COLUMNS
FESTIVAL ROUNDUP
Thessaloniki, Festival Internzionale Giovanni, Toronto, Montreal and V'iennale by Noah Cowan, Laura U. Marks, Peter Bowen and Karol Martesko
PRODUCTION UPDATE
by Mary Glucksman
Thessaloniki, Festival Internzionale Giovanni, Toronto, Montreal and V'iennale by Noah Cowan, Laura U. Marks, Peter Bowen and Karol Martesko
by Mary Glucksman
Dana Harris looks back at the 1995 Independent Feature Film Market
Attorney Robert L. Seigel on hiring young performers
Liane Bonin on licensing music rights for independent films; director Doug Pray on acquiring music rights for Hype!, his documentary on the Seattle music scene; Michelle Meyers profiles three soundtrack albums from recent indie films
An excerpt from John Pierson's Spike, Mike, Slackers and Dykes
A roundtable discussion with Spike Lee, John Pierson and Kevin Smith -- expanded Non-Ink Version!!
Peter Bowen on Wong Kar-Wai's Chungking Express
Andrew Hulktrans talks with filmmaker Craig Baldwin
Last year's filmmakers reveal their thoughts on the Sundance Film Festival
From book to screenplay in Frisk and Female Perversions
Halving the Bones; Paradise Lost; Dadetown
Tamara Jenkins chats with director Todd Solondz about Welcome to the Dollhouse
Tessa Hughes-Freeland talks with Lili Taylor, star of Girlstown and I Shot Andy Warhol
Kushner-Locke's foray into indie filmmaking
The Cambrai Liberation Collective's The Delicate Art of the Rifle, screening at Slamdance
Producer Jim Stark on festival strategy and launching his film Cold Fever
Chris Munch's Color of a Brisk and Leaping Day
Excerpts from I Shot Andy Warhol producer Christine Vachon's personal diary at Sundance '95
American Job's Chris Smith
Michelle Meyers on Julia Dyer's Late Bloomers
The Celluloid Closet and The Battle Over Citizen Kane
Yosha Goldstein on Melissa Hacker's My Knees Were Jumping