The Shooting Parties
John Cassavetes once described the role of the director as essentially indirect: “I don’t direct the film. I set up an atmosphere and the atmosphere directs.” Atmosphere and budget may seem like two very different issues, one ephemeral and elusive, the other pragmatic and denumerable, but in practice they are intimately linked. Decisions regarding the selection and number of cast, crew and locations; the scheduled duration and pace of the shoot; the resources at its disposal—each choice is at least partially determined by financial limitations, and each, in turn, affects the atmosphere of a production and the qualities of the […]
by Donal Foreman on Jul 19, 2012