Authors — Filmmaker Staff
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“Look at This Not as Reportage of an Event, But as a Metaphor”: Editor Yousef Jubeh on Khartoum
Khartoum is a poetic documentary that retraces the stories of five Sudanese refugees during the coup and outbreak of the civil war. The film, directed by Anas Saeed, Rawia Alhag, Ibrahim Snoopy Ahmad, Tomeea Mohamed Ahmed and Phil Cox, is part of the 2025 Sundance Film Festival’s World Cinema Documentary Competition. Editor Yousef Jubeh was tasked with compiling archival material, documentary footage from Sudan and green screen studio material. Below, he talks inspiringly of Sudanese culture and history and describes a sequence in the film that, in its description, evokes Sergei Eisenstein’s Strike. See all responses to our annual Sundance […]
by Filmmaker Staff on Jan 28, 2025 -
“Isaac Mizrahi in the Tub” | Douglas Keeve, Unzipped
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Isaac Mizrahi in the tub, chatting with his mother on the phone as if the cameras weren’t there. No problem being filmed mid-soak. Nudity wasn’t a thing for him—or for me, really. When you’re around supermodels like Linda, Naomi, Kate and Cindy, modesty isn’t exactly part of the gig. Clothes came off as quickly […]
by Filmmaker Staff on Jan 28, 2025 -
“I’d Have Done This One on iMovie if They’d Asked Me To”: Editor Christopher Passig on Middletown
In the early 1990s, teenagers enrolled in Fred Isseks’ Electronic English would regularly report on the illegal dumping of toxic waste in their community, their investigation culminating in a student film at the end of the course. Now thirty years older, these former students and Isseks look back on their projects and reflect on their impact on the town’s legacy. Editor Christopher Passig delves into the process of cutting Middletown, including the insane amount of raw footage he worked with, the “extreme levels of candor” he tries to bring to every project and the sympathy he now feels for his […]
by Filmmaker Staff on Jan 28, 2025 -
“The Night We Filmed the Flash Mob” | Erin Brown Thomas, Chasers
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? One of my favorite memories from production was the night we filmed the flash mob. After four long days of rehearsing and three nights of filming, we needed a boost of adrenaline, and boy did choreographer Malia Baker deliver! I remember emerging from a production meeting and walking outside to the backyard to see […]
by Filmmaker Staff on Jan 28, 2025 -
“We Broke a Cardinal Rule of Documentary Filmmaking” | Jesse Moss and Amanda McBaine, Middletown
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The one day that stands out, and will forever, from the production of our film Middletown, is the summer day when we travelled upstate to meet our subject Fred Isseks, for the first time, at his home in Middletown, New York. Fred is a former high school teacher. Our documentary is about a ground-breaking […]
by Filmmaker Staff on Jan 28, 2025 -
“We Weren’t Looking To Trick the Audience”: DP Michael Latham on SALLY
The first American woman to enter space is the subject of SALLY, Cristina Costantini’s documentary about the astronaut Sally Ride. The film also delves into an aspect of the maverick’s personal life: her 27-year-long relationship with her partner Tam O’Shaughnessy and the immense burden of keeping their love hidden from the public. DP Michael Latham talks about how he came aboard the project, the team’s mission of “serving the archive” from NASA and the difficulties inherent to the film’s interview shoots. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the […]
by Filmmaker Staff on Jan 28, 2025 -
“Respect Goes a Long Way”: Producer Erin Williams-Weir on Never Get Busted
The docuseries Never Get Busted follows Barry Cooper, a decorated Texas narcotics officer who shifts his focus to exposing police misconduct and, in truly libertarian fashion, helping drug users avoid getting busted for possession. Screening as part of the Sundance’s episodic pilot showcase, Never Get Busted is also the first-time producing venture for Erin Williams-Weir. Below, Williams-Weir discusses the financial challenges she faced along the way and provides a glimpse at the series’ raw material. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect with this filmmaker and wind up producing the film? Williams-Weir: My background is in […]
by Filmmaker Staff on Jan 28, 2025 -
“It’s Wonderful to Aim for the Poetic”: Editor Julian Hart on Never Get Busted
Never Get Busted documents a decorated narcotics officer in Texas turn toward libertarianism as he aims to expose police misconduct and helps drug users slip under the radar. The docuseries, more than five years in the making, takes its name from the YouTube channel of its subject, Barry Cooper. Never Get Busted will screen at the 2025 Sundance Film Festival as part of the episodic pilot showcase. Below, editor Julian Hart extols the benefits that split screens had on his projects and shares what he has learned working for a diverse assortment of projects. See all responses to our annual Sundance […]
by Filmmaker Staff on Jan 28, 2025 -
“We Did Not Lose Our Love for Our City” | Timeea Mohamed Ahmed & Rawia Alhag, Khartoum
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Timeea Mohamed Ahmed: I’ll never forget the day I shot a green screen reconstruction with Jawad, the “Rasta” Sufi biker, my subject, from a moment of his experience in the war. We were recreating the moment he learned his close friend had been killed. We thought we were prepared—both of us—but when the camera […]
by Filmmaker Staff on Jan 27, 2025 -
“A Constant Atmosphere of Uncertainty and Caution”: DPs Anas Saeed, Ibrahim Snoopy & Phil Cox on Khartoum
Anas Saeed, Rawia Alhag, Ibrahim Snoopy, and Timeea Ahmed are among the 10 million+ people who have been displaced by the ongoing Sudanese Civil War. In Khartoum, they work with British director Phil Cox and five displaced Sudanese to reenact their stories. The film combines studio recreations with documentary footage shot in Sudan. Below, Snoopy, Saeed, and Cox, all of whom served as cinematographers, talk both about the logistical difficulties and the aesthetic goals of Khartoum. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were […]
by Filmmaker Staff on Jan 27, 2025
