Julianne Moore makes it terribly easy to like her. Her remarkable consistency has helped her remain a stellar screen presence for more than two decades. Her transformative abilities have morphed her into everything from a troubled hypochondriac (Safe) and a maternal porn star (Boogie Nights) to a 1950s housewife (Far From Heaven) and one half of a loving lesbian couple (The Kids Are All Right). And her singular, nature-defying beauty has continued to land her fashion cover shoots at the age of 52. All of this springs to mind when Moore greets an eager parade of press while promoting her new …
by R. Kurt Osenlund on May 17, 2013
Could John Cassavetes’ children, all of whom have grabbed his passed torch, be any more different? Son Nick has dabbled in gritty crime fare (Alpha Dog) and mainstream melodrama (The Notebook), daughter Zoe helmed Broken English and has ties to the fashion biz, and now eldest daughter Alexandra — or “Xan,” for short — has carried on the tradition, making her own distinct narrative directorial debut with the vampire romance Kiss of the Damned after previously making the cinephilic doc Z Channel: A Magnificent Obsession. Adamantly stylized, worldly, and nostalgic, Kiss of the Damned, which Xan also wrote, joins Neil …
by R. Kurt Osenlund on May 3, 2013
Mira Nair lounges casually on the edge of a bed in her downtown New York hotel room. Between sips of tea, she asks, “Is this okay?” as if the informal atmosphere might throw off the professional nature of our meeting. (It doesn’t.) To borrow Nair’s own sentiment, which she uses to describe the way she aims to feel on set, the director looks “at home in the world,” comfortable even when promoting a movie that’s designed to be unnerving. Based on Mohsin Hamid’s international bestseller, The Reluctant Fundamentalist is Nair’s eleventh narrative feature, and a milestone in a filmography that …
by R. Kurt Osenlund on Apr 26, 2013
One great journalist salutes another in Which Way is the Front Line From Here? The Life and Time of Tim Hetherington, a moving combat documentary premiering Thursday, April 18 on HBO. The film is celebrated author-turned-director Sebastian Junger’s tribute to Hetherington, the British-American photojournalist who co-helmed the Oscar-nominated Restrepo with Junger, and tragically lost his life in 2011 while covering Libya’s civil war. Like Restrepo, which ditched political agendas to get at the human core of a platoon of soldiers stationed in Afghanistan, Which Way is the Front Line From Here? pins its focus on the heart and unquenchable drive …
by R. Kurt Osenlund on Apr 16, 2013
Like the offspring of any revered icon, Brandon Cronenberg’s last name grabs hold of your attention. Indeed, the 33-year-old Canadian filmmaker is the son of David Cronenberg, genre cinema’s great auteur of psychodrama and body horror. And like his father, Brandon expresses a strong interest in the inextricable brain-body link, not to mention the dark crevices of society’s underbelly. Antiviral, Brandon’s feature debut as writer and director, is a sci-fi satire with a sharp conceit worthy of that unmistakable surname, and a stylistic strength that promises more compelling work from its maker. Uniquely skewering our ever-evolving (or devolving) obsessions with …
by R. Kurt Osenlund on Apr 12, 2013
If Food, Inc. freaked you out, prepare to be galvanized by A Place at the Table, another hot-button food doc being released by Participant Media and Magnolia Pictures. The film, which boasts the involvement of celebrity advocates Jeff Bridges and chef Tom Colicchio, fixes its curious eye on America’s hunger crisis, whose staggering stats add up to the distressing fact that 50 million folks in this country, many of them kids, don’t know when or how they’re getting their next meal. It’s a monster of a topic, with arms that stretch to the realms of politics, medicine, and agriculture, and …
by R. Kurt Osenlund on Mar 4, 2013
Stoker, South Korean filmmaker Park Chan-wook’s long-awaited English-language debut, has already proven divisive, its moral murkiness and arguable cynicism as beguiling to some as they are troubling for others. But however one feels when walking away from this Gothic, slow-burning psycho-thriller, which explores the curious workings of its titular family (the surname’s an intended nod to a certain vampire-loving author), it’s hard to deny that it’s the work of a master stylist, whose obsessive attention to detail is intoxicating, and, these days, far too rare. A parade of pristine compositions, technical flourishes, and production design that’s adamantly era-nonspecific, Stoker plays …
by R. Kurt Osenlund on Mar 4, 2013
She co-created the HBO series Dream On. She launched and executive produced the NBC shows Veronica’s Closet and Jesse. She created Five, a collaborative short film compilation that aired on Lifetime in 2011. And then there was that little series called Friends. A creative force in the world of television for more than 25 years, Marta Kauffman has spent her career bringing some of your favorite small-screen personalities into your living room. Now, in addition to tackling a handful of other projects, including a new pilot and a TV movie she’s set to write and direct, Kauffman is continuing to …
by R. Kurt Osenlund on Mar 1, 2013
Ever since the start of the Aughts, when he broke through in memorable dramas like Amores Perros and Y Tu Mamá También, Gael García Bernal has grown to become one of the most compelling actors of his generation, an international star who attracts a great bevy of gifted filmmakers. He’s played muse to Pedro Almodóvar, starred as Che Guevara for Walter Salles, and explored the subconscious with Michel Gondry. In addition to developing his own projects (like The Invisibles, a recent immigration-themed collection of documentary shorts; Sundance 2013 success Who Is Dayani Cristal?, a doc he appears in and co-produced; …
by R. Kurt Osenlund on Feb 14, 2013
Ten years ago, Israeli filmmaker Eytan Fox made an unexpected splash with Yossi & Jagger, a 67-minute wartime romance about two Israeli soldiers, the titular Yossi (Ohad Knoller) and Jagger (Yehuda Levi), who struggled to conceal their love during mandatory service at the Israel-Lebanon border. The film struck a chord with a great wealth of viewers, won Knoller an acting prize at the 2003 Tribeca Film Festival, and announced Fox as a formidable directorial talent. As Fox tells it, it also allowed him to take part in a cultural revolution that’s unfolded in Israel—and beyond—throughout the last decade, giving him …
by R. Kurt Osenlund on Jan 25, 2013