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“That’s the Beauty of Theater, It Parallels Your Life In Sort of Mysterious Ways”: Adeel Akhtar, Back To One, Episode 338
Adeel Akhtar is a versatile British actor known for his powerful performances across film, television, and theatre. He gained widespread acclaim for his BAFTA-winning role in the BBC drama Murdered by My Father, and won another one, a few years later, for Sherwood. His other credits in front of the camera include Four Lions, The Big Sick, Enola Holmes, Utopia, and Sweet Tooth. On stage, Akhtar has appeared in productions at the National Theatre and the Royal Court. Currently he wows audiences as Lopakhin in a new production of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse in Brooklyn. On […]
by Peter Rinaldi
in Back to One
on Apr 23, 2025 -
“Two Giant Oners Put Together into One Piece”: DP Hillary Fyfe Spera on Daredevil: Born Again
When it comes to the work of cinematographer Hillary Fyfe Spera, you’ll find two consistent elements – 1970s inspirations and Panavision glass. Both are present in Daredevil: Born Again, a new Disney+ series that continues the story of lawyer by day/vigilante by night Matt Murdock originally begun on Netflix. The season opens with Murdock (played by Charlie Cox) and his nemesis Wilson “Kingpin” Fisk (Vincent D’Onofrio) trying to forsake their daker halves before they’re ultimately pulled back into their respective alter egos as crime fighter and crime lord. The show’s final arc took a circuitous route to fruition. Nearly six […]
by Matt Mulcahey
in Shutter Angles
on Apr 18, 2025 -
Sacramento Writer, Director and Star Michael Angarano, Back To One, Episode 338
Michael Angarano has been acting since he was an infant and has a long resume of memorable work in both comedic and dramatic roles—Almost Famous, Will and Grace, This is Us, Gentlemen Broncos, Oppenheimer, to name a few. His latest is a wonderful comedy with a lot of heart that he stars in, co-wrote and directed called Sacramento. On this episode he talks about the long road of getting that film made, how he needed to adjust once he saw Michael Cera’s approach to the role, and the interesting realization that he may not need to act and direct and […]
by Peter Rinaldi
in Back to One
on Apr 15, 2025 -
“I Love Television Because You Have To Continuously Evolve Your Character”: Jolene Purdy, Back To One, Episode 337
Jolene Purdy is always a standout. She gained recognition for her performance as Cherita Chen in the cult classic Donnie Darko, and later appeared in hit shows like Orange Is the New Black, Under the Dome, Breaking Bad, WandaVision, and The White Lotus. She now plays opposite Kevin Bacon in the new Amazon series The Bondsman. On this episode, she talks about how the collaborative nature of that production ignited her creativity and brought out the best in her. She tells us her secret to mastering the art of delivering exposition, why she loves to be directed, how she learned […]
by Peter Rinaldi
in Back to One
on Apr 8, 2025 -
“I Don’t Want To Be On Stage If I’m Not Vibrating Inside with Life”: Hadi Tabbal, Back To One, Episode 336
The incredible Lebanese actor Hadi Tabbal just finished the monumental Broadway run of Sanaz Toossi’s Pulitzer Prize-winning play English. He originated the role of Omid, and performed in various iterations of this powerful and transformative play over the last few years. On this episode, he talks about the fascinatingly unique aspect of English that is unlike any other play he’s performed, and what he means when he says it is “alive” every night and “very delicate,” and he has to “take care” not to “derail” it. He explains the difference between “discovery” and “deciding,” talks about the “saddest” part of […]
by Peter Rinaldi
in Back to One
on Apr 1, 2025 -
Back To One Episode 335: Magazine Dreams‘s Jonathan Majors
Jonathan Majors is an actor. His latest film is Magazine Dreams. He sat down with me to talk about the work. Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Spotify. And if you’re enjoying what you are hearing, please subscribe and rate us! Follow Back To One on Instagram.
by Peter Rinaldi
in Back to One
on Mar 25, 2025 -
“Don’t Wait for Permission” Gazer star Ariella Mastroianni, Back To One, Episode 334
Ariella Mastroianni is an actor from New Jersey by way of Ontario, Canada. With director Ryan J. Sloan, she co-wrote and co-produced Gazer, which she also stars in. The film, which the duo shot on weekends over the course of two years, brings the paranoid thriller genre into wildly original new territory. On this episode, Mastroianni tells the story of deciding to shoot on film, using their own money, with no formal support, no connections, just a deep desire to make the film they were both dying to see. She talks about the tools her acting teachers (like Brad Fleischer […]
by Peter Rinaldi
in Back to One
on Mar 18, 2025 -
Speaking in Tongues: How Koyaanisqatsi Was Reborn as The Vivid Unknown
When I step into the exhibition hall, three large screens display rapidly shifting, AI-generated images of natural and industrial landscapes. The overstimulating visuals resist easy interpretation, and they are also responsive to the viewers in the room. The video stops when the room is empty and speeds up as the room becomes more crowded. The longer one stays in the room, the more one’s “shadow” on the screen becomes visible—effects all made possible by a complex real-time vision-tracking system. This is The Vivid Unknown, an immersive installation that recreates the groundbreaking 1982 film Koyaanisqatsi using AI. The piece is a […]
by Deniz Tortum
in Emergence
on Mar 18, 2025 -
Life, Compressed: Austin Bunn’s Short Film Screenwriting: A Craft Guide and Anthology
Familiarity is where short films go to die. So says Austin Bunn, rephrasing a statement by the British-Moroccan filmmaker Fyzal Boulifa, who feels that the abundance of shorts characterizing our moment makes playing it safe as a screenwriter the biggest risk of all. Boulifa is just one of many filmmakers cited in Bunn’s new book, Short Film Screenwriting: A Craft Guide and Anthology, published in October 2024 by Bloomsbury. Bunn may be best known to Filmmaker readers as the co-author, with Christine Vachon, of 2007’s A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and […]
by Holly Willis
in Extra Curricular
on Mar 18, 2025 -
Blue Skies in Park City: Against the “Off Year” Sundance 2025 Narrative
Reports of Sundance’s death are greatly exaggerated. Even before this year’s festival was over, industry journalists rushed to declare its demise, from The Wrap’s Sharon Waxman (“Low Sales. No Standouts. Slow Sundance. Where Does Independent Film Go From Here?”) to The Ankler’s Richard Rushfield (“Get it Together, Indie A-Holes. What part of ‘extinction event’ do you not understand?”). But let’s not jump to conclusions. Maybe “the vibe was off,” as one producer notes, but what do you expect after twin catastrophes—the Los Angeles fires and the inauguration of Donald Trump—were still smoldering during the event? “I think the market was […]
by Anthony Kaufman
in Industry Beat
on Mar 18, 2025
