Authors — Beatrice Loayza
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The Monster You Become: Coralie Fargeat on The Substance
Even for the most callous horror-heads, Coralie Fargeat’s debut feature, Revenge (2017), stunned with its gruesome rape-revenge plot and blunt-force style, announcing the French director as a genre talent on the rise, capable of invoking her cinematic inspirations while departing from them on her own frenzied, feminist terms. The Substance, which won the award for Best Screenplay when it premiered at Cannes earlier this year, somehow cranks up the madness even further, unfolding a dark Hollywood fairytale about aging and feminine beauty standards that stands among the most adventurous in the body horror genre. Demi Moore plays Elisabeth Sparkle, a […]
by Beatrice Loayza on Sep 18, 2024 -
Rotterdam 2024 Critic’s Notebook: A Spoiling Rain, The Ballad of Suzanne Césaire, Under a Blue Sun and 102 Narra
The International Film Festival Rotterdam has always been something of a grab bag. This year, at the 53rd edition, the Dutch festival showed 424 films across its various programmes — a reduction from past years due to widespread budget cuts. Still, 424 films (including 183 world premieres) is a mammoth undertaking for any one film critic at a major festival lacking an intuitive method of whittling down a schedule. This is especially true for international press less interested in the trickle-down from Cannes or Venice — Agniezka Holland’s audience award-winner Green Border, Bertrand Bonello’s The Beast, and Alice Rohrwacher’s La […]
by Beatrice Loayza on Feb 19, 2024 -
Inhabiting the Role: Todd Haynes on May/December
Todd Haynes’s May December, which premiered this year at the Cannes Film Festival and was snatched up by Netflix almost immediately, marks a return to the kind of expressive women’s drama for which the director is arguably most beloved. Think Far from Heaven (2002) or Carol (2015), two films about forbidden romance whose lush, stylized aesthetics both encourage nostalgia and destabilize easy emotional identification. As the title suggests, May December, too, concerns a taboo love affair—one whose throwback elements are anchored to the tabloid frenzies and true-crime obsessions of the 1990s. Written by Samy Burch, a casting director making her […]
by Beatrice Loayza on Sep 20, 2023 -
“I’ve Always Been Very Frustrated with Sports Films”: Julien Faraut on The Witches of the Orient, Learning from Chris Marker and Volleyball Anime
In his extraordinary portrait of American tennis champ John McEnroe, In the Realm of Perfection (2018), French filmmaker Julien Faraut engineered a hypnotizing meditation on the intersection between sports, performance and the creation of images—not at all the conventional retread of history one might expect from anything with the “sports movie” label. In his latest, The Witches of the Orient, Faraut returns to the arena of athletic competition in similarly idiosyncratic fashion, profiling the women of Japan’s most famous volleyball team. Made up of former textile workers, team “Nichibo Kaizuka” nabbed gold at the 1964 Tokyo Olympics and inspired a […]
by Beatrice Loayza on Mar 31, 2021 -
“The Hardest Path is Always the Best Path”: Oliver Laxe on Fire Will Come
Oliver Laxe’s first two films, You All Are Captains (2010) and Mimosas (2016), take place in his adopted home of Morocco. In this year’s Fire Will Come, however, the writer-director returns to his childhood stomping grounds—not Paris, where he was born and raised, but the mountainous enclaves of rural Galicia, an autonomous region in the northwest corner of Spain. Born to Galician parents, Laxe spent formative summer retreats visiting relatives among the natural splendour of the Serra dos Ancares, parts of which overlap with the religious pilgrimage route of the Camino de Santiago. Drawing from childhood memories, Laxe exalts the […]
by Beatrice Loayza on Oct 28, 2020 -
“No Talking Heads on Camera”: Sam Pollard on MLK/FBI
In 1963, the FBI under J. Edgar Hoover began wiretapping Martin Luther King, Jr. with the goal of undermining his authority as a civil rights leader. Utilizing a wealth of newly discovered and declassified files obtained through the Freedom of Information Act, as well as newly restored footage from the period, MLK/FBI delves into the Bureau’s deeply questionable methods and motives for surveillance, while painting a portrait of King that does not shy away from uncomfortable truths. Directed by Sam Pollard, best known as Spike Lee’s editor on films like Clockers and Bamboozled, MLK/FBI builds upon a lifetime of work […]
by Beatrice Loayza on Sep 29, 2020 -
The Regretful Viewer: Memory and Anxiety at the Multiplex
Time carries forward, seemingly interminable, as we plunge into a new decade. But with each new marker, we are reminded that time itself is terrifyingly finite. The unknowable possibility of heaven or hell—or the more likely chance of stark nothingness—looms. With the unnerving fact of human mortality comes mournful reflection of why life transpired as it did, and what could have been—a mood and narrative spark defining part of the cinematic output of 2019. Quentin Tarantino’s Once Upon a Time … in Hollywood is centered around two has-beens played by Leonardo DiCaprio and Brad Pitt, relics of the Hollywood studio […]
by Beatrice Loayza on Dec 10, 2019
