Authors — Filmmaker Staff
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“Perfection Can Be Your Enemy”: DP Paul Gleason on Didn’t Die
In Didn’t Die, the host of a podcast continues broadcasting even after the apocalypse, using irony to mask her fear. The 2025 Sundance Film Festival Midnights selection contrasts her podcast demeanor with her family life and takes inspiration from George Romero and Post-Impressionism. Paul Gleason wore many hats for the production of Didn’t Die. Below, he answers questions in his capacity as DP, elucidating how to navigate budgetary limitations with carefully chosen equipment and connecting the effect budget has on aesthetic to film noir and horror films. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did […]
by Filmmaker Staff on Jan 28, 2025 -
“Enter into Disagreements with More Compassion”: Editors Hannah Gabriel, Rubin Daniels Jr., Leslie Simmer and Elise Ahrens on Bucks County, USA
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“It Was 115 Degrees at Its Peak” | Meera Menon, Didn’t Die
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The most significant day on this film’s journey was our shoot in Joshua Tree. It was 115 degrees at its peak, and Paul, the cinematographer, nearly collapsed from heat stroke with the weight of the camera rig, which was apt for a film about survival. We were really out of money at this point […]
by Filmmaker Staff on Jan 28, 2025 -
“I Don’t Know if We Knew Exactly Where It Would Take Us”: DPs Antonio Rossi and Ben Bloodwell on Bucks County, USA
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“The Students Provide a Heartfelt Example We Can All Follow” | Robert May, Bucks County, USA
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“These Small Letters Can Cause Such Instability”: DP Paulius Kontijevas on The Librarians
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“The Censorship Our Librarians Face is One We Will Face in Our Field”: Producer Janique L. Robillard on The Librarians
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“The Turning Point for the Entire Project” | David Ngo, Never Get Busted!
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Our first meeting with John Battsek and Chris Smith was quite a moment, as I’m a fan of both their works. My partner in crime Erin Williams-Weir and I took a bit of risk personally funding the initial production for Never Get Busted! We cut together a teaser and pitched the project to John, […]
by Filmmaker Staff on Jan 28, 2025 -
“A Mix of Natural Indie Style, Theatrical Spotlights and Neon Colors”: DP Dustin Supencheck on Touch Me
Following his 2022 film Hypochondriac, writer-director Addison Heimann’s Touch Me centers on two best friends (Olivia Taylor Dudley and Jordan Gavaris) who fall under the erotic spell of the same guy (Lou Taylor-Pucci). At least he looks like a guy; the truth is, he’s an intergalactic being ensconced in a human flesh suit. As the best friends vie for his affection, they gradually realize that they’re fighting for their right to live as much as love. Cinematographer Dustin Supencheck discusses his working relationship with Heimann, the importance of capturing vibrant colors and the influence of 20th century Japanese cinema on the […]
by Filmmaker Staff on Jan 28, 2025 -
“Capturing a Kenyan Point of View as a Central Theme”: DP Christopher King on How to Build a Library
Shiro and Wachuka are two Nairobi women who attempt to transform the McMillan Memorial Library, a whites-only library until 1958, into a modern and vibrant cultural hub. Their attempts to navigate local politics and Kenya’s colonial history is tracked in How to Build a Library, husband-and-wife duo Christopher King and Maia Lekow’s follow-up to The Letter. King, besides co-directing, also served as the film’s cinematographer. Below, he explains the importance of capturing a Kenyan point of view and why working as a two-person crew helps build trust with their subjects. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and […]
by Filmmaker Staff on Jan 28, 2025
