Mati Diop likes summoning spirits. In 2019’s Cannes-premiering Atlantics, the ghosts of young Senegalese men lost in the Atlantic Ocean off the coast of Dakar come back to haunt people in their bid to demand what is rightfully theirs. In her latest hybrid documentary, Dahomey—which won the Golden Bear at Berlinale this year—she exorcises the spirit of artifacts looted by the French from the West African kingdom of Dahomey between 1892-94. After centuries of lying inert in Paris’ Musée du quai Branly, 26 of these artifacts were restituted to Benin in 2021. Dahomey not only documents their long journey home […]
by Bedatri D. Choudhury on Dec 9, 2024On a dull white piece of archival paper measuring 39.3 x 27.3”, ghoulish figures in wispy gray and red stenciled figures are engaged in various jousting poses. Text is sandwiched between the figures: “One day the streets all over the world will be empty. From every tomb I’ll learn all we imagine of light.” The 2016 painting by Nalini Malani, one of India’s foremost video artists, is titled All we Imagine of Light. Years later, her daughter Payal Kapadia would ask to borrow and rework the title for her film All We Imagine As Light, which would eventually go on […]
by Bedatri D. Choudhury on Nov 14, 2024