Since part of the mission of Stranger Than Fiction is to promote “lost gems,” it should come as no surprise that programmer Thom Powers would choose to screen Dziga Vertov’s Man With A Movie Camera, a little seen (outside of film schools) Soviet classic that has had a profound influence on everything from Jean-Luc Godard to car commercials. A mish-mash of documentary material and visual effects, Man With a Movie Camera is a rapidly edited documentary experiment — and perhaps the world’s first music video. Last night’s screening featured a modern score arranged by John Walter, an editor and filmmaker […]