The debut release from Metrograph Editions, Sean Price Williams‘s 1000 Movies is just that — a list of 1,000 movies seen and appreciated in some way by the director/cinematographer, listed chronologically across its 6″ x 4.25″ pages. There is much white space. Not included is any kind of foreword, such as a personal essay explaining the project’s genesis. (For that, you’ll have to look to interviews such as this one, or Matt Folden’s on the Metrograph site.) There are no Letterboxd-style ratings, no film stills, and not even an author bio; there’s just Lizzie Harper’s drawing up front of an […]

“The film isn’t about you,” Joanna Arnow tells her parents at the beginning of 2013’s i hate myself :). “You’re secondary characters.” Her mother Barbara responds, “We know who the primary character is,” with a smile that’s half-loving, half-exasperated. Across a body of work that’s grown to include the Berlinale-awarded 2015 short Bad at Dancing, 2019’s follow-up Laying Out and now her first narrative feature, The Feeling That the Time For Doing Something Has Passed, Arnow has placed herself front and center in a variety of increasingly stylized modes.  i hate myself :) was a documentary portrait of Arnow’s then-relationship […]

A woman, a car, a gas station and a factory — from this minimalist set of locations Shannon Triplett has crafted a surprising work of supernatural suspense in her writing and directing debut, Desert Road, which premiered this weekend at the SXSW Film Festival. Kristine Froseth is the woman, a 20-something would-be professional photographer on a solo trip. When her car’s tire blows out on the ribbon-like highway, she’s momentarily dazed before coming to and walking back to that gas station to call for help. In a chilling and quickly rendered series of events, she realizes that help is not […]

World premiering at this year’s SXSW, writer-director-star Alice Lowe’s sophomore feature Timestalker certainly feels like it’s been a long time coming. Arriving eight years after Prevenge, her 2016 debut that she shot and starred in just weeks before giving birth to her eldest daughter, Lowe’s latest was stalled for a slew of reasons—motherhood, COVID, involvement in other projects—but Timestalker’s extended development served to sharpen Lowe’s filmic instinct while shooting, resulting in an ambitious, blood-spattered time loop rom-com more aesthetically and thematically assured than its 22-day shoot may have initially allowed for.  Lowe stars as Agnes, an ordinary woman who we […]

Chicken & Egg Pictures, the non-profit organization dedicated to supporting women and gender-expansive filmmakers with funding and mentorship, today announced its 2024 (Egg)celerator Lab grantees. The organization is granting $40,000 each to ten feature documentary film projects, directed or co-directed by first- or second-time directors. Funds are targeted for production, and each director will also receive year-long mentorship. From today’s press release: The 2024 (Egg)celerator Lab films find families reimagining their histories, legacies, generational grief, and intimate end of life journeys such as in Ashley O’Shay’s Southmont Drive (Working Title), Gabriela Díaz Arp’s Matitinó, and Emma Francis-Snyder’s Anatomy of a […]

Pitch People is a feature documentary that takes an energetic look at the pitch business, a dynamic world that started in Europe, made its way to the U.S. boardwalks, and exploded on worldwide television in the 1990s. The film was completed in 1999. It was well-received at various festivals and independent film venues but a year later, it was still incomplete. It was missing an audience, partially due to it never having a formal theatrical release. In 2020, production and postproduction stopped due to the pandemic. With advanced filmmaking tools available and new ways of making people aware of a […]