic, near-tragic measures to free herself of responsibility.” Green’s leading lady in the short, his […]

This is a very special episode of Back To One. Last year, in September, I sat down with the stars of Portrait Of A Lady On Fire, Noémie Merlant and Adèle Haenel, and their director, Céline Sciamma. On this show, I only sit down with one actor every week, so for me to sit with two actors and their director from the same film, it must be very special. And it is a very special film.  For me, it is the purest example, in recent memory, of a perfect synthesis of direction and performance. The exemplary work of these three […]

Bong Joon Ho may have shifted his subject from genetically engineered super pigs (Okja) and setting from a speeding, class-stratified train (Snowpiercer), but it’d be wrong to assign his Palme d’Or winning Parasite to a new league of subtlety. That’s not a knock — vulgarity is the name of the game for this “Korean New Wave,” in which Bong, and now Parasite, have an evolving role. Bong’s metaphors have shrunk in size for his latest, but they’ve increased in number, becoming part of a loud, meta, and self-parodying dialogue. Ki-woo (Choi Woo-Shik), the son in Parasite‘s working-class family, interacts with […]

I didn’t know if Tim Heidecker was going to show up for this interview, or if I was going to get his boorish, abusive, dim alter ego, Tim Heidecker. Luckily Tim Heidecker leaves Tim Heidecker in the On Cinema universe. That project he started with Gregg Turkington is comprised of an ongoing series called On Cinema at the Cinema, various spin-off series including The Trial of Tim Heidecker, special episodes, segments, tweets, songs, and now the feature film Mister America. In this half hour, I ask Heidecker to lift the hood on his performance style and the evolution of his […]

The wise and talented Cassidy Freeman plays Amber, wife of Danny McBride’s character Jesse, on the hilarious new HBO comedy series The Righteous Gemstones. She talks about the wonderful troupe mentality on that show, what acting in 60+ episodes of Smallville did to build her craft early in her career, the importance of creativity for the actor, plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Stitcher. And if you’re enjoying what you are hearing, please subscribe and rate us! Photo credit: Catie Lafoon

With Ema, Chilean director Pablo Larraín moves away from the biopic (Jackie, Neruda) and the past history of his country (Tony Manero, Post Mortem, No) to turn towards its future. The film centers on Ema (Mariana Di Girolamo), a young reggaeton dancer who sees her marriage with celebrated choreographer Gastón (Gael García Bernal) crumble after their “failed” adoption. A simple enough story, but already in the film’s earliest scene, the surprising behaviors and reactions of the characters hint at their extremely modern identities. Ema and Gaston are unspeakably cruel to each other, but in their own way, they are incredibly […]

It’s rare for one actor to be cast as the same real-life character in two different productions almost simultaneously. When that real life character is Charles Manson, that makes some news. Australian actor Damon Herriman has taken on this challenging role in both Quentin Tarantino’s Once Upon A Time… In Hollywood and the second season of David Fincher’s Netflix series Mindhunter. Herriman is perhaps best know for playing Dewey Crowe in the series Justified and currently plays Paul Allen Brown in Perpetual Grace LTD. We talk about the character of Manson, how good writing makes for good acting, and why […]