Joshua Leonard first came onto the scene with the lo-fi sensation The Blair Witch Project, then went on to receive rave reviews for his performance in Lynn Shelton’s Independent Spirit Award-winning Humpday. His narrative feature debut as director, The Lie, premiered at Sundance in 2011 and he just wrapped production on his sophomore feature Behold My Heart which stars Marisa Tomei. Currently he co-stars in Steven Soderbergh’s thriller Unsane, which was famously shot on an iPhone. Leonard talks about how freeing that was and how he’s dismayed, now that he’s a dad, at all the bad guy parts he’s being […]

Emily Mortimer is perhaps best known for her role as MacKenzie McHale in Aaron Sorkin’s beloved HBO series The Newsroom. Some of her other memorable performances are in Woody Allen’s Match Point, Martin Scorsese’s Shutter Island and Hugo and, as Phoebe, Jack Donaghy’s love interest, on the NBC series 30 Rock. In this hour she talks extensively about one particular, powerful scene in her breakout film, Nicole Holofcener’s Lovely & Amazing (which earned her an Independent Spirit Award for Best Supporting Actress), and about what it was like to play a character named “Emily Mortimer” in her HBO series Doll […]

Welcome to the debut episode of Filmmaker‘s new podcast about acting, Back To One. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. No small talk, no celebrity stories, no inane banter — just the work. Episode One: Kevin Corrigan We could not have a more perfect guest for the first episode of a podcast about “the work” of acting if we had somehow constructed one. The TV guest star extraordinaire, the go-to indie comedy player of our time, the actor’s actor, Kevin Corrigan […]

An initiative of the Doha Film Institute, Qumra is a focused event that connects Qatari and international directors receiving different stages of DFI-funded support with industry delegates from across the spectrum of the film world as well as a handful of heavy-hitting “Masters,” in a mentor-like capacity who meet with emerging talents and engage in public conversations.  Kicking off a series of impressive masterclasses at the fourth edition of Qumra, Tilda Swinton took the stage in a revealing two-hour conversation with TIFF’s Artistic Director, Cameron Bailey. Q&As with big talent are typically geared towards a relatively broad audience formed of […]

With his new, SXSW-premiering Netflix Original, Win it All, the famously improvisatory writer/director Joe Swanberg has dealt his fans a real surprise: a picture with a much clearer plot, rhythm and character journey than his previous films. Indeed, with this movie about risk-taking, Swanberg has taken on a risk many successful filmmakers have avoided — the risk of artistic evolution. Pairing up again with collaborator Jake Johnson (Swanberg’s Drinking Buddies, TV’s New Girl), Swanberg puts his focus on gambling and the addiction to both winning — and perhaps losing too. Johnson, who co-wrote the script, plays Eddie Garrett, a down-and-out […]

Texas-born actress and comedian Noël Wells (Master of None, SNL, The Incredible Jessica James) steps into the director’s chair with her SXSW-debuting feature Mr. Roosevelt, which mixes a sort of low-key melancholic humor of self-discovery with a series of broader comedic set pieces also exploring issues of social anxiety, identity and relationships. For Emily, the offbeat comedian character played by Wells, comedy is both the source of identity and existential crisis. In a prologue, we see a young Emily perform at a school play to a laughing audience. She’s in tears afterwards until her mother explains to her that people […]

Lacking appropriate words, forcing an uncomfortable embrace and remembering once-forgotten regrets are common symptoms during a chance encounter with an old friend who, through the passage of time and often distance, has become little more than a stranger. Once that unexpected moment ends, most people return to their everyday routine, but what if, because of uncontrollable circumstances, one had to actually spend the day in the company of that somebody you used to know? Debutant Kris Avedisian sets his feature Donald Cried, in which he also stars as the title character, around such possibility and charges it with unbearably cringe-worthy […]

Personal Shopper, Olivier Assayas’s latest feature, begins with a classic horror movie trope: an evening spent in a haunted house. Kristen Stewart plays expat Maureen — not a paranormalist or twentysomething thrill-seeker but a personal clothes buyer and stylist to Kyra, a celebrity socialite and member of the Davos set. Something of a savant, Maureen does this job with an instinctual certainty but little evident pleasure. Whether that’s due to her preternatural cool or an overlay of mourning is unclear. But several months earlier, her brother, with whom she shares a congenital heart condition, died in a drafty mansion somewhere […]

Most people know Tom Hanks as a two-time Oscar winning actor. Some would recognize him as the sometimes-director behind works including That Thing You Do!, and others know him simply as his often-nickname “America’s Dad.” But the beloved actor may not be as well known as one of Hollywood’s top producers, with 50 producing credits to his name from Band of Brothers to My Big Fat Greek Wedding to Olive Kitteridge. The actor, who recently picked up a lifetime achievement award at the Rome Film Fest, takes a hands-on role as producer in his own films and those of others, beyond just attaching his […]

Anna Karina is, along with Gena Rowlands, my favorite actress of all time. The seven and a half films that she made with Jean-Luc Godard constitute, arguably, the most influential body of work in the history of cinema. They certainly were more important in my own development as a filmmaker than any of the other countless masterpieces I fell in love with in the course of my cinematic education. Those seven and a half films redefined and redrew the map of what cinema is and could be more radically than anything I had seen before or since. Godard’s relationship with […]