This piece was originally printed in the Fall 2010 issue. 127 Hours is nominated for Best Picture, Best Actor (James Franco), Best Adapted Screenplay (Danny Boyle & Simon Beaufoy), Best Editing (Jon Harris), Best Original Score (A.R. Rahman) and Best Original Song. When director Danny Boyle first got in touch with d.p. Anthony Dod Mantle about 127 Hours, the film following their Academy Award-winning collaboration Slumdog Millionaire, Dod Mantle remembers him saying that “he was convinced that the only way to get through this [movie] would be to subject an actor to a pretty extraordinary physical experience in as intense […]by Scott Macaulay on Nov 6, 2011
This piece was originally printed in the Fall 2010 issue. 127 Hours is nominated for Best Picture, Best Actor (James Franco), Best Adapted Screenplay (Danny Boyle & Simon Beaufoy), Best Editing (Jon Harris), Best Original Score (A.R. Rahman) and Best Original Song. When Werner Herzog made his 1982 true-life inspired tale of a Peruvian capitalist transporting a giant steamer across dry land, Fitzcarraldo, he famously replicated the ordeal, lugging with his crew an even bigger ship across the Amazon jungle in one of the most strenuous and demanding movie shoots of all time. Before its release, Francis Ford Coppola said […]by Scott Macaulay on Feb 27, 2011
This piece was originally printed in the Fall 2010 issue. Black Swan is nominated for Best Picture, Best Director (Darren Aronofsky), Best Actress (Natalie Portman), Best Cinematography (Matthew Libatique), Best Editing (Andrew Weisblum). Darren Aronofsky was developing a project based on Russian novelist Fyodor Dostoyevsky’s 1846 novella, The Double, when he happened to go to a production of another Russian work, Swan Lake, the 1875 ballet composed by Peter Tchaikovsky. Seeing the ballet’s White Swan and Black Swan played by the same ballerina, Aronofsky experienced what he called a “Eureka” moment, realizing that The Double’s themes of splintering identity and […]by Scott Macaulay on Feb 25, 2011
Here Oscar-winner Robert Benton interviews Derek Cianfrance. The piece was originally printed in the Fall 2010 issue. Blue Valentine is nominated for Best Actress (Michelle Williams). As a child, Derek Cianfrance always worried his parents would divorce. When he was 20 his fears were realized. Both upset as well as curious about his own emotional antennae — how he somehow sensed discord in his parents’ relationship — Cianfrance decided to tackle the subject head-on with a movie. After gaining notice in the indie community with his debut feature, Brother Tied, in 1998, Cianfrance got to work on Blue Valentine, a […]by Filmmaker Staff on Feb 24, 2011
by Brandon Harris on Oct 25, 2010
Both a Cannes sensation and a hit television miniseries in France, Olivier Assayas’s Carlos, an incisive and exciting look at left-wing mercenary Ilich Ramírez Sánchez and the political culture that sustained him, now comes Stateside.
by Scott Macaulay on Oct 25, 2010
Charles Ferguson follows up his hard-hitting Iraq War documentary, No End in Sight, with another investigative look at a complicated and controversial subject: the global economic crisis. In Inside Job, Ferguson indicts the growth of the banking industry for causing the global economic crisis, asking why not a single person has gone to jail because of it. By Scott Macaulay
by Filmmaker Staff on Oct 25, 2010
Making a business out of independent film is harder than ever. But still, great films are being made. In this series of short profiles, Filmmaker asked a number of leading independent producers about their producing models and how they’re finding everything from financing to material to office space.