Increasing delays in receiving the New York State film tax credit are affecting profitability and even dissuading some from shooting in the state, say a number of independent producers. What has long been one of the most robust and dependable of tax credits in the nation has become less appealing to producers and financiers due to timelines that can stretch out to five years from the start of principal photography. These lengthening timelines, especially in the face of rising interest rates, affect independent films needing to borrow against the credit more than studio and streamer productions, which are often fully […]
by Scott Macaulay on Mar 16, 2023Filmmaking is a magnificent creative act, one that unites a group of passionate individuals toward the realization of an extraordinary artistic vision. Or, viewed another way, it is simply the effective aggregation and well-planned administration of various creative outputs and intellectual properties. And while there are plenty of books that purport to inspire you toward the former definition, there’s one in particular devoted to the latter that’s recommendable to any producer, whatever their experience level. Clearance and Copyright, first published in 1996 by entertainment attorney Michael C. Donaldson, has been the best single book for navigating readers through the thickets […]
by Scott Macaulay on Mar 16, 2023There’s the concept of art as therapy, and then there’s the concept of a specific artist as a therapist, which is how debuting filmmaker Ken August Meyer introduces the Swiss-German painter Paul Klee at the start of his Angel Applicant, premiering today in the SXSW Documentary Feature Competition. At the beginning of the 21st century, Meyer, an art director at Wieden+Kennedy, is struck by systemic scleroderma, a life-threatening autoimmune disease that causes scarring and tightening of the skin and which can damage internal organs. As he embarks on a treatment path, Meyer finds solace as well as a kind of […]
by Scott Macaulay on Mar 13, 2023Winners of the Best Screenplay and Best Picture awards at last night’s Oscars for their Everything Everywhere All at Once, the Daniels — Daniel Kwan and Daniel Scheinert — have appeared in our pages many times over the years, with the various articles and interviews offering a historical timeline of the iconoclastic creators’ move from music video stars to celebrated feature directors. The two showed up first in 2015, in our 25 New Faces list, while they were in production on their first feature, Swiss Army Man. But we had already been knocked out by their music videos for the […]
by Scott Macaulay on Mar 13, 2023In the nine years since Serial, the “true crime podcaster” has become, variously, a career goal, sociological type and, in TV shows like Only Murders in the Building, object of satire. In Citizen Sleuth, world premiering in SXSW’s Documentary Spotlight section, debuting director Chris Kasick considers his voluble, no-filter subject—Emily Nestor of the Mile Marker 181 podcast—from all of these angles while also producing a work that is something of a moral reckoning for the popular audio genre. In 2011, Jaleayah Davis, a 20-year old Ohio woman, died in a horrible drunk-driving accident, her head severed from her body. Or […]
by Scott Macaulay on Mar 12, 2023“Like an Abel Ferrara Jr., [Calvin Lee] Reeder meshes thought and design with genre storylines, like a Euro-filmmaker making ’70s drive-in films,” wrote Mike Plante in his 2007 25 New Face profile of the Portland, Ore.-born filmmaker. Sixteen-years later, the alt-horror auteur is still moving between the border spaces of various horror and science-fiction sub-genres, with his newest work — the SXSW-premiering independent TV pilot Harbor Island — being one of the most existentially offbeat yet. The festival’s program book provides the narrative gist but not the work’s extremely odd affect, which is something like watching Rupert Pupkin act in […]
by Scott Macaulay on Mar 12, 2023Tina Satter’s Reality opens with a high-angle shot of its eponymous heroine, Reality Winner, her blonde head poking up amongst a stretch of cubicle dividers in a Georgia NSA facility. It’s 2017 and above her on the walls are an array of television monitors, chyrons blaring, all tuned to the latest news about James Comey’s Congressional testimony regarding Russian election interference. The channel is Fox, and you don’t have to be at any particular place on the political spectrum to view this work environment as already an abusive one. Winner works translating Farsi to English, a task that requires sensitivity, […]
by Scott Macaulay on Feb 20, 2023Jonathan Caouette, the director whose breakthrough experimental personal doc Tarnation (2004) has proved both tremendously influential but never really matched in terms of formal inventiveness and emotional intensity, is facing significant health challenges, and friends and supporters have launched a GoFundMe to help. Marie Therese Guirgis, Stephen Winter, Brian Kates, John Cameron Mitchell, and Gus Van Sant are behind the fundraiser, which is currently just over midway to its $60,000 goal. Treatment is occurring abroad, and funds raised will go towards “crucial surgeries and medical care, his outstanding medical bills, and his living expenses while he undergoes this long and delicate process […]
by Scott Macaulay on Feb 11, 2023Along with their baby and an AI-generated poster, filmmakers Artemis Shaw and Prashanth Kamalakanthan recently brought their debut feature, New Strains, to the International Film Festival Rotterdam, where it won a Special Jury prize. The film is about a couple who travel to New York just prior to the start of a worldwide pandemic and, holed up in a relative’s apartment, descend “into a toxic pattern of spite, jealousy and miserable co-dependence, wrote Vadim Rizov in our 25 New Face profile of the filmmakers. “Wryly funny and cuttingly satirical, New Strains has the rare distinction of being a pandemic film that actually […]
by Scott Macaulay on Feb 9, 2023Noah Cowan — a curator, critic, festival director and distributor — died yesterday in Los Angeles. He was 55, and the cause was Glioblastoma multiforme. Over his more than 30-year career, Cowan brought his passion and erudition to a number of organizations and endeavors, beginning with the Toronto International Film Festival, where he began as an intern in 1981. After graduating with a philosophy degree at University of Toronto, Cowan in 1989 became a programmer at TIFF, curating films for the Midnight Madness and, later, the Vanguard sections. He would go on to program major national cinema retrospectives on India […]
by Scott Macaulay on Jan 26, 2023