Greek nonprofit Oxbelly has announced in a press release the participants of the 2025 Oxbelly Retreat, taking place June 28–July 6 at Costa Navarino in Messinia, Greece. The Oxbelly Retreat is an annual gathering of international storytellers, dedicated to the exchange of ideas, deepening of craft and broadening of artistic horizons through intercultural dialogue. Now in its tenth year, the 2025 Oxbelly Retreat includes programs for writers working in film and literary fiction. The Retreat is founded on the principles of embracing independence and risk-taking, as fellows move from early to mid-career and develop work they seek to bring to […]
by Filmmaker Staff on Jun 27, 2025Breaking into the entertainment industry can be a tough process, especially if you don’t know where to start, lack the proper skills, or even know what fields that are available to make your dreams into a reality. Since 1999, The Los Angeles (L.A.) Film School has been at the forefront of producing the next generation of entertainment industry professionals, through serving its mission of fostering creativity, collaboration, and exploration among its students. The L.A. Film School’s approach to learning takes the student out of the classroom–and their comfort zone–and places them onto sets, behind cameras, and in-front of industry standard […]
by Filmmaker Staff on Jun 16, 2025Metrograph, the New York repertory and first-run cinema, announces today the hiring of Edo Choi as Film Programmer. Choi was most recently the Associate Curator of Film at the Museum of the Moving Image and begins at Metrograph immediately. A New York-based film programmer, projectionist, and critic, between 2014 and 2019 Choi worked as a projectionist and then programmer for the Maysles Documentary Center. From late 2019 to early 2025, he was the Assistant—later Associate—Curator of Film at the Museum of the Moving Image, as well as the Senior Programmer of the Museum’s annual festival First Look, which celebrated its […]
by Filmmaker Staff on Jun 3, 2025Producers Joe Pirro and Caroline Clark attended the 2025 Cannes Film Festival as Gotham Cannes Producer Network Fellows. Pirro is with the New York company Symbolic Exchange, and Clark L.A.’s Kindred Spirit. The two recently collaborated on Andrew Ahn’s The Wedding Banquet, and here, in a part one of a two-part conversation, that share their festival debrief. First up, Clark querying Pirro. Clark: You were awarded this year’s Sundance Institute | Amazon MGM Studios Producers Award for Fiction at the Sundance Film Festival. From a decorated producer’s point of view, how do you like to prioritize your time at Cannes, […]
by Filmmaker Staff on May 26, 2025The American Pavilion at the Cannes Film Festival has announced the winners of this year’s Emerging Filmmaker Showcase sponsored by Gold House. Gold House awarded the inaugural Cultural Impact award to Andy “Celeste” Diep for Happy New Year, Ms. Luna. This award was conceived to recognize a filmmaker across the showcase’s categories whose work exemplifies excellence in multicultural narratives or underrepresented perspectives. “Happy New Year, Ms. Luna” also won the Emerging Filmmaker LGBTQ+ Award. The film’s director, Andy “Celeste” Diep is a AmPav Student Program Alumni from 2015. “It’s been wonderful to have almost all the 25 filmmakers with their […]
by Filmmaker Staff on May 22, 2025With the Cannes Film Festival underway until May 24, here are 17 films our editors and writers are keenly anticipating. As always, look throughout the festival for reviews from Vadim Rizov and Blake Williams as well as interviews and festival reports. The Mastermind (Kelly Reichardt) For her return to Cannes following 2022’s Showing Up, Kelly Reichardt latches onto Josh O’Connor’s rising star; after his profile-elevating turns in La chimera and Challengers, he’s in two competition titles this year (the other is Oliver Hermanus’s The History of Sound). Here he’s opposite Alana Haim, who also has a lot to promote with […]
by Filmmaker Staff on May 14, 2025We’re pleased to premiere the poster for ACID 2025 selection A Light That Never Goes Out. From the Cannes section’s website: Lauri-Matti Parppei, who has recorded several albums in a parallel life, takes us to their hometown in Northern Finland, a place where people speak little and depression is a taboo – this is Pauli’s illness, as he returns home to heal his wounds. With a melancholic tone, the film, through its precise, no-frills directing style, weaves its story like a musical score. Pauli rejects success and returns to life thanks to a chaotic lineup of outcasts. Friendship, stronger than anything, […]
by Filmmaker Staff on May 13, 2025It’s been 20 years since Film at Lincoln Center’s last retrospective of Kira Muratova, in which time obviously much has changed: the filmmaker herself has since died, no prints will be in the projection mix this time and Muratova’s identity as a Ukrainian filmmaker (as opposed to a Soviet filmmaker primarily working in a Russian context) has become more prominent. The work, however, remains essential. Check out the trailer above and start investigating her work with 1971’s Long Goodbyes, arguably the great mother-son movie. The retrospective runs May 16 to 25, 2025; click here to learn more.
by Filmmaker Staff on May 8, 2025UFO (Untitled Filmmaker Org) announced today the three new filmmakers comprising its 2025 Short Film Lab cohort. Selected filmmakers Daisy Friedman, Carin Leong (a Filmmaker 2025 25 New Face), and Emilio Subía will begin the Lab experience this month as they develop new scripted (Friedman and Subía) and nonfiction (Leong) projects. Filmmakers Emily May Jampel, Arielle Knight, and Samuel Wright Smith from the second Short Film Lab cohort announced last spring will continue in the program through December to develop their second projects engaging scripted narrative, hybrid nonfiction, and animation, in keeping with the Lab’s staggered enrollment model. The UFO […]
by Filmmaker Staff on May 8, 2025Filmmaker‘s monthly series at New York’s Paris Theater, Filmmaker Magazine Presents, continues in June with two new events coupled with in-person conversations. On Monday, June 2, the Paris will welcome director Tom Kalin and producer Christine Vachon for a Q&A following a screening of 1992’s New Queer Cinema highlight Swoon. Kalin co-wrote and directed this stylish take on the infamous murder trial of Richard Loeb and Nathan Leopold, Jr., a case that also provided inspiration for the stage play Rope, later adapted for the screen by Alfred Hitchcock. Swoon will show on a 35mm print courtesy of Kalin and the film’s director of photography, Ellen Kuras. On Monday, […]
by Filmmaker Staff on May 7, 2025