On the heels of evangelist Ted Haggard’s troubles (which Scott blogged about yesterday), reports have surfaced that the summer camp featured in Heidi Ewing and Rachel Grady’s Jesus Camp is being discontinued due to “negative reaction sparked by the film and recent vandalism at the camp site,” according to a Reuters story.
by Jason Guerrasio on Nov 9, 2006David Carr has an interesting piece in today’s New York Times on Shattered Glass writer-director Billy Ray who had some refreshing things to say while at a Writers Guild seminar during AFM. Carr writes: Mr. Ray said during the panel that the movie business was akin to Prada and Dior’s hitting the runway with the same fashions year after year and expecting to wow the people sitting there. But he remains stuck on the idea of people sitting in the dark, sharing a communal “dream state,” as he calls it. He pointed out that in a business where no one […]
by Jason Guerrasio on Nov 8, 2006Now that Borat has proved that it is worthy of all the hype, many question why it only opened on 800-plus screens. Was Fox cleverly building the word of mouth? Were they scared it could have possibly been a Snakes on a Plane? Variety explores the studio’s thinking. Here’s a little taste: Some close to the comic thesp point to the pic’s amazing $31,607 per-playdate average as a sign the film had enough appeal for a wider release. But some distrib execs point to the still-low awareness of “Borat” — in the latest tracking, which reflects polling from over the […]
by Jason Guerrasio on Nov 7, 2006Director Paul Rachman retraces the history of punk rock. Paul Rachman’s American Hardcore is a salute to the U.S. underground punk scene that exploded in 1980. Inspired by Steven Blush’s 2001 book American Hardcore: A Tribal History (Feral House), Rachman’s blunt documentary was culled from over 120 hours of interview footage, as well as a stack of archival concert videos compiled from closets, shoeboxes and fan memorabilia stashes. The film also documents a phenomenon that Rachman and Blush observed firsthand, before the scene fizzled in the mid-’80s. “The scene burned out before anybody came to capitalize on it, so it’s […]
by Jason Guerrasio on Sep 22, 2006The team behind the award-winning documentary Boys of Baraka are back with a new film that focuses on Evangelical children training to be “soldiers in God’s Army.” Early on in Jesus Camp, Pentecostal minister Becky Fischer asks an auditorium full of children and parents: “Do you believe God can do anything?” A young mother grabs her child’s arm and raises it. LEVI IN HEIDI EWING AND RACHEL GRADY’S JESUS CAMP. This is just one of many provocative moments that give Rachel Grady and Heidi Ewing’s latest documentary its haunting power. As enthralling as the religious rallies it reveals, Jesus Camp […]
by Jason Guerrasio on Sep 21, 2006Director Nicolas Winding Refn on “The Pusher Trilogy” KIM BODNIA IN “PUSHER” Halfway through “Pusher,” Nicolas Winding Refn’s first installment in what would ultimately become an epic trilogy, the director faced a predicament. Suddenly, the genre marked by guns and car chases held no interest. He abandoned the beatings and foot chases from the film’s early scenes, and went for a haunting, harrowing character study. “I realized I wasn’t interested in gangsters and crime,” the Danish filmmaker explains of his 1996 film. “I was really interested in the morality of the characters, and their emotional descents into hell.” “The Pusher […]
by Jason Guerrasio on Aug 16, 2006Co-director Keith Fulton reveals how to create an unlikely filmic Frankenstein like Brothers of the Head, welding a bizarre story of conjoined rock stars onto a fake-documentary framework. HARRY TREADAWAY AND LUKE TREADAWAY IN KEITH FULTON AND LOUIS PEPE’S BROTHERS OF THE HEAD. Ever heard of Tom and Barry Howe, conjoined twin frontmen from seminal seventies punk rock band Bang Bang? Remember “Two Way Romeo,” their signature live hit, when Barry would pull up his shirt and display the shared flesh-band that forever connected them at the midsection? No recollection? Then what about the British band “Spinal Tap,” with the […]
by Jason Guerrasio on Jul 16, 2006With The Outsider, cinematic badboy James Toback gets in front of the camera for first-time filmmaker Nicholas Jarecki. “Who is James Toback?” That’s the question documentary filmmaker Nicholas Jarecki poses in The Outsider, a freewheeling and highly watchable portrait of the director of idiosyncratic films like Fingers and Black and White. Jarecki introduces his subject, the Oscar-nominated screenwriter of Bugsy, on the set of a 2004 film for which Toback had high hopes. When Will I Be Loved, which starred Neve Campbell as a young woman on the make, would, like many of Toback’s films, be a minor presence […]
by Jason Guerrasio on Jun 16, 2006The director of Head-On investigates the rich musical culture of his homeland. DIRECTOR FATIH AKIN. The soundtrack and score of the critically acclaimed, adrenaline fueled doomed romance Head-On was a fusion of punk, European electronica, hip-hop, British new wave and traditional Turkish laments, so it’s no great surprise that the Turkish-German director Fatih Akin’s new movie is a documentary about the vibrant and diverse music community in Istanbul. It’s the city where Head-On music composer Alexander Hacke, better known as a member of the avant-garde band Einstuezende Neubauten, recorded a few songs for Head-On — and became fascinated by the […]
by Jason Guerrasio on Jun 16, 2006Here’s a novel promotional e-mail we received today from Todd Rohal, director and sound engineer of The Guatemalan Handshake. We can’t vouch for the accuracy of the story, but we thought you might find it of interest: “As the news of Tom DeLay’s misuse of funds is talked about daily here in the nation’s Capital, we at The Guatemalan Handshake would like to clear the air about our involvement… “Early on in our search for funding we were set up to meet with a high-profile Washington lobbyist. I bought a brand new pair of pants for the occasion. This lobbyist […]
by Jason Guerrasio on May 5, 2005