[PREMIERE SCREENING: Friday, Jan. 16, 12:15 pm — Holiday Village Cinema IV, Park City] The idea for making The Glass House came organically when the director, Hamid Rahmanian, and I were invited to the Omid e Mehr Center in Tehran during a short visit to Iran (for what should have been a couple of weeks and turned into two years). At first we weren’t interested in covering a women’s crisis center in Iran — it had been done a few times already. Our biggest hesitation was the difficulty in penetrating the thick façade of pretenses that dominate Iranian culture; intimacy […]
by Jason Guerrasio on Jan 16, 2009Once again Sundance has teamed with iTunes to showcase a collection of shorts during the fest for free. From January 15 through January 25, visit www.itunes.com/sundance to view 10 shorts from this year’s festival representing a variety of countries, styles, genres, and stories. They include: Acting for the Camera (Director: Justin Nowell; Screenwriter: ThomasNowell)-An acting class. Today’s scene: the orgasm from ‘When Harry MetSally.’ Countertransference (Director: Madeleine Olnek; Screenwriters: MadeleineOlnek and Cast)-A comedy about an awkward woman with assertivenessproblems who seeks the questionable help of a therapist. HUG (Director: Khary Jones)-Drew is a musician with a contract ready tosign. When […]
by Jason Guerrasio on Jan 14, 2009Here’s Anthony Kaufman’s Industry Beat column for the upcoming Winter issue. “Gay Marriage Ban Inspires New Wave of Activists,” declared a recent headline in The New York Times. If the passage of California‘s Proposition 8 initiative — which denied same-sex couples the previously granted right to marry in the state — could stir hundreds of newly politicized members of the gay community to join together and fight back, will that same activist energy jolt America‘s gay and lesbian filmmakers to do the same? If a new, more radicalized LGBT cinema were on the rise, trend spotters would likely find murmurs […]
by Jason Guerrasio on Jan 9, 2009[PREMIERE SCREENING: Friday, Jan. 16, 6:15 pm — Holiday Village Cinema IV, Park City] Afghan Star is a documentary about a TV show of the same name. It’s a powerful TV format we all know — a version of Pop Idol — but in a country that most of us don’t: Afghanistan. With the backdrop of warfare and Taliban repression (they banned music and used to impale TVs on spikes) you certainly wouldn’t expect to find a TV music talent contest. But Afghan Star: The Series is now one of the most potent forces of change the country has. You […]
by Jason Guerrasio on Jan 8, 2009[PREMIERE SCREENING: Friday, Jan. 16, 3:00 pm — Temple Theatre, Park City] The story of my film, Boy Interrupted, was not affected much by recently changing digital technology. If anything, the film is a throwback to conventional documentary filmmaking; straightforward chronological storytelling – no tricks. Authenticity was our guide. The goal was to tell the story of my son Evan’s bipolar illness and suicide in as factual a manner as possible, with home movies and first-hand interviews bearing witness to our experience as a family. I love the self-contained and mostly humorous videos I see on YouTube and Facebook and […]
by Jason Guerrasio on Jan 8, 2009[PREMIERE SCREENING: Friday, Jan. 16, 9:00 am — Temple Theatre, Park City] The hardest thing about making documentaries is finding a story inside your material — it’s just so much harder than scripted material. And so what you find are a lot of documentaries that are written in advance; that is to say that the filmmaker knew what he or she wanted to say before beginning shooting. So you feel a kind of steering going on, and therefore a falseness. The other extreme is that you see documentaries that have no story at all. The filmmaker saw something interesting, they […]
by Jason Guerrasio on Jan 8, 2009[PREMIERE SCREENING: Friday, Jan. 16, 8:30 am — Prospector Square Theatre, Park City] Johnny Mad Dog is based on a novel by Emmanuel Dongala. At first, I wrote a faithful adaptation of the book following the same narrative construction, which was centered on two main characters: Johnny, a 15-year-old child soldier, and Laokolé, a 13-year-old girl who runs away with her family. They are in the same situation in the last days of a civil war in Africa. The same unit of time, place and space. Two roads which cross paths, two different points of view, two destinies. Once this […]
by Jason Guerrasio on Jan 8, 2009[PREMIERE SCREENING: Thursday, Jan. 15, 6:00 & 9:30 pm — Eccles Theatre, Park City] My producer and I make clay-animated biographies (or “clayographies” as I like to call them). As with all my films, my latest stop-motion animation, Mary and Max, has a simple plot and the structure is nothing too elaborate or terribly clever. I used to shudder at the thought of calling them formulaic but in many ways they are. My aim as a writer-director is to create a rich and engaging story and then tell it well. I do not obsess over plot and structure and I […]
by Jason Guerrasio on Jan 8, 2009Over at Variety‘s The Circuit, Mike Jones recaps the latest indie casualties, as last week indie companies First Look, Peace Arch and Yari Film Group reported layoffs (and lawsuits).
by Jason Guerrasio on Dec 14, 2008IFC begins their Roadshow edition of Steven Soderbergh‘s Che tonight in NYC and L.A. Tonight at New York’s Ziegfield Theater Soderbergh will be in attendance to do a Q&A. A special program will also be given out. If you haven’t read our piece on Che‘s Red camera workflow, you may want to check it out if you’re going tonight. You’ll find a new appreciation for the gorgeous images you’ll see on screen. I also chatted with Soderbergh in the Fall issue (which you can read right now by subscribing to our digital issue).
by Jason Guerrasio on Dec 12, 2008