Around sixteen years ago, the late great Filipino film critic Alexis Tioseco saw Antoinette Jadaone’s student short films ‘plano (2005) and Saling Pusa (2006) and began championing her work. In the words of critic Oggs Cruz, Tioseco thought Jadaone was “the person that is most qualified to give Filipino mainstream filmmaking that much-needed burst of novel inspiration,” given that her “shorts are all tightly packaged confections that marry the popular appeal of mainstream escapist entertainment and the unique wit of more adventurous fare.” Two years after Tioseco’s death, Jadaone made her feature debut—a love letter to and critique of Filipino […]
by Jason Tan Liwag on Nov 27, 2024Since the late 1990s, Lav Diaz’s cinema has explored the Philippines’ troubled history with colonization, authoritarianism, corruption, poverty, macho-feudalism and the tensions that animate and enliven the sociopaths of today. His durational works are simultaneously a test of patience and spirit and assertions that the stories of Filipinos deserve time and space to unfold in all of its complexities. Diaz’s works paint portraits of good men and women whose morals disintegrate along with their minds, poisoned by the pressures of the world, leading them to commit uncharacteristic acts of violence one would think they are too progressive or too intelligent […]
by Jason Tan Liwag on Sep 3, 2024Set shortly before 9/11, Trương Minh Quý’s Viêt and Nam begins underground with two coal miners, their bodies soaked in sweat and caked in dirt. As they wait for instructions, they talk about a dream — one concerning water, plastic bags, and drowning. In the silence, they comfort each other by caressing each other’s faces. Suddenly, a bell rings. They rebutton their clothes. Moments later, a bomb can be heard exploding in the distance. Only above ground do the details surface: Viêt and Nam are lovers who are on the brink of separation as Nam, influenced by Vietnam’s migrant boom […]
by Jason Tan Liwag on May 22, 2024