In the summer issue of this magazine, I wrote about how television is written and some of the ways that a screenwriter might break into writing for television — starting as an assistant in the writers’ room, fellowship programs, being hired directly to staff and selling a pitch or a pilot. As I noted in conclusion, whichever route you take, it all starts with a great pilot — that’s the sample that your agents will use to put you up for staffing, that’s the usual application piece for fellowships, and that’s even what assistants submit for consideration. So what exactly […]
by Marc Maurino on Oct 20, 2016Maybe you’ve had some success writing features. You’ve sold a spec, landed an assignment, made the Black List or wrote and directed your own indie feature. Maybe you’re a playwright, or you’ve got a web series, or you’ve made a few shorts, or even written a few good features. Or maybe you’re simply an emerging writer working toward that first sale or produced credit. No matter — in today’s film business, you can be any one of the above and still be thinking about one thing: moving into television. If you’re thinking about trying a TV staffing job, or even […]
by Marc Maurino on Jul 25, 2016At some point in your career, things are going to break your way — you’ll be lucky enough to have your crowdfunded labor of love generate some heat at a big festival. Or your short film will go viral. Or maybe you’ll sell a hot spec or make the Black List. Whatever happens, you’ll land managers and agents, and people in L.A. will want to meet you — and not a minute too soon, because you’re four months behind on rent and need to pay for T-shirts for all your backers. It’s time to meet studio execs looking to hire […]
by Marc Maurino on Jul 17, 2014A few weeks ago I attended the third Sundance ShortsLab, a day-long event about short filmmaking organized and conducted by the folks from Sundance (primarily, from what I could see, from the festival side of the house.) Sundance has previously put on two other Shortslabs, one in LA and one in Chicago. This was their first event in New York, and those of us in attendance spent the day in an auditorium at the Brooklyn Academy of Music as a variety of speakers and panels unfolded, and several short films were shown. The day started with Trevor Groth, Sundance’s director […]
by Marc Maurino on Aug 4, 2011Last September I blogged a bit for this site about my experiences as part of the 2010 Emerging Narrative class within the Independent Filmmaker Project’s (IFP) Project Forum at Independent Film Week (here, if you’re so inclined.) As a direct result of IFP’s support and my experience at Ind. Film Week, I sold my screenplay to a Hollywood studio a few months ago, which (Filmmaker Magazine editor) Scott Macaulay kindly covered here. Being part of Emerging Narrative quickly changed my life, but not without my careful consideration of what those changes might mean, and going forward with an open but […]
by Marc Maurino on Jul 12, 2011I now have a full week’s perspective on what happened at Independent Film Week as part of the Emerging Narrative section; what I learned, who I met, follow-up completed, what I might have done differently, and a new sense of where I’m going. If you are considering applying for next year, or lucky enough to have gotten in, hopefully this will be helpful. The best place to start, and usually the best place to finish, is with gratitude. I’m grateful to IFP for having selected my project; to the IFP volunteers, who with smiles and patience steered us around for […]
by Marc Maurino on Oct 3, 2010On the last day of Independent Film Week, I asked myself: Self, am I a filmmaker or a brand? Quickly realizing what a thorny Mobius strip of a question that was, I conveniently hied myself over to the panel entitled … Am I a Filmmaker or a Brand?, being moderated by writer/director/Hammer to Nail blogger Michael Tully (Cocaine Angel, Silver Jew), in what was billed as a “Cage Match” between Michelle Satter, director of the Sundance Institute, and Jon Reiss, filmmaker/author of the marketing and branding tome “Think Outside the Box Office.” Thanks to a conveniently timed Facebook post, I […]
by Marc Maurino on Sep 30, 2010Here’s another report from a part of Independent Film Week that I’ve written a little about, but which is actually a huge—or at least, half—of IFW—the conference. I previously described the Project Forum situation, but get this—when we were out of our meetings, we had the opportunity to walk outside and around the block to an auditorium where every hour, on the hour, assembled experts, case studies, and assorted panels were weighing on various subjects. If you’re an aspiring filmmaker and don’t have a project in Project Forum, it would still be extraordinarily worthwhile to get a week pass just […]
by Marc Maurino on Sep 28, 2010So if you’re reading this, it means Filmmaker Magazine hasn’t cut off my access to blog at this site yet, and I’m here with another report. Independent Film Week has officially ended as I write this, but it’s a testament to IFP and the power of being part of the Emerging Narrative/Project Forum that it feels as if so much new has started—new connections, new possibilities, new friends, new outlook on the indie film world, and a new sense of my own work. When I last checked in, I described the setup of the Project Forum meetings, which lasted through […]
by Marc Maurino on Sep 26, 2010Hello again, Marc here reporting from three days of meetings. It’s been an exciting whirl, and in hopes that some future IFP Emerging Narrative participant might read this (or just the IFP-curious at home), I think I’ll share a bit of what my last three days have been like. As aforementioned, prior to arrival, we received a schedule of meetings, all of which were scheduled between 9 AM and noon in the Emerging Narrative part of the Project Forum space, which is a huge room bisected; one side has a lounge-type area with chairs, wifi, helpful IFP staffers, and lots […]
by Marc Maurino on Sep 22, 2010