Recently, I had to correct a friend of mine who referred to Thelma & Louise as an independent film. “Actually,” I said, “Thelma & Louise was 100% Hollywood, incredible as that may seem today.” It is not surprising that the Callie Khouri-penned story of two women escaping the law after killing a man for his attempted rape has developed an outlier reputation considering Hollywood’s response to it. Despite its critical and box office success, there were no copycat films made, no new genre emerged, no film movement was sparked. Since then, Hollywood has come nowhere close to producing another such […]
by Jennine Lanouette on Nov 15, 2017Once upon a time, a long time ago, I was considering the possibility that there might be more to screen drama than external conflict-driven plotting when, as if hit by a thunderbolt, a new paradigm of story structure downloaded onto the page in front of me. I had been teaching script analysis, a lecture class analyzing the dramatic structure of successful films, for a few years by then, and it had led me to notice ways that character elements were able to move stories forward. They were not simply providing an added layer of human interest. They were serving a […]
by Jennine Lanouette on Aug 11, 2015Poor old three-act structure. It gets hammered away at, like an old punching bag, every time someone wants to challenge the primacy of the formulaic Hollywood screenwriting methods. “Take that! You follow-the-dots, color-within-the-lines, stodgy old armature!” Poor, poor three-act structure. So much to offer. So misunderstood. What if I were to tell you that in the 2,500-year history of Western dramatic literature, three-act structure is actually a radical new innovation? What would you think if I also said that its radical impact, towards the end of the 19th century, was to finally free dramatists from a highly proscriptive, closely dictated […]
by Jennine Lanouette on Nov 19, 2014The below is a guest essay by Jennine Lanouette, Founder and Chief Content Creator at Screentakes Digital Publishing, who is currently in the midst of a Kickstarter campaign for a line of media rich screenplay analysis ebooks. Lanouette has taught screenwriting and lectured on story structure and script analysis for over 20 years, and much of her wisdom can be found at her site. The new ebooks use text, video and interactive graphics to provide a new dimension to screenplay study. For more details, and to donate to the campign, visit its Kickstarter page. — SM It often seems to […]
by Jennine Lanouette on Jun 2, 2014