My annual exercise in what our audience — as well as our “audiences,” the latter term used to refer to the concoction of first and possibly last-time readers driven to our site by algorithmic determinism and SEO “best practices” — is always a mixture of the predictable and the unexpected. Regular features like our 25 New Faces series and Vadim Rizov’s survey of 35mm production always show up, as do articles by our excellent columnist Matt Mulcahey and podcaster Peter Rinaldi. I was particularly happy to see this year on the list two pieces that were especially deeply researched and […]
by Scott Macaulay on Dec 28, 2023Cinematographer Gregory Oke, whose credits include Charlotte Wells’s astonishing debut Aftersun, recently made his first foray into music video. His clip for Will Epstein’s “Golden” is unexpected, a pulsing, sinuous work of animation in which he hand-scratched film negative as well as shot the singer and then treated the resulting footage in similarly analogue ways. Watch the video above, and read below statements from both Epstein and Oke. “When I met Greg, I could tell right away he was a kindred spirit even though all the points of our shared aesthetic sensibility weren’t immediately known to us. Naturally, I was […]
by Scott Macaulay on Dec 21, 2023Welcome to the winter 2024 issue of Filmmaker. If my editor’s letter last issue felt tentative in places, that was because, as I noted, the WGA and SAG-AFTRA strikes were underway, and I, like many, had given up predicting when they would end. Happily, as we now go to press, both strikes have been resolved, although the SAG-AFTRA membership vote, 78% in favor, evidenced some opposition to the contract’s AI provisions, which grapple with issues around artificial intelligence and “synthetic performers”—concepts that might have seemed like science fiction just a few years ago and are now very real issues in […]
by Scott Macaulay on Dec 15, 2023Filmmaker and New York’s Metrograph Theater have partnered on a screening series as well as online streaming selection, “25 New Faces: Highlights, Favorites and Deep Cuts.” As the title suggests, it spotlights filmmakers chosen for our popular annual survey of new talent. Three programs run this weekend (Friday, December 15 and Saturday, December 16): one program of short films curated from our 2023 selection and then two drawn from prior years. In addition, a number of the shorts will stream online for Metrograph members. I’ll be there this weekend hosting the screenings along with some of the filmmakers and hope […]
by Scott Macaulay on Dec 12, 2023The Sundance Institute today announced the 91 feature films, episodic and New Frontier works that comprise the 2024 40th edition of the Sundance Film Festival. Premieres by Steven Soderbergh, Lana Wilson, Nathan Silver and the Zellner Bros. join debuting filmmakers such as Jazmin Renée Jones, Haley Elizabeth Anderson and River Gallo at the festival, which runs January 18 – 28, 2024 in Park City and Salt Lake City, Utah. A selection of the film’s programming will also be available online from January 25 – 28. Sundance received a record 17,435 submissions this year from 153 countries, with 4,410 being feature […]
by Scott Macaulay on Dec 6, 2023It’s the year of book fairs featuring the collections of voracious cinephiles. Summer’s end saw the Tom Verlaine Book Sale, where several friends and colleagues picked up movie-related editions. And this weekend sees another collection hit the market, this time at New York’s Metrograph Theater. As part of their Holiday Book Fair, Metrograph today and December 16 will be selling the personal collection of books, magazines and journals collected by critic Tony Pipolo, who passed away this past Spring. From the announcement: A passionate moviegoer, intellectual polymath, writer of great acclaim, and Professor Emeritus of film and literature at CUNY, […]
by Scott Macaulay on Dec 2, 2023“I think the reason we’ve never pinpointed the real beginning to this genre is because we’ve never agreed on what the genre even is. Do we read nonfiction in order to receive information, or do we read it to experience art? It’s not very clear sometimes… I am here in search of art.” — Jon D’Agata When I interviewed documentary filmmaker Frances Henderson for Filmmaker‘s 25 New Faces list in 2014, she discussed the above quote from author Jon D’Agata, noting that it held pride of place on the moodboard that hung above her desk. ” I am very much […]
by Scott Macaulay on Nov 14, 2023After supporting a range of programs uplifting the independent film community, including Sundance’s Art of Nonfiction and the Dear Producer Award, philanthropist, grant maker and producer and executive producer (Pahokee, Aleph, The Tuba Thieves), Maida Lynn recently announced through her company Facet a new “experimental” initiative, the Producer Group. Rather than the traditional model of providing project-specific support that sees grantees working individually, and different in many ways from the prevalent “lab” model, where supported filmmakers gather for brief bursts of mentorship from industry professionals, the Producer Group will attempt to foster collaboration between producers and “create a space for […]
by Scott Macaulay on Nov 11, 2023“Unfortunately, because aging is so common and natural, we tend to think of it as destiny or something we should accept,” says biologist and researcher David Sinclair. And while the scientist’s work on aging and epigenetics is tied to discoveries in biology from the mid-20th century onwards, within the arts the theme of immortality goes back centuries. Filmmaker Eddie Alcazar, who appeared on our 25 New Faces list in 2011, is the latest to tackle man’s search for eternal life, doing so at a time when interest in longevity and even avoidance of death is contemplated by tech community thinkers […]
by Scott Macaulay on Oct 17, 2023Todd Solondz’s indelible Happiness was released 25 years ago today. Filmmaker is reposting here its interview with Solondz, the cover story of our Fall 1998 issue. — Editor Winner of the Critic’s Prize at this year’s Cannes Film Festival, Todd Solondz’s startling new Happiness is not only one of the most challenging and invigorating independent films of the year, it’s also, by virtue of the strange politics of its release, a talking point for prognosticators everywhere concerned with the co-option of indie-film attitude by corporate-controlled majors and mini-majors. Ambitiously weaving five separate tales of modern alienation, romantic woe, and shocking […]
by Scott Macaulay on Oct 16, 2023