IFP announced today that the 17th Annual Gotham Awards will be held on Tuesday, November 27th in New York and have moved the location to Steiner Studios. They also announced three of this year’s Gotham Awards Tributes: actor Javier Bardem (No Country for Old Men, Love in the Time of Cholera, Before Night Falls), filmmaker Mira Nair (The Namesake, Monsoon Wedding, Salaam Bombay!) and film industry veteran Jonathan Sehring, President of IFC Entertainment. IFP will also collaborate with some of New York’s leading cultural organizations for the first time to present retrospectives of the Tribute individuals in the two weeks […]
by Jason Guerrasio on Jul 19, 2007The Museum of Chinese in Americas (MoCA), with New York’s premiere event promoters, Elements Nightlife, will be celebrating the launch of the MoCA’s Chinatown Film Project this Saturday at Jade Terrace in NYC. Hosting the event are actors Sung Kang, of the upcoming Undoing and previously of 2 Fast 2 Furious and Roger Fan, of the upcoming Finishing the Game and previously of Annapolis. Special guests include Chris Chan Lee, director of Undoing and Phil Yu of AngryAsianMan.com. Proceeds from the event will benefit MoCA/Chinatown Film Project. The Chinatown Film Project is a three-part film and interactive media program that […]
by Jason Guerrasio on Jul 18, 2007Check out the main page to read some of the stories we have in our Summer issue, which hits stands this week. Some highlights include the 25 New Faces of Independent Film, a Q&A with Rescue Dawn’s Werner Herzog, a pair of great docs, Charles Ferguson’s No End In Sight and Jason Kohn’s Manda Bala, and Jamie Stuart takes a look at Final Cut Studio 2. Also, check out the short he made with the help of FCS2, 12.5 Seconds Later…. Another added feature we’ve begun is our Load & Play section where the editors and writers of Filmmaker give […]
by Jason Guerrasio on Jul 17, 2007Watching Billy Wilder’s Ace In The Hole, which has been beautifully re-mastered by Criterion in a 2-disc package ($39.95) available this week, two things come to mind: 1) How forward thinking Wilder was and 2) how the movie ever got released. Kirk Douglas plays Chuck Tatum, a despicable newspaper reporter who stumbles upon a man trapped inside an old Indian burial cavern in Albuquerque, N.M. and creates a sideshow out of it. Though Tatum has a nose for scoops, his ego and determination to escape the desert and get back to the big city causes him to destroy everything in […]
by Jason Guerrasio on Jul 15, 2007Initially it might appear that filmmakers Godfrey Reggio (Koyaanisqatsi) and Jonathan Caouette (Tarnation) have little in common with directors Kelly Reichardt or Rob Epstein. Caouette’s intensely self-referential experimental documentary footage or Reggio’s dreamlike visual-image essays differ considerably from Reichardt’s well-received narrative feature Old Joy or Epstein’s award-winning political documentaries. Behind the scenes, however, these filmmakers and nearly 500 more have obtained funding and support from the nonprofit organization Renew Media (formerly known as National Video Resources), established in 1990 by the Rockefeller Foundation to administer the annual Media Arts Fellowships. In 2003 Renew Media assumed full responsibility for managing the […]
by Jason Guerrasio on Jul 10, 2007[ Filmmaker concludes its exclusive look inside the Sundance Directors and Screenwriters Labs (which wraps up at the end of the week) with a final entry from Filmmaker Braden King [pictured above], who’s been posting weekly stories on his experience at the Labs. His project is titled Here, co-written by himself and Dani Valent, and follows an American mapmaker charting the Armenian countryside who’s traveling with an adventurous landscape photographer revisiting her homeland. King has directed music videos and short films for Sonic Youth, Will Oldham and Yo La Tengo. He co-directed the film Dutch Harbor: Where The Sea Breaks […]
by Jason Guerrasio on Jun 25, 2007[ Filmmaker continues its exclusive look inside the Sundance Directors and Screenwriters Labs. Every Monday Filmmaker Braden King [pictured] will be posting a weekly story on his experience at the Labs until its conclusion on June 28. His project is titled Here, co-written by himself and Dani Valent, and follows an American mapmaker charting the Armenian countryside who’s traveling with an adventurous landscape photographer revisiting her homeland. King has directed music videos and short films for Sonic Youth, Will Oldham and Yo La Tengo. He co-directed the film Dutch Harbor: Where The Sea Breaks Its Back.] Sunday, June 17, 2007 It’s […]
by Jason Guerrasio on Jun 18, 2007IFP announced today the ten films selected to participate in its third annual Narrative Rough Cut Lab, a national program connecting mentors and projects by first-time feature filmmakers before they are submitted to festivals. Taking place in New York City June 12 – 15, this year’s Lab includes a number of new initiatives, such as: the formation of an Advisory Board, expansion of the program from three to four days, and moving the program from September to June, thereby ensuring that participants will have time after working with their mentors to submit their strongest work possible prior to the submission […]
by Jason Guerrasio on Jun 11, 2007[Beginning today Filmmaker Magazine will be taking an exclusive look inside the Sundance Directors and Screenwriters Labs. Every Monday Filmmaker Braden King will be posting a weekly story on his experience at the Labs until its conclusion on June 28. His project is titled Here, co-written by himself and Dani Valent, and follows an American mapmaker charting the Armenian countryside who’s traveling with an adventurous landscape photographer revisiting her homeland. King has directed music videos and short films for Sonic Youth, Will Oldham and Yo La Tengo. He co-directed the film Dutch Harbor: Where The Sea Breaks Its Back.] Friday, June 08 […]
by Jason Guerrasio on Jun 11, 2007Over on the main page check out Jamie Stuart’s Q&A with legendary cinematographer Vittorio Storaro. Here’s an excerpt: Filmmaker: Apocalypse Now. Theatrically, it was amazing to see it in its Scope aspect ratio, in 2001. I know that at this point you’re preferential to 2:1, but some people were upset to see it on DVD cropped from the 35mm 2.35. Storaro: Well, I always connected with one painting that Leonardo did, The Last Supper. The Last Supper is 2:1. At the time of shooting Apocalypse Now, I was not aware. I don’t really remember when I became conscious of the […]
by Jason Guerrasio on Jun 8, 2007