Authors — Scott Macaulay
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Case Study: S&M Sally
S&M Sally, the third feature in writer-director Michelle Ehlen’s trilogy of character-based comedy dramas dealing with gender and sexuality, was financed largely via crowdfunding and premiered at the Frameline Film Festival in June 2015 before going on to play more than 70 other fests, generating about $15,000 in revenue. For Ehlen, who has a devoted fanbase, festivals provide a kind of audience research: “Even if my films might land on the LGBTQ circuit, I try to go to bigger festivals, too. The festivals guide me as to how big a movie this is, how big the audience is, then I […]
by Scott Macaulay on Mar 16, 2023 -
Editor’s Letter
“Go make movies.” That was my Editor’s Letter signoff here in the earliest days of this publication. And, over the ensuing 30 years, many of you did! I won’t give Filmmaker anything more than a small amount of credit for the independent production boom in the years following our 1992 launch, but we have certainly been out there issue by issue, web page by web page, encouraging new independent filmmakers. We’ve also tried in these pages to deliver doses of reality along with our encouragement. We’ve run articles on the vicissitudes of financing, the high cost of delivery, difficult sales […]
by Scott Macaulay on Mar 16, 2023 -
Case Study: Playing with Beethoven
“As a filmmaker, you’re just happy if your investors get paid back,” says director Jenn Page about her sixth feature, 2020’s Playing with Beethoven, produced for just $65,000. “Even if you’ve done the whole thing—produced it, packaged it and spent your life on it—you just go, ‘Let me just please make my investors’ money back,’ and even that is always obviously risky in this business. You literally put in the packet to your investors, ‘You’re probably not going to make your money back.’ What kind of business does this?” With the exception of her very first film, Page hasn’t had […]
by Scott Macaulay on Mar 16, 2023 -
Remembering Noah Cowan
Noah Cowan, who died in January at the age of 55 of glioblastoma multiforme (a form of brain cancer), was a passionate and erudite multihyphenate in the world of international cinema. A programmer at the Toronto International Film Festival who went on to become its co-director, as well as inaugural artistic director for the festival organization’s year-round theatre, the Bell Lightbox, he was also a distributor (Cowboy Pictures), nonprofit leader (the Global Film Initiative and SFFILM) and a business consultant and strategist. He was also a writer and critic. For much of this magazine’s first decade, Noah was a contributing […]
by Scott Macaulay on Mar 16, 2023 -
State Hopping: The U.S. Film Tax Credit Landscape
As the pandemic exited its first lockdowns and film production tentatively recommenced amid overall economic uncertainty, the fate of U.S. tax incentives for feature film and television appeared cloudy. Wrote James Cutchin in the Los Angeles Business Journal on August 20, 2020, “State coffers have been drained after months of lockdowns, starved of key tax revenues and exhausted by the costs of fighting the virus. With states facing such bleak financial outlooks, some wonder whether governments will continue to fund film tax credit programs.” Two and a half years later, those worries have been largely banished. Last fall in an […]
by Scott Macaulay on Mar 16, 2023 -
Case Study: Desperate Acts of Magic
Joe Tyler Gold made his magic-themed comedy Desperate Acts of Magic, co-directed with Tammy Caplan, “a day or two a month, over 18 months, until the film was done,” he says. The protracted production worked in the film’s favor because, with new crews shuffling in and out, “people kept getting introduced to the movie, and we kept getting new supporters. So, we were able to get donations and funding through the whole process and, toward the end, when we released our trailer, a producer saw and was impressed by it. He saw that we were looking for money, and he […]
by Scott Macaulay on Mar 16, 2023 -
Late Fees: New York State’s Film Tax Credit Delays
Increasing delays in receiving the New York State film tax credit are affecting profitability and even dissuading some from shooting in the state, say a number of independent producers. What has long been one of the most robust and dependable of tax credits in the nation has become less appealing to producers and financiers due to timelines that can stretch out to five years from the start of principal photography. These lengthening timelines, especially in the face of rising interest rates, affect independent films needing to borrow against the credit more than studio and streamer productions, which are often fully […]
by Scott Macaulay on Mar 16, 2023 -
We Need This Cleared: The Authors Behind the Latest Edition of Clearance & Copyright
Filmmaking is a magnificent creative act, one that unites a group of passionate individuals toward the realization of an extraordinary artistic vision. Or, viewed another way, it is simply the effective aggregation and well-planned administration of various creative outputs and intellectual properties. And while there are plenty of books that purport to inspire you toward the former definition, there’s one in particular devoted to the latter that’s recommendable to any producer, whatever their experience level. Clearance and Copyright, first published in 1996 by entertainment attorney Michael C. Donaldson, has been the best single book for navigating readers through the thickets […]
by Scott Macaulay on Mar 16, 2023 -
“Klee Wanted to Destroy the Convention of Angels in Their Historic Tradition”: Ken August Meyer on His SXSW Doc about Art and Illness, Angel Applicant
There’s the concept of art as therapy, and then there’s the concept of a specific artist as a therapist, which is how debuting filmmaker Ken August Meyer introduces the Swiss-German painter Paul Klee at the start of his Angel Applicant, premiering today in the SXSW Documentary Feature Competition. At the beginning of the 21st century, Meyer, an art director at Wieden+Kennedy, is struck by systemic scleroderma, a life-threatening autoimmune disease that causes scarring and tightening of the skin and which can damage internal organs. As he embarks on a treatment path, Meyer finds solace as well as a kind of […]
by Scott Macaulay on Mar 13, 2023 -
The Filmmaker Guide to the Oscar-Winning Daniels
Winners of the Best Screenplay and Best Picture awards at last night’s Oscars for their Everything Everywhere All at Once, the Daniels — Daniel Kwan and Daniel Scheinert — have appeared in our pages many times over the years, with the various articles and interviews offering a historical timeline of the iconoclastic creators’ move from music video stars to celebrated feature directors. The two showed up first in 2015, in our 25 New Faces list, while they were in production on their first feature, Swiss Army Man. But we had already been knocked out by their music videos for the […]
by Scott Macaulay on Mar 13, 2023
